behndy wrote:yah. if it sounds good, that's really fucking cool.
............. i do like to get my hands on knobs though. RARRRRRRRRRRRRR.
Yeah, don't we all. The point with these circuits is to keep your feet off of them. All of the control you need is on the inside for a set-and-forget grab-and-go streamlined gigging companion. How's that for jargin?
makes sense from a live perspective totally. But personally, I'm mainly a bedroom player so it's not as practical. definitely a cool little circuit tho
Fuzzy Fred wrote: please excuse me. can we keep this discussion civil and about donkey fucking?
hbombgraphics wrote:Why does it have to be Digital, but with an analog soul and buffalo semen???
yah. i get it. buuuuuuut.... i've rarely had shows where the same setting sounds awesome in all rooms. little tweaks GOOD.
but it's an interesting take on pedals. and i DIG the rehouse. that's sechs.
there's the dood from the 80's or 70's that built this spaceship looking mother of a steal enclosed pedalboard with everything rehoused inside? that shit is BANANAS son.
Eric! wrote:YOU'RE like having two pedals in one
with your...momentary fuck switch and all..
guh. those look.... AWFUL. how the hell would you know what you're hitting on stage? that seems like the everything i would hate about a pedalboard all in one comvenient little Spite Package.
weird selling points in the description too....
2) With all effects OFF the guitar sounds EXACTLY the same as when you plug directly into your amp
3) Each effect responds, when on, as if it were the only one in line and all adjustments are completely independent of adjacent effects
does 3 mean it has as many outs as there are effects? and 2.... shouldn't ANY board be setup like that? just pay attentiom to buffers and any weird requirements you'd have....
stuff like this makes me wonder about some of the popular musicians. who would want that?
Eric! wrote:YOU'RE like having two pedals in one
with your...momentary fuck switch and all..
behndy wrote:guh. those look.... AWFUL. how the hell would you know what you're hitting on stage? that seems like the everything i would hate about a pedalboard all in one comvenient little Spite Package.
weird selling points in the description too....
2) With all effects OFF the guitar sounds EXACTLY the same as when you plug directly into your amp
3) Each effect responds, when on, as if it were the only one in line and all adjustments are completely independent of adjacent effects
does 3 mean it has as many outs as there are effects? and 2.... shouldn't ANY board be setup like that? just pay attentiom to buffers and any weird requirements you'd have....
stuff like this makes me wonder about some of the popular musicians. who would want that?
+100 Srrrssllyyyy. WOOF.
That is one ugly and ridiculously hideous........ thing.
guh. those look.... AWFUL. how the hell would you know what you're hitting on stage? that seems like the everything i would hate about a pedalboard all in one comvenient little Spite Package.
weird selling points in the description too....
2) With all effects OFF the guitar sounds EXACTLY the same as when you plug directly into your amp
3) Each effect responds, when on, as if it were the only one in line and all adjustments are completely independent of adjacent effects
does 3 mean it has as many outs as there are effects? and 2.... shouldn't ANY board be setup like that? just pay attentiom to buffers and any weird requirements you'd have....
stuff like this makes me wonder about some of the popular musicians. who would want that?[/quote]
It looks like a cheese hat!!! Somebody will be wearing that to a packers game very soon
I don't get three either, to me it would suck because you want some effects to react to the other pedals around them (example Pog into Fuzz war) I checked the website and their are a few that are just dern silly, two volume pedals and a studder switch?
As far as the several mini effects in that one box with the internal tweakable trim pots that seems more practical and helpful on a number of levels.
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Iommic Pope wrote:This thread is mediocre at best, but I encourage everyone posting in it to feel as awesome as possible.
So you mean to tell me it's like he shoved a bunch of Boss pedals into an enclosure, wired them dumbly as fuck, and then goes to brag about how it's top-notch?
Great job fuckwad you should work in snake oil sales or something. Oh wait.
It does say it's from the 90s, on that little label....