Re: 2020 Happenings! (BOSS Strikes Back)
Posted: Fri Nov 06, 2020 1:30 pm
People get to pick their own pronouns now, Torquemada.
They/them as a singular pronoun is older than you might think, older than the word "you" even.manymanyhaha wrote:Since when do we use the third person in place of first person pronouns?

No worriesGone Fission wrote:Well, I wasn’t really trying to accuse of anything, so I hope mine didn’t read as actual judgment.
i feel the same way about this... my only guess is that it's aimed at the same people who buy the OP1 as their main synth?echorec wrote:Modal continues to cement its place as an elite force for delivering a mixed bag.![]()
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I just don't understand these. In terms of sound, I'd give these a 9.5/10. They're clean and punchy without being too sterile or glossy. What I cannot condone is the 3-octave keyboard or the seemingly mandatory external editing. If I'm going to spend $800 on a digital platform that requires a computer for editing, why wouldn't I just get another soft synth and some world-class effects? The 3-octave KB is an absolutely useless addition for me. That's an uncrossable line, and I'm not even a serious, technical player. You've got to go keyless or offer a 4-to-5 octave option. Who are you pleasing with 3 octaves? That's a bad compromise. If I'm going to be required to look at a monitor to edit the synth, then why would I go for software, masquerading as hardware, needing external hardware and software for maximum performance. That's the most pointless concept ever.
Modal is one of the few companies making music products, that I actually wish would charge more. The small screen and unfavorable knobs-to-features ratio are shortcomings that can't be ignored. No complaints on the sound from me---the FX sound excellent, and there's a lot of potential for sound design and cinematic/ambient applications. For most companies, the features and the concept are the hook. Then the audio leaves you disappointed. Modal is on the other end of the spectrum. With Modal, the sound is quite appealing, but the supporting features are just so poorly conceived.
https://soundcloud.com/modalelectronics
[youtube]http://www.youtube.com/watch?v=KPcSVkfGeOk[/youtube]
http://www.youtube.com/watch?v=KPcSVkfGeOk
[youtube]http://www.youtube.com/watch?v=02W0byu0m9Q[/youtube]
http://www.youtube.com/watch?v=02W0byu0m9Q
This one gets me excited in the way that the matryoshka did. I see a ton of potential there.Inconuucl wrote:They/them as a singular pronoun is older than you might think, older than the word "you" even.manymanyhaha wrote:Since when do we use the third person in place of first person pronouns?![]()
But I'm not here to reopen this argument again, but instead to link to the new Banananana effect.
https://twitter.com/Banananaeffects/sta ... 1393078273
Me too. I love his older designs sonically but micro pedals are unusable for me, especially when they have like 8 knobs on them!UglyCasanova wrote:Hoping he runs with that design and color scheme on future works.
I would probably guess the same thing for zvex/cba collab and I'm excited at the possibility of a fuzz factory in a chase bliss format. I'm expecting the eqd/dba to be something wild! Either way, I'm excited to see what they are...weebles wrote:Hello, can anyone point me to some wild speculation about what the CBA-Zvex and DBA-Earthquaker collaborations are going to be before they get announced on Tuesday?
I'm assuming the former is some combo of the lofi junky and fuzz factory, but no idea on the latter aside from there will probably be a fuzz component.
There are like 10 parts in a Wolf Computer and they're all readily available. Easy repair job if it breaks.01010111 wrote:I’m actually pretty tempted by the zvex/cba fuzz factory. The Fat Fuzz Factory’s been my planned future backup pedal for when my beloved Wolf Computer eventually dies (assuming I’m unable to find another Wolf Computer).