ilovefuzz.com

Art is always a big hangup for me. Especially on projects like this. Would like to keep to the name, but open to ideas.

As for mods/updates...the two I made in the past had extra clipping modes and one had a internal feedback loop on a foot switch...I have some other ideas as well but don’t really want to go too overboard with these.

Noticing now that the Singing Tree may have subconsciously inspired the Haxan art

Stumbled across a clip I made a while back of Pest Tattern.
Apparently I fell into a repetitive level of Elevator Action.
Listenable on Soundcloud:
https://soundcloud.com/caesarshift/pest-tattern


[youtube]http://www.youtube.com/watch?v=LM5reigEnv4[/youtube]

Just checking in to see if there’s any update on whether the Wizzle Pizzle is still happening? Definitely want to get in on it!

I’m still happening.

goroth wrote:I’m still happening.

Great!!! Glad to hear it. Will keep an eye out for the updates so

Yes, we need more Goroth updates. Any new mods?

Ps. and yessss the 'fountains are coming pcbs are underway

I got another dinosaur tattoo - does that count?

Jero wrote:Yes, we need more Goroth updates. Any new mods?

Ps. and yessss the 'fountains are coming pcbs are underway

hhhhhnnnnggggg

take my money! No missing out on this one like I did the test pattern

Been meaning to chime in on this thread to say I started a heavy punk/post hardcore band as a bassist and so far I'm using the Pest Tattern as an always on fuzz and my "clean" tone is more an auxiliary dynamic shift when needed. It rips. So much scuzzy low end and in the more normal settings its dead quiet when I stop playing, but still able to get feedback/noise when desired. It sounds nasssttttyyyyyyy I love it.

goroth wrote:I got another dinosaur tattoo - does that count?

I hope it's this:

Ghost Hip wrote:Been meaning to chime in on this thread to say I started a heavy punk/post hardcore band as a bassist and so far I'm using the Pest Tattern as an always on fuzz and my "clean" tone is more an auxiliary dynamic shift when needed. It rips. So much scuzzy low end and in the more normal settings its dead quiet when I stop playing, but still able to get feedback/noise when desired. It sounds nasssttttyyyyyyy I love it.

No clips and no settings?

D.o.S. wrote:

Ghost Hip wrote:Been meaning to chime in on this thread to say I started a heavy punk/post hardcore band as a bassist and so far I'm using the Pest Tattern as an always on fuzz and my "clean" tone is more an auxiliary dynamic shift when needed. It rips. So much scuzzy low end and in the more normal settings its dead quiet when I stop playing, but still able to get feedback/noise when desired. It sounds nasssttttyyyyyyy I love it.

No clips and no settings?

You got it lol. This is from our first jam and first song idea we hashed together, so vocalist is mostly feeling it out/riffin from a notebook. Volume full, bias around 10 oclock, gain at half. Oscillation off. I turn it on when the band drops and I play alone the first time. Borrowing my buddy's Epiphone Ripper -> my Ampeg PF-500 - > SWR Henry 8x8 that was at the space. Really kooky happenstance set up for the style of music but I honestly dig it and I might lean into it for this project.

[youtube]http://www.youtube.com/watch?v=n01zm5xis0o[/youtube]

Ghost Hip wrote:

D.o.S. wrote:

Ghost Hip wrote:Been meaning to chime in on this thread to say I started a heavy punk/post hardcore band as a bassist and so far I'm using the Pest Tattern as an always on fuzz and my "clean" tone is more an auxiliary dynamic shift when needed. It rips. So much scuzzy low end and in the more normal settings its dead quiet when I stop playing, but still able to get feedback/noise when desired. It sounds nasssttttyyyyyyy I love it.

No clips and no settings?

You got it lol. This is from our first jam and first song idea we hashed together, so vocalist is mostly feeling it out/riffin from a notebook. Volume full, bias around 10 oclock, gain at half. Oscillation off. I turn it on when the band drops and I play alone the first time. Borrowing my buddy's Epiphone Ripper -> my Ampeg PF-500 - > SWR Henry 8x8 that was at the space. Really kooky happenstance set up for the style of music but I honestly dig it and I might lean into it for this project.

[youtube]http://www.youtube.com/watch?v=n01zm5xis0o[/youtube]

FUZZZ YEAH

sounds so sick Ghost Hip!! love it

Ghost Hip wrote:

D.o.S. wrote:

Ghost Hip wrote:Been meaning to chime in on this thread to say I started a heavy punk/post hardcore band as a bassist and so far I'm using the Pest Tattern as an always on fuzz and my "clean" tone is more an auxiliary dynamic shift when needed. It rips. So much scuzzy low end and in the more normal settings its dead quiet when I stop playing, but still able to get feedback/noise when desired. It sounds nasssttttyyyyyyy I love it.

No clips and no settings?

You got it lol. This is from our first jam and first song idea we hashed together, so vocalist is mostly feeling it out/riffin from a notebook. Volume full, bias around 10 oclock, gain at half. Oscillation off. I turn it on when the band drops and I play alone the first time. Borrowing my buddy's Epiphone Ripper -> my Ampeg PF-500 - > SWR Henry 8x8 that was at the space. Really kooky happenstance set up for the style of music but I honestly dig it and I might lean into it for this project.

[youtube]http://www.youtube.com/watch?v=n01zm5xis0o[/youtube]

This sounds killer. Main riff is a banger too.