ilovefuzz.com

vidret wrote:ha! i get it. it's stuck in limbo. that's the joke.

FUCK I can't even if this hurts me inside it also made me laugh

Vidret, I love that! I'm so damn eager for my little limbo to arrive. International shipping kills me.

sergiomunoz74 wrote:

vidret wrote:ha! i get it. it's stuck in limbo. that's the joke.

FUCK I can't even if this hurts me inside it also made me laugh

It truly is the bestest medicine.

I've had a couple of lost items turn up 6+ months later this past year, so I can relate to your current frustration. Hope you get the replacement soon and the previous one turns up for 80tape's sake!

Yeah hope it shows up on his side for the sake of ease. I can't even imagine anyone ever even having it because the post was never updated so it's almost like it never left the original office. I couldn't imagine no one along the trail ended up scanning it. Either way if I get it, I might be tempted to just buy it off of him and have two since it sounds so dang good. One for the synths and the other for the guitar board.

I'm patient plus with christmas coming up I wont even have much time to play around with my stuff as I'll be too busy trying to buy gifts for the family since Im always late to doing that stuff and wrapping nad all that haha

haha I probably can't swing another pedal on my board since I'm trying to keep it down on it. The count to 5 seems cool although the way I play is like math rock so it's mostly just straight cleans with some reverb/delay here and there. I also use a lot of pitchshifting. Although the DL4 looping is enticing. I'm not much of a pedal hoarder aside from my buying all the boss PS-2 I see below 80 bucks. I'll have too many soon enough.

The Particle I actually tried and I like it for synths was indifferent on guitar but again mostly because all my wacky music is done on synths!

Well Im looking at it and sound cool as hell for noisy sections when I'm not shredding. Although I have some weird soundscape shit I do on my pitchfactor with some verb. If I could try it before hand and wasn't like 350 or whatever I would totally cop but I think I should finally get a nice looper. especially considering I already have stuff like the pitchfactor which can do all sorts of cool tones that I can loop in snippets to create total chaos. The count to 5 although really cool, seems to specialized for me and a bit expensive but that's just me tho

Man using pitchfactor for regular delays always makes me feel dirty. Its like of never mind these gazillion things im just gonna use these here two knobs ugh. If you can do it, then you sir are a better man than me

Brandsmannen wrote:Man using pitchfactor for regular delays always makes me feel dirty. Its like of never mind these gazillion things im just gonna use these here two knobs ugh. If you can do it, then you sir are a better man than me

I don't usually use digital delay so I never really use the pitchfactor for it seeing as I mostly use my Boss PS-2 for it's gritty digital delay when I do. My pitchfactor is pretty much my go to for everything, filter glitching, layering, arpeggiated delays, and everything in between. To use it as a bog standard delay is pretty boring but it does the trick if I for whatever reason need another aside from my boss ps-2. Which honestly is to say almost never.

For reference pedalboard is currently being built up but its tuner-Mini-HM2-pitchfactor-PS2-Limbo(if I ever get it!)-RV2

I guess since all my brain power that goes to pedalboard is in making presets for my pitchfactor I like most of my other stuff to be set and forget type things.

Well... Okay yeah. I use space for 1 mode, only use one setting on my six knob big muff, my Timebender is mostly a looper nowadays and I only use one mode on ct5. But I draw the line where I only use pitchfactor for delay.

sergiomunoz74 wrote:

Brandsmannen wrote:Man using pitchfactor for regular delays always makes me feel dirty. Its like of never mind these gazillion things im just gonna use these here two knobs ugh. If you can do it, then you sir are a better man than me

I don't usually use digital delay so I never really use seeing as I mostly use my Boss PS-2 for it's gritty digital delay. My pitchfactor is pretty much my go to for everything, filter glitching, layering, arpeggiated delays, and everything in between. To use it as a bog standard delay is pretty boring but it does the trick if I for whatever reason need another aside from my boss ps-2. Which honestly is to say almost never.

For reference pedalboard is currently being built up but its tuner-Mini-HM2-pitchfactor-PS2-Limbo(if I ever get it!)-RV2

I guess since all my brain power that goes to pedalboard is in making presets for my pitchfactor I like most of my other stuff to be set and forget type things.

You obviously make use of the pf way better then I do!! Teach me sensei! I mostly use arpeggio mode and quadravox, but I'd love to learn some bad assery like that

Brandsmannen wrote:

sergiomunoz74 wrote:

Brandsmannen wrote:Man using pitchfactor for regular delays always makes me feel dirty. Its like of never mind these gazillion things im just gonna use these here two knobs ugh. If you can do it, then you sir are a better man than me

I don't usually use digital delay so I never really use seeing as I mostly use my Boss PS-2 for it's gritty digital delay. My pitchfactor is pretty much my go to for everything, filter glitching, layering, arpeggiated delays, and everything in between. To use it as a bog standard delay is pretty boring but it does the trick if I for whatever reason need another aside from my boss ps-2. Which honestly is to say almost never.

For reference pedalboard is currently being built up but its tuner-Mini-HM2-pitchfactor-PS2-Limbo(if I ever get it!)-RV2

I guess since all my brain power that goes to pedalboard is in making presets for my pitchfactor I like most of my other stuff to be set and forget type things.

You obviously make use of the pf way better then I do!! Teach me sensei! I mostly use arpeggio mode and quadravox, but I'd love to learn some bad assery like that

I was the same way until I got the H9 control which changed the game because I could start looking at everything at the same time and hearing the differences. Being able to create slicer type of effects that ping pong across by using the harpeggiator, and I also really like the whammy effects. I tend to use the pitch flex mode do an 5th up and down then have one of the pitches shift to a 6th or 7th up to make some cool triads. I also love the random feature on the H9 control because I have gotten really really cool stuff by doing it and then slowly tweaking to taste. oh and the digital fuzz/8 bit sounds it can create are really rad too. Also the link below helped me a ton to just start doing things that weren't necessarily pitchshifting



https://www.eventideaudio.com/community ... er-effects

if you were redoing things
would you replace a smmh with a ct5
and go with a nemesis for all-around delay needs?
you can get multi-tap on the nemesis I guess?