ilovefuzz.com

Is there a way to DL the movie once it's finished?

Would be cool to have on in the background at a party

I suppose I could just go to youtube and play it

I plan to upload it to youtube and vimeo, I can also send out a direct link to everyone with the lossless file

Just to let y'all know, I'm going to be on a gig with rare internet access the Feb 11-18, so I will not be able to confirm receipt of your tracks until I return.

DRodriguez wrote:I plan to upload it to youtube and venmo, I can also send out a direct link to everyone with the lossless file

How many are done?

Meant vimeo no venmo. Stupid startups with similar names.

So far 2 of y'all are done. I'm about 40% done on mine.

Just finished my score for part 9. I'm super happy with how it all came out, none of it sounds like anything I've done before. Will be documenting the patches used in painfully intimate detail and posting about it in the thread.

Mine's almost done. Gonna finish up Saturday.

I've been stressing out and coming up blank, so I decided to leave it up to chaos. Busted out the circuit-bent drum machine, and patched the Bastl Kastle to generate random sequences. Sounds pretty odd for the first section of the film, and the orchestra part ain't gonna sound orchestral, but I figured this is a pretty weird place, and weird might just fit in. I have a lot of things on my plate lately, but I'm really trying to squeak in before that deadline.

PATCH NOTES and other sundry details about my parts:
Introduction/credits-
Drums and primary tempo/clock information comes from a Novation Circuit. Manikin Memotron using Flute and Orchestra tape sets, through a spring reverb (EQD Levitation) into a looper. In the second section a modulated filter first mixes with the looped part and eventually takes the loops place. Under that I played a little bit of Moog Minitaur through an old Ibanez analog delay.

Part 09-
patch/sonic concept:
there are two patches-the first is a multi-voiced drone-leaning textural patch. The sound sources are a self-oscillating Fuzz Factory module (Drive modulated by an LFO) and an FM radio. These are processed by a few parallel chains with modulation coming from a krell patch that I interacted with in real time using joy sticks. The audio from this patch was recorded (Layer 1) and fed through an entirely new modular patch (Layer 2). If Layer 1 is all about dynamic, textural, and harmonic movement, Layer 2 is all about rhythms. There's still some pretty rad modulation happening but it's all triggered from a Mutable Music Thing Ears. The final recording is a live take of a performance on this rhythmic patch. I used a Count To Five a lot in that patch as well-I'd wait for an interesting section of rhythmic/harmonic development from the Ears controlled portion of the patch and loop it. I used a joystick again to control the level of the CT5 loops in real time along with plucking along on the Ears.

We have 3/10 received. And they are all in a row. And they flow really well into each other tonally.

I checked everyones music beforehand and tried to make the order somewhat cohesive, so that makes me happy.

Thanks y'all!

And kaeth, that sounds awesome!

looking forward to seeing/hearing this

Sounds hot

I still want to do something like this, but I lack the understanding of what exactly this is. LOL!

wanna find a silent spooky blacknwhite short so I can hook up a mic to my dryer, and send it threw some shit creating dope gong sounds and rumble drones....its got good harmonics when you beat the sides haah...really wanting to see how much mine doesnt fit in with the rest of yall..hope it worked. THANK YOU DRod!