ilovefuzz.com

I've got an Eventide Mixing Link as well as a Strymon BigSky ordered for my vocal pedalboard. I'll prob put it on either a Pedaltrain Nano+ or a Metro 18. I'll also have a Radial JDI direct box on the board.

Let's see what everyone is using.

I don't have one, but I am very interested in this thread! Lotta help, I know, but just registering my thread cheerleader status.

I got my BigSky and my Eventide Mixing Link. It sounds really good. I'm going to also put my Radial JS3 Mic Spiltter on the board (PT Metro 16) as soon as the board shows up. I'll post a pic then too.

I've been looking for a good vocal doubler for years. I got some very limited time to mess around with the Boss vocal twin pedal, but never quite figured it out. Seemed horsey, but I'm sure I just didn't have enough time to explore it.

Ideally I'd just love switchable doubling and good reverb, each with its own switch. Of course I could probably pull that off more easily just using two pedals.

The Boss has too many corny ass sounding options. Harmonies. The beloved "radio" effect that, despite being very cool when it was originally used eons ago, is now one of the most widely abused cliches in rock. Song starts with high pass, vinyl-crackly guitars and tinny vocals. Drums kick in and the tone opens up—EDGY!

I've been using this thing for a little, like a week. I'd been using this setup for a few months sans the Generation Loss. That honestly ties it all together. I don't do many proper vocals, but I plug in a mic for other things and sometimes sing

Ooh yeah I bet that Gen Loss would be great on Vox. The sort of chorusy sound it seems to be able to get (I haven't played on yet, in on the current batch) could be a kind of fucked up doubler.

I'd love to hear about someone using a Heil Talk Box with vocals.

popvulture wrote:The beloved "radio" effect that, despite being very cool when it was originally used eons ago, is now one of the most widely abused cliches in rock. Song starts with high pass, vinyl-crackly guitars and tinny vocals. Drums kick in and the tone opens up—EDGY!

I love that effect. Now ruined.

popvulture wrote:The beloved "radio" effect that, despite being very cool when it was originally used eons ago, is now one of the most widely abused cliches in rock. Song starts with high pass, vinyl-crackly guitars and tinny vocals. Drums kick in and the tone opens up—EDGY!

I love that effect. Now ruined.

Bass/drum machine/synth/sampler board typically provides great results with vox [although I don't currently have it setup as a board]
Frostwave Resonator
Effectrode PC2A Compressor
Effectrode PM2C phase-O-matic deluxe
LAL Misty Cave
Dr Scientist RRR
Dr Scientist BitQuest
EHX DMM

PeteeBee wrote:I've been using this thing for a little, like a week. I'd been using this setup for a few months sans the Generation Loss. That honestly ties it all together. I don't do many proper vocals, but I plug in a mic for other things and sometimes sing

Looks cool!

I'm also waiting for a generation loss that i was specifically interested in for vocals! How is it?

In the meantime i currently have: Boss ps-3, ehx hot tubes, dod metal maniac (kvlt bm and all that sounds you know), Boss ve-20 and a behringer reverb (that line6 verbzilla clone). I'll post some pics later! Getting soms pretty neat sounds with it

I was probably just gonna try to borrow a friend's Roland VT-3 when i went on the road, maybe run it into my Behringer VD-400, or occasionally send my vocals out the mixer send to the Red Panda Particle.

Invisible Man wrote:

popvulture wrote:The beloved "radio" effect that, despite being very cool when it was originally used eons ago, is now one of the most widely abused cliches in rock. Song starts with high pass, vinyl-crackly guitars and tinny vocals. Drums kick in and the tone opens up—EDGY!

I love that effect. Now ruined.

Haha—it's cool if you're Tom Waits!

Finally got the board put together.