Massive FX Pedals GOAF
Posted: Thu Nov 30, 2017 4:24 am
Anyone else seen or looked into these?
This thing is nuts. Based around the super rare Burns Buzzaround, it's got an insane sound. It's got four controls. I'm putting all these in quotes because this pedal is funky, in a good way - a "Master Volume", "Mid Shape", "Timbre/Tone/Treble", and finally Sustain. I dig the design of the pedal. It looks sick, and like it can put out some killer sounds - Which it totally does. It puts out a great normal fuzz sound with everything around noon. But once you start changing knobs, it really, really gets dynamic. They all interact with each other in such an interesting way. It can go from a super chunky fuzz, to a real fizzy fuzz just with a few knob changes. And on top of all that, it's an octave fuzz (which, the octave can be used on its own). So you can get even more unique and crazy sounds out of it.
I've only recorded one of these so far, but I plan to record some more. Here's a video of me, playing it straight into a Kemper with a Brentwood Colonial profile by Michael Britt - https://youtu.be/J3-g9MaFiJE
A second demo video, this time using the octave. Straight into the Kemper, using a Michael Britt Marshall 1969 Plexi profile - https://www.youtube.com/watch?v=d4Ml6d5n29Q
Also, if I did anything wrong by linking videos here, someone please tell me. I'm new here!
This thing is nuts. Based around the super rare Burns Buzzaround, it's got an insane sound. It's got four controls. I'm putting all these in quotes because this pedal is funky, in a good way - a "Master Volume", "Mid Shape", "Timbre/Tone/Treble", and finally Sustain. I dig the design of the pedal. It looks sick, and like it can put out some killer sounds - Which it totally does. It puts out a great normal fuzz sound with everything around noon. But once you start changing knobs, it really, really gets dynamic. They all interact with each other in such an interesting way. It can go from a super chunky fuzz, to a real fizzy fuzz just with a few knob changes. And on top of all that, it's an octave fuzz (which, the octave can be used on its own). So you can get even more unique and crazy sounds out of it.
I've only recorded one of these so far, but I plan to record some more. Here's a video of me, playing it straight into a Kemper with a Brentwood Colonial profile by Michael Britt - https://youtu.be/J3-g9MaFiJE
A second demo video, this time using the octave. Straight into the Kemper, using a Michael Britt Marshall 1969 Plexi profile - https://www.youtube.com/watch?v=d4Ml6d5n29Q
Also, if I did anything wrong by linking videos here, someone please tell me. I'm new here!