ilovefuzz.com

Since I use synths, I can't just plug directly into a splattered fuzz. I've got to dial everything back or use mono sequences. Recently I started exploring the FX loop on my Bellwether again, which has allowed me a little more flexibility. Now I'm looking to expand my options, but I feel I may have already peaked.

The Four Eyes worked really well, so I picked up a Fuck. Now I'm looking for new options to use in the FX loop, or that can be paired with drum machines.

With most designs voiced for guitar, I know that a lot of nuance is going to be lost, no matter how I arrange the chain or adjust the pots. I'd still like to explore some other possibilities, regardless of these challenges. Some of my wish list items are somewhat aggressive, but maybe I should just look at stacking ODs, or perhaps another amp in a box?

The more versatile the better, but ideally I'd like something able to do edge of breakup at lower volumes, and dirty without being harsh or too fizzy.

stuff I've been looking at:

Brothers
Conquistador
Kliptonite
Palisades
Buzzz
Dream Reaper
Glacial Zenith

what's already on-hand:

Mastotron
Sansamp/Tech 21 Leeds
Unpleasant Surprise
TC Dark Matter
MF-107
Data Corrupter
Flex Pro
misc. DIY 60s fuzz boxes

a blend is prolly gunna be your BFF

amps in a box are great. i've been using different ones as recording preamps for awhile now.

Moog MF Drive?

3205 wrote:Moog MF Drive?

Didn't like it with my setup. Sold one a few years ago.

Elements? Goes from completely transparent to high gain, can get a little fuzzy if you want, has clean blend and powerful eq.

Pretty Years is the go-to answer if you've got one.
Also remember solutions such as Boss LS-2 and Pigtronix Keymaster can add extra fx loop within a loop, plus mv and blend controls to any of your fav dirtboxes presuming they dont load pickups a la fuzzface

RM-1N is my favourite fuzz with drum machines. I do that a lot.

I think HM-2 sounded good with some drum machines I've had

rustywire wrote:Pretty Years is the go-to answer if you've got one.
Also remember solutions such as Boss LS-2 and Pigtronix Keymaster can add extra fx loop within a loop, plus mv and blend controls to any of your fav dirtboxes presuming they dont load pickups a la fuzzface

No Pretty Years for me, although I'd like to try one. Maybe if there's a 2019/2020 batch?

FX loop for my FX loop? Hmm. At that point, I worry about losing what I set out to do. Dunno...

Dr. Sherman Sticks M.D. wrote:a blend is prolly gunna be your BFF

I've looked at blenders, but I'm really only using dirt with delay, so I haven't seen any added value by having a standalone FX loop away from the FX loops in my delays.

fcknoise wrote:I think HM-2 sounded good with some drum machines I've had

I've heard some nice clips, utilizing unheralded BOSS dirt pedals with keys/drums, but the HM-2 will never be my jam.

breakdown wrote:Elements? Goes from completely transparent to high gain, can get a little fuzzy if you want, has clean blend and powerful eq.

I'm certainly aware of it, but in demos, I've never really heard what I'm looking for. I might try one anyway. Thanks for the input.

coldbrightsunlight wrote:RM-1N is my favourite fuzz with drum machines. I do that a lot.

I've already got an Adineko and several other verbs. The RM-1N seems way too scuzzy for what I want. I understand why people like them, but I think I'd be happier with something like an Arquitecto or a Stargazer V2, if I get another oscillating verb.

I mean, I use it with light dirt and not that much reverb on most things and don't really like oscillating it much. It does have gain and mix controls

But fair enough if you just want a dedicated fuzz thing it's probably a bit big and pricey.

What drum machines? Digital or analog? Individual out use or are you wanting more of a drum buss fuzz?

Though these might be on the high side of the price range, boxes like the Elektron Heat and the OTO Boum are interesting. Combo-processors that include various versions of gain/grit/overdrive plus EQ/LP/HP filtering. I've heard the Heat in action and it's impressive, gives drums a little spice or alotta smash and always sounds good. The Boum also has a compression circuit in its chain.

Don't forget a bitcrusher/reducer of some kind. You might find an old Alesis Bitrman on the cheap which can compress and distort as well as phase/filter/frequency shift.

Psyre wrote:What drum machines? Digital or analog? Individual out use or are you wanting more of a drum buss fuzz?

Synths are more of a priority right now, as I try to perfect this chain---

OB-6 > [misc effect] > analog delay (dirt in the FX loop) > [misc effect] > secondary delay

...so finding something that complements drum machines is a bonus, but old-school analog....Roland CR-68, Korg/Univox SR-120, Ace Tone/Multivox (Roland) FR-4 Rhythm Ace. These are mostly used with reverb & delay, but adding a touch of warmth/grit that's focused would be nice.

I've looked at the TT-78, which doesn't sound as good as the original 68/78s, but I like the individual outs. The problem is I'd need a lot more space and time to really dive into that and set up parallel FX chains.

Eventually I'll return to the Sherman FB2, but when I had one >15 years ago, the options were fairly limited for intuitive MIDI controllers.