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Chankgeez wrote:Yeah, unfortunately, I think, in this case, it's less about the specific model of wah and more about the totality of other gear involved.

Yeah. This is always the answer isn't it.

Thanks for the input folks

The wh-10 and 535q are definitely on the radar now. I'll have a nice long think about it and also research DIY versions and which basic vox/dunlop is easy to mod (not modern SMD component stuff) and maybe just buy one of those to tweak to suit me.

Inconuucl wrote:[youtube][/youtube]

This is a video.

Kazoo > TS > Pitchfork is already a sick sound

I love the envelope filter sounds.

can you say, boner?
[youtube]http://www.youtube.com/watch?v=9GinKfRjftM[/youtube]
really would like to invest at some point in a rhythm drum ping device like a rollz or plumbutter type....what else is out there,^just found this video...random pings and beats, me want

I gots a songwriter type show for the first time in ages tomorrrow, so I got a band together for it. I'm playing my acoustic resonator guitar for the whole set, and I've got a pretty sick small board lined up: Eventide Pitchfactor (really just there for the tuner tbh) -> Meris Enzo -> Ct5 -> ss/bs Mini -> Tensor + expression control (on-the-fly reversing/tape stop sounds) -> ss/bs No Memory
And, man, this setup freaking slays. I only use the Mini for adding a little umph to one section of one song, but the rest is perfect for clean manipulations, ambient time travels, & post-song loopin's. This is hands-down the quietest band I've ever been in despite us being a 5-piece (soon to be a 6-piece) & I'm heckin' into it. No more volume arms race & we can hear the subtleties of one another's parts, it's absolutely magic.

baremountain wrote:This is hands-down the quietest band I've ever been in despite us being a 5-piece (soon to be a 6-piece) & I'm heckin' into it. No more volume arms race & we can hear the subtleties of one another's parts, it's absolutely magic.

There is definitely something to be said for this approach.... Sounds like a great sitch--enjoy!

Quiet > Loud.

Unimpeachable.

spacelordmother wrote:Quiet > Loud.

Unimpeachable.

Wrong thread.

And wrong statement, but you're right.

No me gusta.

Has/does anyone use an Elements as a boost for a high gain head? I loved mine as a distortion channel on my board, but sold it before I bought anything higher gain. Any other ideas for boosts with EQ and tons of volume? I need to tighten up a JCM900 SLX.

baremountain wrote:I gots a songwriter type show for the first time in ages tomorrrow, so I got a band together for it. I'm playing my acoustic resonator guitar for the whole set, and I've got a pretty sick small board lined up: Eventide Pitchfactor (really just there for the tuner tbh) -> Meris Enzo -> Ct5 -> ss/bs Mini -> Tensor + expression control (on-the-fly reversing/tape stop sounds) -> ss/bs No Memory
And, man, this setup freaking slays. I only use the Mini for adding a little umph to one section of one song, but the rest is perfect for clean manipulations, ambient time travels, & post-song loopin's. This is hands-down the quietest band I've ever been in despite us being a 5-piece (soon to be a 6-piece) & I'm heckin' into it. No more volume arms race & we can hear the subtleties of one another's parts, it's absolutely magic.

This sounds like something I’d definitely be into. Any chance there is recordings or anything? Even if not, sounds hecka fun to play.

Marshall headstock is way better than any other Gibson-inspired headstock, too bad they chose that Les Paul body.

I keep finding myself finding this interesting.

[youtube]http://www.youtube.com/watch?v=BYTr5OKCZ-I[/youtube]

The camera position for that video is driving me nuts. The angle is just wrong enough to obscure literally everything that's going on. Interesting sounds but .