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Dowi wrote:I think the same. Moreover - and I'm probably the only one thinking this - the paradox is more appealing to me.
Nothing to say about CBA pedals, I love basically all of their stuff even if I have had just one of their pedals, but for my needs right now the paradox seems better: lower price range, top mounted jacks, no Midi.. Maybe it's just a ripped off simpler version

They both may be chorus pedals, but I think they're probably pretty different sounding.

I have a MKI Warped Vinyl (which's more of a vibrato) that I like a lot. The Futura seems to have a different feature set. I'm sure there's some overlap, but maybe not enough to not want both. There's a lot of stuff on the Warped Vinyl that I don't take good advantage of. The relative simplicity of the Futura appeals to me as well.

Ugh that fucking Behringer 808 hits me right in the ethics.

popvulture wrote:Ugh that fucking Behringer 808 hits me right in the ethics.

Stay strong and remind yourself that the 808 is easily the most available set of drum sounds on earth aside from slapping your own belly and stamping your feet.

popvulture wrote:Ugh that fucking Behringer 808 hits me right in the ethics.

Also the new semimodular looks hot af, and for that price...

tremolo3 wrote:Also the new semimodular looks hot af, and for that price...

I think the nearly 1:1 ripoff of the Mother32 with the Crave is pretty lame.

At least the SH-101, 808, Pro-1, etc. are all basically out of production (or at least only digital recreations in Roland's case).

greyscales wrote:

tremolo3 wrote:Also the new semimodular looks hot af, and for that price...

I think the nearly 1:1 ripoff of the Mother32 with the Crave is pretty lame.

At least the SH-101, 808, Pro-1, etc. are all basically out of production (or at least only digital recreations in Roland's case).

There was this 1:1 comparison meme I saw on some FB group, it was hilarious

tremolo3 wrote:

popvulture wrote:Ugh that fucking Behringer 808 hits me right in the ethics.

*warms up 3D printer*

aen wrote:

popvulture wrote:Ugh that fucking Behringer 808 hits me right in the ethics.

Stay strong and remind yourself that the 808 is easily the most available set of drum sounds on earth aside from slapping your own belly and stamping your feet.

I'ma stay strong, boo.

Who remembers this gem? Just before Behringer publicly announced purchasing TC Electronic, the Viscous debuted with this obscenely ridiculous boast.

https://www.tcelectronic.com/Categories ... BE/p/P0DDS

1:1 recreation of the legendary Shin-Ei Uni-Vibe*

Umm, how the fook is a digital homage a 1:1 recreation of a 50-yr old analog design?

Drugs!

And maybe sampling it like an 808?

Fuck Behringer forever.

/thread

shortfuse wrote:So has anyone found out if the pedal pictured above is indeed an updated Outward or a new pedal altogether? Looks like a bank program similar to what is the Hexe Revolver, which I must say has me intrigued. I emailed Tom and all he would say is he is hoping for a release come spring but did not clarify if it was the updated Outward or something altogether different. I love the Outward but it's volume drop makes it less than ideal for a live performance type of situation, otherwise it would certainly be in my list if favorites.

The way Tom explained it to me was that it was similar to the Outward but not exactly the same. Then later in the weekend he started calling it Outward V2 and I realized I had misunderstood the modes - it has all 6 Outward modes that are slightly tweaked and 2 new ones

[youtube]http://www.youtube.com/watch?v=e4wrg_QTL3I[/youtube]
At 5:17 there's a clip of the mode alternating between 2 delay lines, which I believe is the choppy delay mode from Outward (sorry for the guitar being slightly out of tune, its tough to fix the guitars people are playing all day)

Tom confirmed on IG that the original Outward on display at NAMM is now a discontinued model so this is def the replacement for that category of pedal from Cooper FX.