ilovefuzz.com

I've got two splitter sockets that I use to connect the output to input of any pedal, and a flanger that I stick into the loop for LFO weirdness. I plug the guitar into the other input splitter socket, and switch the sound up and down with volume knobs and pickup selector. The other output splitter socket goes to the amp. Mad sounds fill the air.
But... I should buy a feedback looper pedal, right?

Do it or you're a terrible person.

http://vimeo.com/4953303

et voila

i say use what you have at your disposal. if it works, use it. buy some cheap pedals and hook em all up into the loop.

* i just sold mine and currently using two splitters for a feedback loop within a feedback loop.

Yeay!
Also I like to try and break things.

feedback loopers are fun shit for Your chorus, flanger and delay pedals and any distortion stomps You feel otherwise redundant on board

[youtube]http://www.youtube.com/watch?v=IRCcJnjr9PQ[/youtube]
[youtube]http://www.youtube.com/watch?v=0ZblGswJzf4[/youtube]

there... buy one. NOW.

The Mad Owl wrote:Headshrinker's ritual

dude that was evil

btw i love how the record from a rehearsal has way better natural mix then the tv gig (or whatever is it) where you can't actually hear your guitar for most of the time

DarkAxel wrote:

The Mad Owl wrote:Headshrinker's ritual

btw i love how the record from a rehearsal has way better natural mix then the tv gig (or whatever is it) where you can't actually hear your guitar for most of the time

...yeah, the performances in the TV (if they really let You play live) and the radio often turn out a bit too compressed... which seems to be just the sound the audience is usually prepared to call a professional sounding mix but hey - this wasn't bad. Not bad at all.

Go Mad Owl and The Common Men!

thank you! i love my spectacular aenima

I mean, if what you have works and is fun, you can keep doing what you're doing. But hey, feedback loops are fun too...

[youtube]http://www.youtube.com/watch?v=RasD3gAGlQ4[/youtube]

Bassus Sanguinis wrote:

DarkAxel wrote:

The Mad Owl wrote:Headshrinker's ritual

btw i love how the record from a rehearsal has way better natural mix then the tv gig (or whatever is it) where you can't actually hear your guitar for most of the time

...yeah, the performances in the TV (if they really let You play live) and the radio often turn out a bit too compressed... which seems to be just the sound the audience is usually prepared to call a professional sounding mix but hey - this wasn't bad. Not bad at all.

Go Mad Owl and The Common Men!

yeah, we did an in studio performance and interview and then a tv performance...

the radio guy was a little more receptive to input from us...

at the tv studio, they shoved lights in our faces and said "go!"

kbithecrowing wrote:I mean, if what you have works and is fun, you can keep doing what you're doing. But hey, feedback loops are fun too...

[youtube]http://www.youtube.com/watch?v=RasD3gAGlQ4[/youtube]

... yes.

Fucking yes.

D-Rainger wrote:I've got two splitter sockets that I use to connect the output to input of any pedal, and a flanger that I stick into the loop for LFO weirdness. I plug the guitar into the other input splitter socket, and switch the sound up and down with volume knobs and pickup selector. The other output splitter socket goes to the amp. Mad sounds fill the air.
But... I should buy a feedback looper pedal, right?

Do you make the devices that are on the site in your sig?

If so, making a feedback looper should be:

kbithecrowing wrote:I mean, if what you have works and is fun, you can keep doing what you're doing. But hey, feedback loops are fun too...

[youtube]http://www.youtube.com/watch?v=RasD3gAGlQ4[/youtube]

Now I want a feedbackback looper.