NFD: Tonebender Mark II Clone
Posted: Mon Jul 25, 2016 9:21 pm
(Repost from TGP Strictly Fuzz)
Just picked up this affordable Tonebender Mark II clone from a local builder last weekend:

After trying so many oddball fuzz flavors, I figured it was time for another trial run with one of "the classics." This particular Tonebender has germanium transistors and controls for output level, bias, and fuzz. The enclosure features mystical, laser-etched graphics done by the builder and extra-snazzy amp-style knobs. I had previous experience with the Tonebender Mark II mode on the Big Tone Music Brewery Anthology fuzz and some idea of what to expect. The Bias knob affects both the gain character and EQ of the pedal and ranges from more sputtery and crunchy textures when set counterclockwise to fatter and more focused medium gain tones when closer to dimed. There is plenty of fuzz and sustain on tap, and the output level seems to reach unity around 1:00 and varies a bit depending upon where the bias is set. I've been able to dial in everything from warm and jangly classic-rock-style leads to proto-doom-tinged rhythm tones with various guitars. Additionally, it plays well with other gain sources including my Ampeg Scrambler, Green Ringer, and Rangemaster clones. Strong work overall for a relatively new builder.
Just picked up this affordable Tonebender Mark II clone from a local builder last weekend:

After trying so many oddball fuzz flavors, I figured it was time for another trial run with one of "the classics." This particular Tonebender has germanium transistors and controls for output level, bias, and fuzz. The enclosure features mystical, laser-etched graphics done by the builder and extra-snazzy amp-style knobs. I had previous experience with the Tonebender Mark II mode on the Big Tone Music Brewery Anthology fuzz and some idea of what to expect. The Bias knob affects both the gain character and EQ of the pedal and ranges from more sputtery and crunchy textures when set counterclockwise to fatter and more focused medium gain tones when closer to dimed. There is plenty of fuzz and sustain on tap, and the output level seems to reach unity around 1:00 and varies a bit depending upon where the bias is set. I've been able to dial in everything from warm and jangly classic-rock-style leads to proto-doom-tinged rhythm tones with various guitars. Additionally, it plays well with other gain sources including my Ampeg Scrambler, Green Ringer, and Rangemaster clones. Strong work overall for a relatively new builder.