There are a few for LAL that do kind of compare to other pedals. I don't think there is a whole lot overlap between commertial pedals here but there is some.
Anyway, here is my take on LAL:
46 -> Solid all around fuzz that can oscillate (though it's less a feature than a result of the design), but also get very compressed on high gain settings. It has a very full sound (probably of all the LAL) but it is also always the 46. It has a tone switch 1 is mid boost (sounds a bit thinner with more bite) and 2 is scooped bass/treble boost that sounds more evil. I would say that the sustain is medium. I use it for punk stuff and it can get a bit muddy with power chords. I know some people use it for stoner/doom-y stuff. It doesn't always work well with other pedals though (it gets crazy compressed with any added gain...mud)...It's something like people would use a muff, beebaa or super fuzz for, but with its own character. To me, it is my go to fucking-around fuzz (playing subhumans/rudimentary peni and the like).
88 -> It's a box of filters, gain stages, and feedback/oscillators that can be turned on and off and controlled by the "adjust" knob. It can do everything from raspy fuzz, different overdrive-y things, synthy (though I wouldn't call it synthy), full on osc fuzz. It's a little thinner sounding and less extreme than the 46, but way more versitile and fun. Elvind's video is the best for this one. It can really fit in anywhere if you try with it. And it works well with other pedals. It's like an Improbability drive, fuzz factory, or something but different and more easily dialed in and played with, again, a totally unique LAL take.
Lluna -> Probably the most mellow osc fuzz I have ever played. It interacts well with other pedals and has a nice timbre to it. It does oscillate, but it is controllable by the osc/gain knob. It has a voltage starve to make it a bit more lo-fi and, I think, it adds a nice tonal character to it (though there is a volume drop). It's got a nice tone but it isn't a full out fuzz like the 46 or 88. It stacks well but probably needs a boost. I think it would fit well in a mix in a lot of different settings.
Gomorrah -> This is a sub-octave fuzz with two modes: the first is a synthy suboctave bass with little to no dry mixed in and the second is "overtone mode" that mixes dry signal. The amount of sub-octave is increased with less volume/light picking from your guitar so it is kind of reversed in my head. The overtone mode is a nice raspy, thin character to it that will go to glitchy sub-octave with light picking. It will sputter and die but it isn't that hard gated. Sub-octave mode is pretty much a sub-octave mode. Sens controls how easy it is to trigger the different layers. This pedal stacks really well with modulation and is very dynamic. I think the overtone, hard picking sound has a nice fuzzy sound. It worked really well with my delays too because it didn't drown them with sustain. It's way more dynamic than something like a Blue Box to me and much more cutting. Mid-Fi Psych Byke and others are out there but they are all kind of to taste and dependant on playing style. I like that I can dynamically make it sound drastically different.
Octavella -> This guy, I think, is the black sheep of the line. It is an octave up fuzz that gets high gain but it also has a feedback control that will create an oscillation that sustains for a bit then gates. It's somewhat like quickly filling and draining a cup of oscillation. It has similar stacking problems to the 46 but it is a noisy distinct fuzz that I love but I can't really fit it in (it's very strange). It's the only thing I heard that oscillates this way.
Steroid O.D. -> It's an overdrive pedal with a switched boost section and a limiter. Very low gain and low volume. I didn't like it on bass or with solid state. I think it would be best as a gain stage for something else without a huge volume boost. It adds a tiny amount of grit. Hot cakes, boss overdrive or even the Driving notion are probably better choices for most.
Devil Tail -> It's a distortion pedal. I wouldn't call it a metal pedal...probably something more like a UK82 (think Chaos UK) or something would use. It does have the EQ and I felt like it had a distinct character, but I would never say that it is signicantly better or more useful than a lot of other distortion pedals. I'll say its better than a DS-1 but there are probably a bunch of distortion pedals out there that are readily and cheaply availiable that could compete.
Tone Axe -> It is a divider fuzz with a gate. The jetalizer thing isn't that integral really. It's really nice if you want a heavily gated, great sounding, divider fuzz (like it is much better than my fuzzmonger because it has more than one useful setting). I always kind of used this on it's own, however I would run the 46 before this sometimes for a high gain and gate sound. Not a lot of divider fuzzes on the market (that I can think of off the top of my head).
Toxic Plant -> Distortion with ring mod. Didn't play well with other dirt but it nails that ring mod/distortion +other weirdness sound. It's a blast, but you have to play different and accomodate the abrasive, random nature. (this was actually what i wished I had back in my band because all I ran was a ring mod (completely wet) and a distortion).
These two ain't dirt but they kinda are on the fringes.
Angel Ring -> with full gain, it gives a nice bite and feeds well into amp gain. Adds volume because its a boost. UG's demo of this is the one to look at. Clean boosts are all over the place and some go into overdrive land. Too many to compare and I don't really know them that well. I like it much better than my Effector 13 Dark Boost because it does more...but
Cyber Psychic -> Turn off the osc and just use the gain and filter for a pretty good lo-fi dirt sound that stacks well...though it shouldn't be your only dirt. It's the only pedal like it.
If I ever get off my ass and make demos, I will make a LAL fuzz video. (eh, since I have no camera worth a damn, maybe I will just record it on my tascam).
Infanem:
Driving Notion -> It is a different take on the "overdrive". there are a lot of good tones in it and it's pretty easy to dial in. It gets raspy and stuff without ever going into distictly one territory of fuzz or overdrive. It's neat and unique. It is almost like separately gaining and charactering bands of signal with a pre and post gain. It's got it's own character.
141G -> It's like taking the Driving Notion concept into the oscillating fuzz arena. Pre and Post gain mixed with different bands of oscillation that are somewhat separately controlled. The gate switch turns it into a gated fuzz, but it doesn't gate all the way. Totally different character from anything LAL.
Improbability Drive -> It is what it is and it will always be that. Would rather have a Year 4545, 88, or a fuzz factory but it has a character of it's own.
I've only used the fuzz war. I was only trying to list the more original circuits I've used (not the clones and stuff). Oh, and I am sure you could add to my 141g description. Just like Eivind to my 88 description.