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kosta wrote:I have a Drasp'ed DL-4. Every bit as badass as the man says. Having 1/2 time / double-time / reverse / one-shot on stomps is killer.

askthedust wrote:I work in an advertising agency. IMO it's a great piece of ad (fo the music gear industry at least) because for once it's based on a true insight : something that a certain category of people (ie : the target) will react to because they can relate to it. It's not meant to please everyone, because good advertising definitely isn't. It's like you're Volkswagen and you have a tiny 5000$ Indian made car to sell and you make an ad making fun of people spending ten times more to get big SUVs just to prove themselves something, and saying that smart people don't put all their money in their car. People who like big cars will get offended but they would never have bought your car in the first place. But your target will consider your product because they can relate to what you say. Here it's exactly the same : if you never looked at loopers because they seemed to complicated this ad will make you consider a looper that is unlike the others.
And the simple fact that a guitar pedal ad is discussed here proves they did a great job (I'm not even comparing it to this silly Bogner shit).

Holy Schnikes wrote:The only thing that finally booted my Drasp'd DL4 was a Timeline because Strymon essentially took the DL4's looping functionality and expanded it to perfection. I woulda kept that thing around forever just for the looping abilities, no doubt.

I guess coming up on loopers like the DL4 makes these 1-stomp switch options a no-go for me. I can see how it could be useful on occasion but too much double-stomping/holding/etc involved. Looping is all timing and the 1-stomp models flub that up for me.

hazelwould wrote:

Holy Schnikes wrote:The only thing that finally booted my Drasp'd DL4 was a Timeline because Strymon essentially took the DL4's looping functionality and expanded it to perfection. I woulda kept that thing around forever just for the looping abilities, no doubt.

I guess coming up on loopers like the DL4 makes these 1-stomp switch options a no-go for me. I can see how it could be useful on occasion but too much double-stomping/holding/etc involved. Looping is all timing and the 1-stomp models flub that up for me.

See... I keep going back and fourth. Can the Timeline loop easily without that disaster amps thing?

ChetMagongalo wrote:

kosta wrote:I have a Drasp'ed DL-4. Every bit as badass as the man says. Having 1/2 time / double-time / reverse / one-shot on stomps is killer.

What's Drasp'ed? someone who modded it?

hazelwould wrote:

Holy Schnikes wrote:The only thing that finally booted my Drasp'd DL4 was a Timeline because Strymon essentially took the DL4's looping functionality and expanded it to perfection. I woulda kept that thing around forever just for the looping abilities, no doubt.

I guess coming up on loopers like the DL4 makes these 1-stomp switch options a no-go for me. I can see how it could be useful on occasion but too much double-stomping/holding/etc involved. Looping is all timing and the 1-stomp models flub that up for me.

See... I keep going back and fourth. Can the Timeline loop easily without that disaster amps thing?

Holy Schnikes wrote:It can loop easily but you need the DMC to access all the cool shit like reverse/half-speed/looper volume. I use the DMC-4 with mine and it's perfect.

I also love the fact that you can loop and cycle through delay modes simultaneously, comes in handy.

mathias wrote:See... I keep going back and fourth. Can the Timeline loop easily without that disaster amps thing?

And can the Timeline do everything that an El Cap can do? Interested in this over a DL4 if it makes looping easy AND has really great delay models.

Edit: watching this:
[youtube]http://www.youtube.com/watch?v=4mvkNYYs2Ik[/youtube]
And it has my attention.

Holy Schnikes wrote:

hazelwould wrote:

Holy Schnikes wrote:The only thing that finally booted my Drasp'd DL4 was a Timeline because Strymon essentially took the DL4's looping functionality and expanded it to perfection. I woulda kept that thing around forever just for the looping abilities, no doubt.

I guess coming up on loopers like the DL4 makes these 1-stomp switch options a no-go for me. I can see how it could be useful on occasion but too much double-stomping/holding/etc involved. Looping is all timing and the 1-stomp models flub that up for me.

See... I keep going back and fourth. Can the Timeline loop easily without that disaster amps thing?

It can loop easily but you need the DMC to access all the cool shit like reverse/half-speed/looper volume. I use the DMC-4 with mine and it's perfect.

I also love the fact that you can loop and cycle through delay modes simultaneously, comes in handy.

mathias wrote:

hazelwould wrote:

Holy Schnikes wrote:The only thing that finally booted my Drasp'd DL4 was a Timeline because Strymon essentially took the DL4's looping functionality and expanded it to perfection. I woulda kept that thing around forever just for the looping abilities, no doubt.

I guess coming up on loopers like the DL4 makes these 1-stomp switch options a no-go for me. I can see how it could be useful on occasion but too much double-stomping/holding/etc involved. Looping is all timing and the 1-stomp models flub that up for me.

See... I keep going back and fourth. Can the Timeline loop easily without that disaster amps thing?

And can the Timeline do everything that an El Cap can do? Interested in this over a DL4 if it makes looping easy AND has really great delay models.

Edit: watching this:
[youtube]http://www.youtube.com/watch?v=4mvkNYYs2Ik[/youtube]
And it has my attention.

mathias wrote:

Holy Schnikes wrote:It can loop easily but you need the DMC to access all the cool shit like reverse/half-speed/looper volume. I use the DMC-4 with mine and it's perfect.

I also love the fact that you can loop and cycle through delay modes simultaneously, comes in handy.

Yikes, that's easily over $600..