ilovefuzz.com

snipelfritz wrote:OOOOOooooohhhh, Spiteface's Johnny Ramone comment reminded me of Jesse F. Keeler as far as bassists go. The only effect he used on You're a Woman I'm a Machine was a chorus for the feedback on the intro of Turn It Out, yet his sound is so astoundingly crunchy and gratifyingly balls-to-the-wall.

i don't even think he used a chorus for that, live i've seen him just hump the feedback out of his amp.

and this
all day

[youtube]http://www.youtube.com/watch?v=de1bt5dc2t0[/youtube]

D. Boon

[youtube]http://www.youtube.com/watch?v=yqiMfPe6U7g[/youtube]

D.o.S. wrote:Another Segovia acolyte who's name I'm blanking on right now.

Julian Bream (not a Segovia acolyte though)
David Russell
Paul Galbraith
Celedinio Romero
David Tanenbaum
Pepe Romero
Maria Luisa Anido
Philippe Lemaigre
Manuel Barrueco
Eliot Fisk
Goran Sollscher

Not sure if he's been mentioned, but the guy from Vampire Weekend is pretty sweet. Not just the same old power chord chucking.

EDIT: Oh, and Steve Miller was definitely someone who experimented with the sounds of multiple clean electric-rhythm guitars playing at one.

Jerry Garcia; Curtis Mayfield; Pops Staples; David Lindley; Steve Cropper.

Mudfuzz wrote:

Thank you Mud. Segovia is the name that came to mind when I read the title.

MM

I was totally going to say Tom Verlaine and Richard Lloyd, but I'm glad some of you beat me to it. I used to think on "Elevation" I was hearing chorus, but in an interview Lloyd said he achieved some really subtle, natural chorus by playing the same part twice and then layering it. Any overdrive they had was from cranked, small amps.