AngryGoldfish wrote:Any more thoughts and reviews on this thing?
i ordered one on a whim when it first came out and when it arrived i thought
but its grown on me a lot, its very subtle.
its a low gain fuzz, kind of like the barbershop overdrive in that it keeps the definition of all the strings and the input tone.
i play a lot of chords, and a lot of harmonically rich chords rather than single note riffs, and they have really good definition.
i can hear every string clearly but they are all .... fuzzy!
as an all switches down 'boost' i havent found any use for it at all
although if you use only the octave up switch then you can get a clean sound octaves
same goes for the 2nd and 4th by themselves, but maybe i'll find a use for them later.
so 1st switch always up for me.
it has a very even, dry, 'flat' sound, doesnt add any bass monsterness at all.
add in the second switch for a little extra upper mid range gain, its still very light though.
* responsive *
add in the 4th switch and there is more bass and high end, and a little more gain/width.
still keeps the basic non colouring fuzz though, and still keeps the definition.
its very noisy/hissy with the 1st and 4th together considering that it isnt massive gain, perhaps thats the price of the definition.
it has a nice lo-fi dirty sound, stick a phaser after it and its a real late 1960s garage/funk solo tone
the bias knob thing is very subtle apart from the last hour when it changes completely.
softens the attack, affects the octave tracking a bit (i dont really use the octave for single notes)
the volume knob is very wide range, i wish that it was scaled a little more on the low volume end as a mm change can go from just right to too loud, in terms of balance the on/off level
so after playing with it for a month my verdict is
