ilovefuzz.com

NEW FLANGER HOAX DAY Y'ALL

i have no fucking idea how it works but it sure can do a nice leslie simulation!

a lot of times i'm trying to figure out how to make it "brighter", because a lot of those settings seem to be really muffled... but it takes a bit of tweaking the Amount knob and it gets better

i have NO idea how to use half of the controls though

but it's fun

Best pedal you'll never understand ever! And I say that from experience, cuz I've had two! I sold my first, missed the confusion, and scored a replacement on b/s/t.

Seriously, though, definitely look online for tutorials and suggested settings. There's some good ideas out there.

super long post, but here's a list I found on some forum years ago.
It's helped me get some crazy sounds out of the Flanger Hoax, and it's given me a deeper understanding of how the controls work and interact with each other


The Flanger Hoax is one of the most powerful modulation instruments ever designed. From shimmering static and active phasing to frequency adjustable flanging, you will find that an exciting and new pallet of textures is at your finger tips. The sheer number of variations available through both familiar, as well as, advanced modulation controls will present you with the ability to creatively shade as well as wildly animate your music in a way that really was never possible at this price level. Your own creativity is your only limitation.

Connect your instrument or mixer effects send output, to the Input jack and run a second cable from any or all of the three main outputs (Direct out, Blended out or Effect out). You will learn which outputs will serve your purposes the best in different situations. Hit the true bypass footswitch to activate and get ready for a magically ethereal treat.

CONTROLS

1. BLEND Knob: Mixes between the effect and dry signal. The counterclockwise position is all dry, clockwise position is all effect. The result of the BLEND Control goes out the BLENDED OUTPUT Jack.

2. FEEDBACK CONTROLS:

FEEDBACK Knob: Sets the amount of signal that is fedback into both phase shift circuits. The counterclockwise position gives you no feedback, the clockwise position is maximum feedback.

WET Toggle Switch Position: In the wet position, the wet signal (which is at the EFFECT OUTPUT Jack) is fedback to the phaser circuits.

OFF Toggle Switch Position: All feedback is turned off, no matter where the FEEDBACK knob is set.

SWPT Toggle Switch Position: In the SWPT Position, the output of the Swept Phaser is fedback into the Phaser circuits.

3. SWEPT PHASER CONTROL:

AMOUNT Knob: Controls the amount of modulation that sweeps the Swept Phaser. In the counterclockwise position, there will be no modulation. In the clockwise position you will have maximum modulation. The total phase shift range of the Swept Phaser is 240 to 990 degrees.

RESPONSE Rotary Switch: Determines how the Swept Phaser reacts to the modulation waveform. In LIN Mode, the Phaser reacts in a linear fashion, in LOG mode, it reacts in a logarithmic fashion.

MODULATOR MODE Rotary Switch: This switch steps through the different phases of the modulation waveform. When used in tandem with Delay modulation, interesting effects arise when the Swept Phaser modulation is in or out of phase with the Delay modulation. The right most position of this switch is DC mode. In DC Mode, the Swept Phaser becomes a fixed Phaser where the amount of phase shift is controlled by the AMOUNT Knob.

4. MODULATOR

RATE Knob: Sets the frequency of the sine wave Modulator. The available frequency range is from 0.07 Hz (14 Seconds) to 220 Hz.

DELAY MODE Switch: Selects between different phase shift combinations for the modulating waveform that sweeps the Fixed Phaser Delay line and the Swept Phaser Delay line:

Fixed Phaser Delay
Mode 1: 0 Degree Phase Shift
Mode 2: DC
Mode 3: 0 Degree Phase Shift
Mode 4: 90 Degree Phase Shift
Mode 5: DC

Swept Phaser Delay
Mode 1: 180 Degree Phase Shift
Mode 2: 180 Degree Phase Shift
Mode 3: DC
Mode 4: 180 Degree Phase Shift
Mode 5: DC

In DC Mode, the delay time is set by the Delay Amount knobs, described in the following two sections.

5. FIXED and SWEPT PHASER Sections: The Flanger Hoax has two independent phase shifter circuits: a FIXED Phaser and SWEPT Phaser. The FIXED Phaser is set to a phase shift of 240 Degrees. The SWEPT Phaser varies from 240 to 990 Degrees. These two phase shift sections run parallel to each other. The output of each phase shifter goes into its own Delay line circuit. The FIXED and SWEPT Phaser blocks on the right side of the Flanger Hoax have similar controls, though the SWEPT PHASER has additional controls in the SWEPT PHASER CONTROL Block:

DELAY AMOUNT: Controls the amplitude of the sine wave that modulates the delay time or when set to DC mode, sets the delay time. The DELAY MODE Switch in the MODULATOR section chooses between waveform modulation or DC, see the chart above. The range of delay time is 1 ms to 11 ms.

FIXED/BYPASS Toggle Switch: Either bypasses the FIXED Phaser circuit or enables it. When in Bypass, the audio signal will go around the FIXED Phaser circuit and then into its Delay line. When in Fixed mode, the audio signal goes through the FIXED Phaser and then into its Delay line.

SWEPT/BYPASS Toggle Switch: Either bypasses the SWEPT Phaser circuit or enables it. When in Bypass, the audio signal will go around the SWEPT Phaser circuit and then into its Delay line. When in Fixed mode, the audio signal goes through the SWEPT Phaser and then into its Delay line.

INVERT Toggle Switch: This switch inverts the output of the FIXED Phaser block after its Delay line circuitry. By enabling the INVERT Switch, you add 180o more phase shift to the FIXED Phaser output. The SWEPT Phaser does not have an invert switch.

all switches upward;
BLEND: max.;
FEEDBACK:12 o`clock;
RESPONSE: LIN;
RATE: min.;
AMOUNT: min.;
MOD.-MODE: DC;
DELAY-MODE: 1;
DELAY-AMOUNT (fixed): > 9 o`clock;
DELAY-AMOUNT (swept): > 9 o`clock: (~same pos. as the fixed)

Flanger Setting
Blend: 2
Feedback: 3 (Vary)
Feedback Switch: WET (In WET Position the Swept Phaser Block is disabled)
Response: Disabled
Modulation Mode: Disabled
Amount: Disabled
Rate: 10 (Vary)
Delay Mode: 4 (Vary)
Invert Switch: Bypass
Fixed Phaser Switch: Bypass
Delay Amount: 10 (Vary)
Swept Phaser Switch: Bypass
Delay Amount: 1 (Vary)

Phaser Setting
Blend: 2
Feedback: 2
Feedback Switch: SWPT
Response: LOG
Modulation Mode: 270
Amount: 3 (Vary)
Rate:11-12 (Vary)
Delay Mode: DC
Invert Switch: Bypass
Fixed Phaser Switch: Bypass
Delay Amount: 12 (Vary)
Swept Phaser Switch: SWEPT
Delay Amount: 12 (Vary)

Special Feedback Effect

It's the sound of feedback phase cycles.
After each LF cycle there is HF flutter.
At faster rates it does a rhythmic pulse.
Add a fuzz on, guitar volume on into the pedal
to exaggerate the effect without playing. Use Blend to mix balance between effect and guitar sound.

Blend: 2 (Vary)
Feedback: 5
Feedback Switch: SWPT
Response: LOG
Modulation Mode: 0 Degree
Amount: 5 (Vary to add more HF flutter)
Rate: (Vary)
Delay Mode: 1
Invert Switch: ON
Fixed Phaser Switch: Fixed
Delay Amount: 11
Swept Phaser Switch: SWEPT
Delay Amount: 11

Flanger Hoax Fuzz
Blend: 5
Feedback: 5
Feedback Switch: SWPT
Response: LIN
Modulation Mode: DC
Amount: 5
Rate: 5
Delay Mode: DC
Invert Switch: OFF
Fixed Phaser Switch: Bypass
Delay Amount: 11
Swept Phaser Switch: Bypass
Delay Amount: 12

Phaser Repeats
Phaser Setting: Clock Times and switch positions.
Blend: 7
Feedback: 2
Feedback Switch: SWPT
Response: LOG
Modulation Mode: 0 Degree
Amount: 2
Rate: 7
Delay Mode: 2
Invert Switch: Bypass
Fixed Phaser Switch: Bypass
Delay Amount: 9:30
Swept Phaser Switch: SWEPT
Delay Amount: 10
__________________

"bleating Roper" setting

blend 2oclock
feedback 1oclocl
swpt switch
log response
180deg
amount 1oclock
rate between 9 and 10 oclock
delay mode 2
invert switch up
fixed switch up
fixed phaser delay amount 11oclock
swept switch up
swept phaser delay amount between 1 and 2 oclock

"Troubled-T-Octavlator" :

Blend: max;
Rate: 3...5 o`clock;
Delay Amount: 9...12 o`clock (both);
Delay Mode: 1, 2, 3, or 4;

all others: don`t care
( to put them in neutral:
Feedback: min;
toggle: OFF;
Amount: min;
Modulator Mode: DC; )

Chorus
Blend: 12:00 or more
Feedback: Disabled
Feedback Switch: Off
Response: LIN
Modulation Mode: 180
Amount: 2:00
Rate: 1:00 (variable rate from 10:00 - 2:00)
Delay Mode: 2
Invert Switch: Bypass
Fixed Phaser Switch: Fixed
Delay Amount: 9:15
Swept Phaser Switch: SWPT
Delay Amount: 9:30 (or 9:45 for more depth)

Phaser
Blend: Max (variable)
Feedback: Disabled
Feedback Switch: Off
Response: LIN
Modulation Mode: 0
Amount: 4:00
Rate: 12:30 (variable)
Delay Mode: DC
Invert Switch: Invert
Fixed Phaser Switch: Fixed
Delay Amount: 12:30
Swept Phaser Switch: SWPT
Delay Amount: 12:00

Phaser Wah
Blend: 2:00
Feedback: 2:00
Feedback Switch: SWPT
Response: LOG
Modulation Mode: 0
Amount: 1:30 (variable sweep from 12:00 - 3:00)
Rate: 1:00 (variable rate from 10:00 - 2:00)
Delay Mode: DC
Invert Switch: Bypass
Fixed Phaser Switch: Bypass
Delay Amount: 12:00
Swept Phaser Switch: SWEPT
Delay Amount: 12:00

Phaser Tremelo
Blend: Max (variable > 11:00)
Feedback: Disabled
Feedback Switch: Off
Response: LOG
Modulation Mode: 0
Amount: 12:30 (variable shape)
Rate: 2:30 +/-
Delay Mode: 3 (variable)
Invert Switch: Invert
Fixed Phaser Switch: Fixed
Delay Amount: Min
Swept Phaser Switch: SWPT
Delay Amount: Min

Flanger Hoax FUZZ Setting

Yes, I found a setting in which the Flanger Hoax will sound like a weird FUZZ with modulation. This setting is also louder than clean, so it is quite functional... if that's what you're in to. But you don't buy this pedal if you're not into crazy. Subtle tweaks of the Delay Amounts will give you different squeals and hums


Blend: Max
Feedback: Max -> Swpt

Swept Phaser Control
Response: Linear (Most important setting)
Amount: Almost anywhere
(Toward max it starts to to oscillate down to low C-sharp. It gets very bassy towards max too)
Modulation Mode: DC

MODULATOR
Rate: I don't think it applies, but mine is at max
Delay Mode: DC

FIXED PHASER
Not inverted (down position (althought both are good))
Bypass
Delay Amount: 11:00 (but play with it)

SWEPT PHASER
Bypass
Delay Amount: 12:00

Vibe follower:

Blend: Full
Feedback swpt: 7
LIN
Rate: 7
SWEPT
Amount: 7
Phaser mode: 0 degrees
Delay mode: DC
First delay: 4.5
Second delay: 5.8

Auto-wah:

Blend: taste
Feedback: 7 swpt
LOG
Rate: taste
Invert
SWEPT
Amount: 6-8 (taste)
Phaser mode: 90 degrees
Delay mode: DC
First delay: 4-6 (taste)
Second delay: 5-9 (taste)

TZF: (run a dirt pedal before the Hoax for best results)

Slow crossover:

Blend: Full
Feedback wet (optional)
Rate:0-4 (taste)
Invert (invert off you wont have vol drop as the flange approaches the zero point)
Delay mode: 3
First delay: 9
Second delay: 8

Fast crossover:

Blend: Full
Feedback wet (optional)
Rate: 0
Invert: on
Delay mode: 1
First delay: maxed
Second delay: maxed

Molested delay:

Blend: 5
Feedback SWPT: 5.5
LIN
Rate: 6.5
INVERT
FIXED
SWEPT
Amount: 7
Phaser mode: 180 degrees
Delay mode: 3
First delay: 4.5
Second delay: 9

Need a Tremolo?:

Feedback swpt: 8
LIN
Rate: Taste
Amount: 5 (increase for hi-res phaser sounds)
Modulation mode: like a depth knob - 270 is the strongest
Delay mode: doesn't matter
Delay 1: 0
Delay 2: 0

Steps to Blurgon5:

Feedback wet: 7.5
LOG
Rate: 7
Invert
Fixed
Swept
Amount: 7
Modulation mode: 270
Delay mode: doesn't matter
Delay 1: 0
Delay 2: 0

Teleporter: (best with fuzz)

Feedback swpt: 6
LOG
Rate: 3 (or taste)
Invert
Fixed
Swept
Amount: 7
Modulation mode: 270
Delay mode: doesn't matter
Delay 1: 0
Delay 2: 0

Help!Ifelldownthewell:

Feedback wet: 7.5 (or as far as you can go before it starts to feedback on itself)
Rate: Doesn't matter (inactive)
Delay mode: doesn't matter
Delay 1: 0
Delay 2: 0

Pitch Warble:
Blend: Max
Feedback: Disabled
Feedback Switch: Off
Response: LOG
Modulation Mode: 270
Amount: 3:00
Rate: 11:00 (variable)
Delay Mode: 1
Invert Switch: Invert
Fixed Phaser Switch: Fixed
Delay Amount: 3:00
Swept Phaser Switch: SWPT
Delay Amount: 3:00

Phaser 2
Blend: Max
Feedback: Disabled
Feedback Switch: Off
Response: LOG (or LIN)
Modulation Mode: 0
Amount: 3:30 (variable depth)
Rate: 1:00 (variable rate)
Delay Mode: DC
Invert Switch: Bypass
Fixed Phaser Switch: Bypass
Delay Amount: 1:00
Swept Phaser Switch: SWPT
Delay Amount: 12:00

Chorus

A nice chorus sound that goes from normal to wobbly fast.

Blend: 11:00
Feedback: Min
Feedback Switch: Off
Response: LOG
Modulation: DC
Amount 10:00
Rate: 11:00-5:00
Delay Mode: 4
Invert Switch: Invert
Fixed Switch: Fixed
Swept Switch: Bypass
Fixed Delay: Max
Swept Delay: Max

Thick Phaser

Gives an excellent thick phaser effect - think "Breathe" by Pink Floyd.

Blend: Max
Feedback: Min
Feedback switch: Off
Response: LIN
Modulation: 270 degrees
Amount: 12:00
Rate: Any (Completely variable for the speed. From SUPER slow to spinning fast)
Delay Mode: 3
Invert switch: Bypass
Fixed switch: Fixed
Swept switch: Swept
Fixed Delay: Max
Swept Delay: Max

Wobbly Flanger

This flanger setting is like a standard flanger, but has a wobble in the wave. Almost as if the sound folds over on itself for a quick second.

Blend: Max
Feedback: 3:00
Feedback switch: Wet
Amount: Max
Modulation: 0 Degrees
Response: LIN
Rate: Variable - anywhere from the minimum to the maximum works.
Delay Mode: 1
Invert Switch: bypass
Fixed Switch: Fixed
Swept Switch: Bypass
Fixed Delay: 11:00
Swept Delay: 1:00

Ring Modulator

Very cool, and versatile ring modulator. The Blend knob controls the intensity, the Feedback knob adjusts tone, and the Delay knobs will change the speed of the ring modulation.

Blend: Variable
Feedback: 7:00 - 3:00 - functions exactly like a tone control, but begins to feedback after 3:00.
Response: LIN
Amount: Min.
Modulation: DC
Rate: Just barely under the maximum - Slightly adjustable.
Delay Mode: 1
Invert switch: Invert
Fixed Switch: Bypass
Swept Switch: Bypass
Fixed Delay: 10:00-max
Swept Delay: 10:00-max

Violin Sweep

A really nice sounding violin-like effect. It drops the volume and thickness of your sound, then builds it up in the sweep, sounding very much like a violin.

Blend: Max
Feedback: 9:00
Feedback Switch: Wet
Response: LOG
Modulation: DC
Amount: Min.
Rate: Min. - 1:00 (After 1:00 it turns into a tremolo effect.)
Delay Mode: 3
Invert Switch: Invert
Fixed Switch: Bypass
Swept Switch: Bypass
Fixed Delay: Max.
Swept Delay: 4:00

I call this "Ice Scraper"
Blend: Max
Feedback: Max
Feedback switch: Wet
Amount: Max
Modulation: 180 Degrees
Response: LIN
Rate: minium to 9:00
Delay Mode: switch between DC and 4
Invert Switch: down
Fixed Switch: Fixed
Swept Switch: SWEPT
Fixed Delay: tweak
Swept Delay: tweak

Blend: 80%
Feedback: 4:20
Feedback switch: SWPT
Amount: 4:00
Modulation: 180 Degrees
Response: LOG
Rate: Variable - almost minimum.
Delay Mode: DC
Invert Switch: down
Fixed Switch: Fixed
Swept Switch: SWEPT
Fixed Delay: 3:30
Swept Delay: 9:30

Flange/Phase

Blend: 9.5 o'clock
Feedback: A little above 3 o'clock
Feedback Switch: SWPT
Response: LIN
Rate: 10 o'clock
Delay Mode: 2
Modulator Mode: 90 degrees
Amount: 2.5 o'clock
Inverse Switch: Bypass
Fixed Switch: Bypass
Swept Switch: Swept
Fixed Delay: Noon
Swept Delay: 3 o'clock

I call this "Heartbeat"

Blend: 10.5 o'clock
Feedback: 4 o'clock
Feedback Switch: WET
Response: LIN
Rate: 2 o'clock (Varies based on tempo)
Delay Mode: 4
Modulator Mode: DC
Amount: Full tilt bitches
Inverse Switch: Inverse
Fixed Switch: Bypass
Swept Switch: Swept
Fixed Delay: 2 o'clock
Swept Delay: 2 o'clock

"Underwater" effect

Blend: 9th notch
Feedback: 8.5 notch
Feedback Switch: WET
Response: LIN
Rate: Varies
Invert Switch: Bypass
Fixed Switch: Bypass
Swept Switch: Swept
Fixed Delay: 5.5 Notch
Swept Delay: 7.5
Delay Mode: 2
Modulator Mode: 270 degrees
Amount: 8.5

Blend: max (variable)
Feedback: Off
Response: LOG
Amount: max for tremelo / turn down the amount to about 4:00 for a more Univibe-type sound
Modulator Mode: 0 degrees (variable)
Rate: variable between 1:00 - 3:00
Delay Mode: DC
Invert: Up
Fixed: Bypass, down
Fixed Delay Amount: min
Swept: Up
Swept Delay Amount: min

I found a really cool lo-fi sort of fuzz, too.

Blend: max
Feedback: 9th notch
Response: LOG
Amount: max
Modulator Mode: DC
Rate: 8th notch
Delay Mode: DC
Invert: Up
Fixed: Bypass
Fixed Delay Amount: vary
Swept: SWEPT
Swept Delay Amount: vary

Purple Flanger

Blend : Between 3:00 O'Clock and Max
Feedback Switch : Wet
Feedback : 2:30 O'Clock
Reponse : Lin
Amount 2:00 O'Clock
Modulator Mode : 180°
Delay Mode : 4
Rate : 10:00 O'Clock
Invert Switch : Invert
Fixed Phaser : Fixed
Fixed Phaser Delay : 15:00 O'Clock
Swept Phaser : Bypass
Swept Phaser delay : 10:30 O'Clock


Deep Modulated Fuzz (Setting Very Noisy !)

Blend : 10:00 O'Clock (For a signal as loud as the clean signal ), or Max (for a Volume Boost)
Feedback Switch : Swpt
Feedback : Approximatly 4:30 O'Clock . (Turn it to Max, and very slowly turn it to the left, until you don't heard the very high treeble.)
Reponse : Lin
Rate 12:00 O'Clock
Delay Mode : 1
Amount : 9:00 O'Clock
Modulator Mode : 0°
Invert Switch : Bypass
Fixed Switch : Fixed
Swept Switch : Swept
Fixed Phaser Delay : 9:30 O'Clock
Swept Phaser Delay : 14:30 O'Clock

"Chorus-like pseudo-Electric Mistress Flanger"
blend - 10:00-2:00
feedback -10:00-12:00
feedback switch - swept
LIN
mod mode -180 degrees
amount - 10:00
rate - 9:00-10:00
delay mode -1
invert switch - off
fixed switch - bypass
fixed delay - 3:00
swept switch- swept
swept delay -3:30


"Tremolo/phased wah/leslie"

blend -11:00
feedback-1:30
feedback switch- swept
LOG
mod mode - 0 degrees
amount - 2:30
rate - 3:30
delay mode -DC
invert switch- off
fixed switch -fixed
fixed delay -12:00
swept switch-swept
swept delay- 2:00

Self-oscillating Ambiance
Blend: 4:30 pretty much max
Feedback: 4:00 one notch over it
Response: Log
Rate: 8:15
All switchs: Up
Amount: 9:30
Modulator mode: 90deg
Delay mode: 3
Fix Phaser Delay amount: 10:00
Swept phaser Delay Amount: 8:15

Envelope Flanger

Blend-11:00-2:00
Feedback 1:30
Feedback switch-swept
LOG
Mod Mode-90 degrees
Amount 4:00
Rate-12:00-2:00
Delay Mode-4
Invert switch-off
Fixed switch-fixed
Swept switch-swept
Fixed Delay-1:30
Swept Delay-2:30

here is what I use for my Univibe sound
Blend-Max
feedback -off
feedback switch-off
response-LOG
amount-4:00
mod mode-180
rate-11:00(more phaser-like)-1:00(univibe-like pulse) 3:30-(fast leslie-like)
delay mode-DC (there are some weird chorus and TZF sounds in mode 4 too)
invert switch-up
fixed switch-bypass
swept switch- swept
fixed delay-11:00
swept delay-10:45

WELP NOW I WANT A FLANGER HOAX
I DON'T EVEN LIKE FLANGERS.

if anyone has tips for a very funky, juicy phaser-type stuff, please let me know

ALLisNOISE: that is actually the manual and a lot of Univalve's settings he sent me already but thanks anyway! some new things there as well i think

jrmy wrote:Best pedal you'll never understand ever! And I say that from experience, cuz I've had two! I sold my first, missed the confusion, and scored a replacement on b/s/t.

Seriously, though, definitely look online for tutorials and suggested settings. There's some good ideas out there.

haha, yeah... got some settings from Univalve, but i'm finding them to be rather a starting point than a done thing

Achtane wrote:WELP NOW I WANT A FLANGER HOAX
I DON'T EVEN LIKE FLANGERS.

TBH, my flanger needs are covered by my Digitech PDS 20/20 which has a very nice flanger i'd say i got the HOAX for out there stuff and phasing

Well, if you can't use it, then maybe someone else who reads this can!

sure thing, not saying i won't check it out

btw... reminding anyone... juicy funky phaser setting?

Reading that list made my brain hurt.

D.o.S. wrote:Reading that list made my brain hurt.

I didn't read that list, but that is the longest freakin' post I've ever seen.

DarkAxel wrote:sure thing, not saying i won't check it out

btw... reminding anyone... juicy funky phaser setting?

Did you try this one from the post above?:

ALLisNOISE wrote:Thick Phaser

Gives an excellent thick phaser effect - think "Breathe" by Pink Floyd.

Blend: Max
Feedback: Min
Feedback switch: Off
Response: LIN
Modulation: 270 degrees
Amount: 12:00
Rate: Any (Completely variable for the speed. From SUPER slow to spinning fast)
Delay Mode: 3
Invert switch: Bypass
Fixed switch: Fixed
Swept switch: Swept
Fixed Delay: Max
Swept Delay: Max

the thing is that every time there's a Delay Mode involved, there are the weird chorus-y warbles that work for me with some settings, but not when i'm looking for a "smooth like a baby child" type of sound... i'm gonna tweak and maybe post the results here...

but i've already found some amazing settings like a light phaser/flanger hybrid, very pleasant and AMAZING with Fuck in front of it

geez i can't wait for Eric's Heliotrope to arrive... i'm gonna be cookin'!!

dude that flanger hoax is a noisemakers wetdream

crank that feedback and let the bass warble u into REM

Dr. Sherman Sticks M.D. wrote:dude that flanger hoax is a noisemakers wetdream

crank that feedback and let the bass warble u into REM

At first I was like...wait, when did REM use a flanger hoax, and then I just

This is the site that made me finally understand how it works, and how to get the sounds I was looking for out of it:

http://www.modezero.com/flanger-hoax.htm

ok, so back from the rehearsal

a) i didn't notice at first, but the Blend pot is faulty it's either 100% dry or 100% wet, nothing in between... trying to contact the seller, but he hasn't responded to my mail and i sent that shit 12 hours ago, so i hope he's a man of honour and is gonna refund

b) if anyone is interested and wouldn't mind having to rewire/replace... any takers? :/ it's just too much for me, it really pisses me off when i have to adjust a million things to get the sound i need also... would be interested in a partial trade for a Boss PH-2... VERY REASONABLE partial trade

c) the leslie simulation was so good... and the noisy oscillation jam was just bangin'