ilovefuzz.com

Dude, if you were ever in KY instead of NY I would totally let you try 'em both out.
I still mess with the Sea Machine settings all the time. Could actually get a lot of use out of two of them. One set for slow chorus, another for fast vibrato. Sounds so huge with the OC-2 and a healthy dose of dimension.

60s Silvertone 1457 amp in case
5 watt tube amp w/vibrato

rick 325 v59


Maestro Fuzztone FZ-1a


Echoplex Ep-2 tubed Tape Delay



65 blackface Fender Vibro Champ. Main recording amp.

Mother says if I stay on the right path, I'll be plenty successful. And when I get there, I hope to have all the same gear as you, Uncle Grandfather! You're my best friend!

Sebastian wrote:Mother says if I stay on the right path, I'll be plenty successful. And when I get there, I hope to have all the same gear as you, Uncle Grandfather! You're my best friend!

So we're cool with the whole Janine thing?

Oh hohoh! You wisenheimer, you! Silly...

72 avri tele custom w/telenator wrhb



Maestro Parametric Eq w/od~fuzz



Vintage v2 Ramshead Big Muff Pi



Roland Re-201 Space Echo Tape Delay/echo/reverb



original blues deluxe

Your doing it again uncle.....

BitchPudding wrote:Your doing it again sonidero.....

DoomGaze TeleBari > 3k HeartBenWall > Bass Bloom > Flashback split > TNT & Basic 60 Peavey KVLT!!!

Apartment recording rig, just tilt your head to the left, my phone is so rad. Strat into pedal baord into Kustom III into a Fender 1x12 (no grill) recorded by a AKG D1200 E and a Studio Projects B1 into a Komplete 6 interface into Logic then out of Logic into Sure 440 headphones.

greyscales wrote:Dude, if you were ever in KY instead of NY I would totally let you try 'em both out.
I still mess with the Sea Machine settings all the time. Could actually get a lot of use out of two of them. One set for slow chorus, another for fast vibrato. Sounds so huge with the OC-2 and a healthy dose of dimension.

One of these days I have to go on a road trip and couch surf with ILFers

Fender Baritone Telecaster


Red Square

Uncle Grandfather wrote:
Fender Baritone Telecaster


Red Square

Tell me more about that baritone tele. Been considering getting my hands on one.

BitchPudding wrote: Tell me more about that baritone tele. Been considering getting my hands on one.

I've got a vintage silvertone baritone that's been my reference. The fender is really nicely put together, beautiful finish and the neck is nice and chunky as I like them. It was really easy to set up with out any surprises, i like these strings through the body designs. The stock pups are not bad and what you would expect. The neck pup is rather buttery smooth with good dimensionality, the middle similar dimensionality with more midrange. The humbucker is brighter but still not tele-brite, and there's no tele-twang. Its a muted affair, which i guess makes sense. Also i think that when the hb is combined with the other pups the overall output is higher. Has a five way switch, where the middle position is all three pups on. I'll probably swap pups down the road, but its not a priority as it sounds pretty nice as is...plus i'm not sure what I would want to do, and i'm not sure if i want to keep the hb...or add a coil tap or i don't know....doesn't matter.

It sounds fine through my 5 watt vibro champ, on up to my ampeg svt. better through the svt The stock pups have handled everything i've ran them through pedal wise fine, but I dont seek some mythical tone and actually cherish the hickups....not muddy shitty tone....I just like unique and interesting results. I guess just depending on what effects I'm running I keep it through a guitar amp but a bass amp might be more suitable? Depends on where you want the end results, you'll get more lower harmonic content obviously with a bass amp. Like I said earlier the overall tone of the baritone is more of a muted affair but with heavy fuzz, chords still cut through....well, you know, depending on the fuzz

Hope something in there made sense.