So, upon receiving this little box o' boostin' bacon 'bilities, I stuck it at the beginning of my chain, but after the XP100...and...
It makes everything sound BETTER. Even clean toanz. And it gets surprisingly dirty. And it cleans up better than that young hispanic woman that happens to work at that motel every morning you stay there. How odd.
Deltaphoenix wrote:Yeah, I know Behndy. I am glad to help them out, I mean if they get signed or something, a tragedy will surely befall that bass player and I'll step right back into the picture.
Meh; getting signed doesn't mean what it used to these days. So much bullshittery in the biz.
From my house at least.
dubkitty wrote:getting signed = they charge off $240,000 in expenses against your future royalties and then drop you.
I know all of those horror stories (true stories). Tour support is about the only thing that looks kind of attractive. That is the missing piece of the no label, new music biz. DIY touring can do a lot but that is a long hard road.
yah. seems like unless you're a pop Disney style manufaftored band label support only helps whilst doing the big ass tours.
and i have quite a few friends that played out for two years, supported bands like Black Eye Peas, did Europe tours..... and endes up with no money to show for it. shady, dangrous stuff.
Eric! wrote:YOU'RE like having two pedals in one
with your...momentary fuck switch and all..
""The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side."
dubkitty wrote:it's the Death Metal version of "Being For The Benefit Of Mr. Kite."
behndy wrote:...or Unsuspecting Tourist Penetration.... whatever does it for you.... i don't judge....
) I'm going to send all of you some pedals! 
