ilovefuzz.com

UglyCasanova wrote:I want an Ebow for some reason.

rustywire wrote:In soviet russia, beatbox programs you

psychic vampire. wrote:It's gorgeous

D.o.S. wrote:

UglyCasanova wrote:I want an Ebow for some reason.

What, no Resonator GAS?

Gone Fission wrote:

D.o.S. wrote:

UglyCasanova wrote:I want an Ebow for some reason.

What, no Resonator GAS?

Do I detect chumminess or chatiness? The ignore list may be expanded.

But Ebow should be right up UC's alley if the playing technique stuff isn't too offputting. I don't use mine enough, but it's a really special trick to have. Maybe I'll save the scratch for a Vo Wond in addition--now that's an interesting marital aid.

UglyCasanova wrote:I want an Ebow for some reason.

psychic vampire. wrote:

Brandsmannen wrote:I have an idea. If you get like an old 4 track recorder and blast the inputs, you'll have stereo distortion/fuzz for dayszz. It sounds super pleasant on guitar. It's the sound that the demo tape fuzz tries to emulate. I made a video ages ago with my tascam porta 03, it's shit but it shows my point:

[youtube]http://www.youtube.com/watch?v=s8XOhchg0RM[/youtube]

PLUS! You can always use the thing to playback samples on tape, make tape loops or whatever

rustywire wrote:Yeah, good rec. And if the mixer has aux sends the world is truly your oyster.
[also the Meatboxes weren't so much a suggestion as me thinking out loud on a bbs]
If I were to pick a pair of dirt pedals for such general purpose use it would either be Fucks or Minis.
Most likely
Also FWIW dirt pedals tend to be most forgiving with daisy chaining psu, having such a low draw & whatnot.

These are great suggestions.
I have an old 4 track, i can try that. Are you talking about just recording it with blasted inputs, or doing that live? Because this need for stereo overdrive is for live use. That's the problem. I suppose i could move up to a bigger mixer, i love my mixer's inputs, but it doesn't have any gain trimmers on the stereo channels which is a huge fucking annoyance. Also, its 2 aux outs are both mono sends stereo returns, which runs in to the same problems. I've thought about picking up a small 4 track Behringer or Mackie just to blast its and then send it to a stereo channel, but really it's jut about keeping a live rig tight and easy to setup and break down with as much shit as is going on.
FWIW a stereo fuck would be a-goddamn-mazing, and i idly dream of such a device being to me what that broken Waldorf 2-Pole was for Pole (before his ill-advised forays into hip-hop).
I've also thought about just picking up two Boss MD-2s or other cheap overdrives. It's probably what i'll still end up doing. Maybe a second Blower Box bc that thing is my baby. It would just be nice to not have to turn knobs on two different pedals when i want to do stuff with the overdrive. Eh, oh well, silly "needs" that i will probably remedy somehow. I thought about just getting a cassette adaptor and a small cassette player and using that for overdrive and saturation, but it would be a big annoying mess to carry around to every show.

Chankgeez wrote:Dude has a 47 minute jam:

[youtube]http://www.youtube.com/watch?v=qabzmWh_fbE[/youtube]

psychic vampire. wrote:

Brandsmannen wrote:I have an idea. If you get like an old 4 track recorder and blast the inputs, you'll have stereo distortion/fuzz for dayszz. It sounds super pleasant on guitar. It's the sound that the demo tape fuzz tries to emulate. I made a video ages ago with my tascam porta 03, it's shit but it shows my point:

[youtube]http://www.youtube.com/watch?v=s8XOhchg0RM[/youtube]

PLUS! You can always use the thing to playback samples on tape, make tape loops or whatever

rustywire wrote:Yeah, good rec. And if the mixer has aux sends the world is truly your oyster.
[also the Meatboxes weren't so much a suggestion as me thinking out loud on a bbs]
If I were to pick a pair of dirt pedals for such general purpose use it would either be Fucks or Minis.
Most likely
Also FWIW dirt pedals tend to be most forgiving with daisy chaining psu, having such a low draw & whatnot.

These are great suggestions.
I have an old 4 track, i can try that. Are you talking about just recording it with blasted inputs, or doing that live? Because this need for stereo overdrive is for live use. That's the problem. I suppose i could move up to a bigger mixer, i love my mixer's inputs, but it doesn't have any gain trimmers on the stereo channels which is a huge fucking annoyance. Also, its 2 aux outs are both mono sends stereo returns, which runs in to the same problems. I've thought about picking up a small 4 track Behringer or Mackie just to blast its and then send it to a stereo channel, but really it's jut about keeping a live rig tight and easy to setup and break down with as much shit as is going on.
FWIW a stereo fuck would be a-goddamn-mazing, and i idly dream of such a device being to me what that broken Waldorf 2-Pole was for Pole (before his ill-advised forays into hip-hop).
I've also thought about just picking up two Boss MD-2s or other cheap overdrives. It's probably what i'll still end up doing. Maybe a second Blower Box bc that thing is my baby. It would just be nice to not have to turn knobs on two different pedals when i want to do stuff with the overdrive. Eh, oh well, silly "needs" that i will probably remedy somehow. I thought about just getting a cassette adaptor and a small cassette player and using that for overdrive and saturation, but it would be a big annoying mess to carry around to every show.

Chankgeez wrote:Dude has a 47 minute jam:

[youtube]http://www.youtube.com/watch?v=qabzmWh_fbE[/youtube]

Iommic Pope wrote:tomato in a jaffle.

friendship wrote:

Iommic Pope wrote:tomato in a jaffle.