Re: 919 Pricing/Availability???
Posted: Thu Apr 28, 2011 12:06 pm
What does the model # 919 imply for features over the 616? I don't keep up with this kind of stuff, but I do like analog delays!
mathias wrote:What does the model # 919 imply for features over the 616? I don't keep up with this kind of stuff, but I do like analog delays!
mathias wrote:Sounds like an awesome pedal. Especially the feedback limiter; that's my one gripe with my current analog delay, other than that it is a very short delay time. (440ms) My analog delay feeds back and goes up to the howl anywhere past about 1 o'clock on the repeats knob, which to me just feels like most of the range of that control is unusable and they could've matched the pot value better.
They have one of the "dark" 616's at the shop in Milwaukee where I buy my pedals. I should check it out next time I'm in there.

Jero wrote:Still doubt it's real![]()
STOP CRUSHING MY DREAMS

Holy Schnikes wrote:It's (theoretically) packed with features for an analog delay. Here's the specs that were posted right around NAMM, who knows what it will entail when/if it arrives. On paper, it looks to be really bad ass, except for that 500mA requirement, hopefully that's on the high side of what it actually needs.
Features:
• 40 millisecond to 1.00 second BBD Delay using NOS BBDs.
• Largest dynamic range possible from a BBD Delay using -15V BBD ICs.
• Tap Tempo footswitch control of echo delay time with tempo rate LED.
• Knob control of echo delay time.
• Soft takeover between tap tempo and knob control. Tap the footswitch, its delay time is in control. Move the knob, the knob delay time is in control. Move freely between the two controls.
• True Bypass, Active Bypass and Active “Trail” Bypass, letting you hear the echo trail after switching to bypass mode.
• Mix from 100% Dry, 50/50 Mix to 100% Wet.
• Tone Equalization control.
• Specially tuned flat feedback response to below 100 Hz.
• Excess Feedback includes a limiter in the feedback loop for infinite sustain echo without annoying feedback howl.
• The combination of feedback limiter, tilt tone filter and modulation options make this a wild synthesized tone generator. No input is necessary except a dummy jack to activate the power circuit.
• LFO Speed and Modulation Depth controls and modulation enable switch.
• Wide range of LFO modulation shapes: sine, square, sample & hold and diffusion
• Diffusion is an exclusive mode never before heard from any BBD delay, spreading the sound into a “cloud-like” atmosphere.
• Powered by +9.6 V 500 mA or greater power supply.
mathias wrote:They have one of the "dark" 616's at the shop in Milwaukee where I buy my pedals. I should check it out next time I'm in there.
mathias wrote:Sounds like an awesome pedal. Especially the feedback limiter; that's my one gripe with my current analog delay, other than that it is a very short delay time. (440ms) My analog delay feeds back and goes up to the howl anywhere past about 1 o'clock on the repeats knob, which to me just feels like most of the range of that control is unusable and they could've matched the pot value better.
They have one of the "dark" 616's at the shop in Milwaukee where I buy my pedals. I should check it out next time I'm in there.