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jrfox92 wrote:Don't all Chase Bliss pedals have foot-switchable presets when you use an external MIDI controller?

askashrub wrote:

zoooombiex wrote:

Dark Barn wrote:The knobs demo sounds a little noisy when used as an effects processor. Need more people to chime in on using it that way before I fall off the fence.

Don't chase me with pitchforks.

I'm not noticing any noise on mine (either as a sound generator or processor).

Certain patches are definitely noisy.
Quad delay is a notable example.

But it's patch to patch, and I'm sure there's a reason.
It could maybe be sorted out if you had the gumption, but I did notice a trend of delay patches being noisier.
Maybe that's just be a thing.

But listen:
I don't usually outright advocate for anything, but the Organelle is worth it.
It just is.
I honestly have trouble seeing how it isn't easily worth the money. For everyone.
As long as you aren't entirely stuck in your ways as a musician, the Organelle will satisfy.
And continue to get better everyday with no foreseeable end in sight.

Worth the price of a few pedals in my opinion.

Inconuucl wrote:

Dungus wrote:I was actually a little bummed there was no drive function to dirty up the repeats, but it just naturally sounds gloriously dusty. Love it. Looking forward to the blues demo guys trying to solo through it.

It's only when he had the tone down, so they'll make it higher for the shimmery clean pew tones.

popvulture wrote:

Inconuucl wrote:

Dungus wrote:I was actually a little bummed there was no drive function to dirty up the repeats, but it just naturally sounds gloriously dusty. Love it. Looking forward to the blues demo guys trying to solo through it.

It's only when he had the tone down, so they'll make it higher for the shimmery clean pew tones.

Yeah was gonna say this. IIRC he had the tone pretty dark throughout. Which sounds gorgeous.

wfs1234 wrote:

popvulture wrote:

Inconuucl wrote:

Dungus wrote:I was actually a little bummed there was no drive function to dirty up the repeats, but it just naturally sounds gloriously dusty. Love it. Looking forward to the blues demo guys trying to solo through it.

It's only when he had the tone down, so they'll make it higher for the shimmery clean pew tones.

Yeah was gonna say this. IIRC he had the tone pretty dark throughout. Which sounds gorgeous.

It was just as grainy/distorted regardless of how he had the knob set? I mean it sounds good, it just doesn't sound anything like the teaser JustNick or Chase Bliss Audio did. If it can get clean as well as grainy and weird, that's great! I just didn't hear anything in the demo that made it sound like this could get clean at all.

wfs1234 wrote:It was just as grainy/distorted regardless of how he had the knob set? I mean it sounds good, it just doesn't sound anything like the teaser JustNick or Chase Bliss Audio did. If it can get clean as well as grainy and weird, that's great! I just didn't hear anything in the demo that made it sound like this could get clean at all.

chaseblissaudio wrote:

wfs1234 wrote:

popvulture wrote:

Inconuucl wrote:

Dungus wrote:I was actually a little bummed there was no drive function to dirty up the repeats, but it just naturally sounds gloriously dusty. Love it. Looking forward to the blues demo guys trying to solo through it.

It's only when he had the tone down, so they'll make it higher for the shimmery clean pew tones.

Yeah was gonna say this. IIRC he had the tone pretty dark throughout. Which sounds gorgeous.

It was just as grainy/distorted regardless of how he had the knob set? I mean it sounds good, it just doesn't sound anything like the teaser JustNick or Chase Bliss Audio did. If it can get clean as well as grainy and weird, that's great! I just didn't hear anything in the demo that made it sound like this could get clean at all.

the tape saturation effect is introduced based on dynamics. Generally speaking, it reveals itself more and more as the delay decays. KNOBs is a dynamic player and generally in this demo plays lightly which introduces more of the saturation sooner. In short, the amount of saturation on the delays (at least initially) depends on the dynamics of the player. It can really respond differently in different contexts in this way.

D.o.S. wrote:So if you brickwall it the delays will be clean the longest?

Asking for a friend.

wfs1234 wrote:

chaseblissaudio wrote:

wfs1234 wrote:

popvulture wrote:

Inconuucl wrote:

Dungus wrote:I was actually a little bummed there was no drive function to dirty up the repeats, but it just naturally sounds gloriously dusty. Love it. Looking forward to the blues demo guys trying to solo through it.

It's only when he had the tone down, so they'll make it higher for the shimmery clean pew tones.

Yeah was gonna say this. IIRC he had the tone pretty dark throughout. Which sounds gorgeous.

It was just as grainy/distorted regardless of how he had the knob set? I mean it sounds good, it just doesn't sound anything like the teaser JustNick or Chase Bliss Audio did. If it can get clean as well as grainy and weird, that's great! I just didn't hear anything in the demo that made it sound like this could get clean at all.

the tape saturation effect is introduced based on dynamics. Generally speaking, it reveals itself more and more as the delay decays. KNOBs is a dynamic player and generally in this demo plays lightly which introduces more of the saturation sooner. In short, the amount of saturation on the delays (at least initially) depends on the dynamics of the player. It can really respond differently in different contexts in this way.

That's really cool! So, if you feed it a louder signal the repeats are going to be cleaner than if you feed it quieter one?

wfs1234 wrote:Damn. That's bad news for my wallet. That's REALLY cool