snipelfritz wrote:OOOOOooooohhhh, Spiteface's Johnny Ramone comment reminded me of Jesse F. Keeler as far as bassists go. The only effect he used on You're a Woman I'm a Machine was a chorus for the feedback on the intro of Turn It Out, yet his sound is so astoundingly crunchy and gratifyingly balls-to-the-wall.
i don't even think he used a chorus for that, live i've seen him just hump the feedback out of his amp.
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D.o.S. wrote:Another Segovia acolyte who's name I'm blanking on right now.
Julian Bream (not a Segovia acolyte though) David Russell Paul Galbraith Celedinio Romero David Tanenbaum Pepe Romero Maria Luisa Anido Philippe Lemaigre Manuel Barrueco Eliot Fisk Goran Sollscher
Good deals done with all these guys Canada, we put the "u" in satire
I was totally going to say Tom Verlaine and Richard Lloyd, but I'm glad some of you beat me to it. I used to think on "Elevation" I was hearing chorus, but in an interview Lloyd said he achieved some really subtle, natural chorus by playing the same part twice and then layering it. Any overdrive they had was from cranked, small amps.
