ilovefuzz.com

[youtube]http://www.youtube.com/watch?v=BkQSiDa4v6g[/youtube]

Remember that time I went to Amherst and they called me California? Yea, must have been my tan.

Box of Rock (or Distortron) has been on every single iteration of my pedalboard since it first came out, so, I guess that.

D.o.S. wrote:Analog Mike knows his shit, so I don't doubt it. Never used a bluesbreaker, though.

I agree. My NKT275 (hgwd) Sun Face does the vintage Fuzz Face tone unlike anything else I've used. It's the sound of Voodoo Child (Slight Return) in a box. Almost makes me think I'm playing that good too. It has a richness and smoothness that's just so fucking sweet, then when I roll back the volume to clean it up and get me sweet Strat janglies on...

My bridge P90's into it bring the rock hard.

Easily my Stereo DMM Hazerai. It's the first pedal I ever bought, I know it inside and out, every millimeter turn of the filter, the looper, the reverse looper.... I love it. The CT5 is the only other delay as intuitive as the Haz.

dotlikeimpact wrote:Box of Rock (or Distortron) has been on every single iteration of my pedalboard since it first came out, so, I guess that.

This.


Also didn't realize I already posted with this response I am a dink

Dheuthymos wrote:Easily my Stereo DMM Hazerai. It's the first pedal I ever bought, I know it inside and out, every millimeter turn of the filter, the looper, the reverse looper.... I love it. The CT5 is the only other delay as intuitive as the Haz.

Was mine for a couple years, too. Still great. But I booted it off for...a CT5, which, as you point out, is the closest thing. Couldn't deal with the volume drop, but that tone knob is lovely. As were the multi-tap delays. But, beyond that, they're really pretty similar, with the CT5 doing some weird stuff not available anywhere else.

Can't decide between my DMM or GB24 - both have had a very large impact on my 'sound', but I'm leaning towards the DMM for the option of using it as a pre-amp/boost beyond the delay.

Definitely my ss/bs No Memory. It's my 'always on' tone. I've spent hours playing with that pedal alone, and I can dial in a good setting for almost any sound with relative ease.
It's been back with Brian because it spontaneously pooped out on me a couple weeks back, but we should be reunited soon. It has been *real* weird not having it on my board though. This two week period has reinforced the idea that I'd never sell that pedal.

My Tym 666 is my secret sauce OD at the moment, love this thing


Honorable mention goes to Julia. It's pretty much always on when I'm playing clean, though it's usually set pretty low. I use it to add a little subtle warped vinyl feeling to my cleans. Really cool pedal, I didn't think I needed one until I saw Knobs' demo.

Fuzzhugger's Algal Bloom

I like the Proco Rat and Fairfield Circuitry Shallow Water a lot too

cool!

nice lurk-necro-bump

not very sexy, but this hasn't left my board once in the past 15yrs - pretty much good for everything for me:

Probably the TAFM. I have used it to death for bass tonez. Pitch/timefactor is another contender but we'll see how Raster2 competes. Haven't had it long but the RSH-03 is steadily climbing the ranks. Elements is another favourte for distortiony distortions and just general usefulness. RV-3 is another pedal I've used to death and back I've used two at once even.

But yeah I'm gonna say the TAFM. That and a good amp and a terrible instrument would keep me happy for most gigs

fuck I cant answer this .

Because I always sell them after a year