NPD: Bent BF-2 (w/clips)
Posted: Sun Nov 15, 2009 8:31 pm
So, a while back, I met this guy Greg Furious, who plays bass in Chris Evil & the Taints. Great guy. Great beard (seriously, the man sports serious facial hair). Turns out he also repairs & bends pedals. A friend in one of the other bands playing said, "You should really hear what he can do to a BF-2!" So the fates aligned, and I saw that our own McSpunkle was selling a BF-2 right here in b/s/t. So I picked it up, and called up Greg.
Today, after many missed connections and complicated schedules, Greg and I got together, and I got my first bent pedal. Yay hooray! Greg walked me through the stuff he'd done (my camera's on the fritz, so no pix for you) - put in a new bright white LED, put in new chips so the regular mode would sound richer, and made the bend flip-switchable (the switch is conveniently located direcly above the right-most knob, so it's easy to flip on the fly). And then we plugged it in.
It's pretty crazy-go-nuts in the bent mode. I'm not sure what the heck is entirely going on. There's definitely an element of slapback delay, and some things that sound like a spaceship flying in and out of tune, and then other things that sound a bit like xylophones falling into each other. And it looooooooooooooooves the drums! I dragged my drum machine out of the closet, and had some fun techno houseparty times.
The one problematic thing is that in many settings, it develops a weird high-pitched tone that comes and goes with the flange wave. Sometimes it's so high-pitched that I think I could eq it out without the rest of the signal suffering, other times it's like being dive-bombed by seagulls. Anyhow, this is not a subtle pedal in the bent mode, so I can certainly live with a little more weirdness in the sound. Interestingly, this didn't happen when I used it with my drum machine.
Since I'm clearly not doing the pedal any justice in talking about it, I've recorded a few demo clips. The bass one covers a lot of little snippets of the various settings - it starts with the regular flange with everything at noon, goes to the bent mode with everything at noon, and then gets into the more "refined" bent sounds. The minute:second breakdown goes -
0:34 big swells
1:11 wiggly chop
1:36 metallic verb
2:00 tremoverbything
2:23 degrading flange & whistles
2:51 metallic ramp-up
3:18 funky beeps
3:42 xylophony harmonics
I also recorded two clips of the pedal with my old-ass Yamaha drum machine. The first is just me slowly turning knobs. The second is, I think, much more effective. A funny thing about this pedal and the drum machine - the effect was most subtle with the feedback knob (at least I think that's what it is - the rightmost knob. The description is now obscured by the bend switch) maxxed. In both cases, the only thing I toyed with was the knobs on the BF-2 - the drum pattern remained the same throughout, so all extra crashes, zooms & bangs were added by the pedal.
Anyhow, there you have it: crazy bent flanger sounds. I've gotta see how this thing plays with my other pedals now...
Today, after many missed connections and complicated schedules, Greg and I got together, and I got my first bent pedal. Yay hooray! Greg walked me through the stuff he'd done (my camera's on the fritz, so no pix for you) - put in a new bright white LED, put in new chips so the regular mode would sound richer, and made the bend flip-switchable (the switch is conveniently located direcly above the right-most knob, so it's easy to flip on the fly). And then we plugged it in.
It's pretty crazy-go-nuts in the bent mode. I'm not sure what the heck is entirely going on. There's definitely an element of slapback delay, and some things that sound like a spaceship flying in and out of tune, and then other things that sound a bit like xylophones falling into each other. And it looooooooooooooooves the drums! I dragged my drum machine out of the closet, and had some fun techno houseparty times.
The one problematic thing is that in many settings, it develops a weird high-pitched tone that comes and goes with the flange wave. Sometimes it's so high-pitched that I think I could eq it out without the rest of the signal suffering, other times it's like being dive-bombed by seagulls. Anyhow, this is not a subtle pedal in the bent mode, so I can certainly live with a little more weirdness in the sound. Interestingly, this didn't happen when I used it with my drum machine.
Since I'm clearly not doing the pedal any justice in talking about it, I've recorded a few demo clips. The bass one covers a lot of little snippets of the various settings - it starts with the regular flange with everything at noon, goes to the bent mode with everything at noon, and then gets into the more "refined" bent sounds. The minute:second breakdown goes -
0:34 big swells
1:11 wiggly chop
1:36 metallic verb
2:00 tremoverbything
2:23 degrading flange & whistles
2:51 metallic ramp-up
3:18 funky beeps
3:42 xylophony harmonics
I also recorded two clips of the pedal with my old-ass Yamaha drum machine. The first is just me slowly turning knobs. The second is, I think, much more effective. A funny thing about this pedal and the drum machine - the effect was most subtle with the feedback knob (at least I think that's what it is - the rightmost knob. The description is now obscured by the bend switch) maxxed. In both cases, the only thing I toyed with was the knobs on the BF-2 - the drum pattern remained the same throughout, so all extra crashes, zooms & bangs were added by the pedal.
Anyhow, there you have it: crazy bent flanger sounds. I've gotta see how this thing plays with my other pedals now...