ilovefuzz.com

Sweet score Nick!

Muff, with mids knob. Somewhere between a gainer pharaoh and a BB. not super super gainy but pretty gainy

here is a quick clip of this sucker. proper demo soon
http://www.youtube.com/watch?v=C1whk_eQ ... e=youtu.be

So which are you preferring the Moog or the Timeline?

Ancient Astronaught wrote:So which are you preferring the Moog or the Timeline?

if i just want a go to delay that will sound good, Moog. I just it for that 300-600 ms delay with modulation. It also handles dirt better than Timeline. It has that Drive control to adjust how much input signal, and it will compress it if you clip the input. It can get mega wacky. Its also quite dark and there is no tone control so its just dark. Timeline is much more preferred when I want like more focused delay and or very elaborate shit. Timeline sounds nice with stereo shit since Moog cant do that. I would say you could pickup the Moog one for go to modulated short time scale delay always. I have not scratched the surface of the timeline yet tho. One thing that is very important is that the moog always has a buffer on it. Not true bypassed when off so it interacts with the impedance.

Interesting, in your clip it definitely seems to nail the delay sound I like for solo's and lead lines. But it doesn't seem to be that much different from my Timeline setting for the same thing. If I was still playing in AA and only used one delay tone I'd probably GAS for one hard, but I like that the Timeline can cop a similar tone and do about 100 other ones in comparison. It does sound sick though in that demo you posted, as does that fuzz! It has the presence of a Pharaoh, the Beef of a BB, but with a more vintage stonerish type of tone and less of a straight forward Doom tone like the 2 a fore mentioned muffs.

the el cap mode and or the buckey brigade mode can get similar sounds. Does have some really fuckin weird modulation stuff u can do that I did not show haha. The biggest difference is the response to dirt and how it reacts compared to the TL. TL handles dirt well but Moog is better. You can set it up to work very nicely with any dirt pedal since u can control the input and output levels + mix

Holy Schnikes wrote:Been hearing a lot about that Trinity Reverb lately, need to check one out.

Here's another sweet LaoWiz score. Foxx Tone Machine clone, had my sights set on this one ever since he posted the demo on youtube long ago. Finally acquired it! Got dat footswitchable octave too.

Nice one. HNPD!

new05002 wrote:NPD Magic Pedals Shrine Fuzz

Never heard of Magic Pedals. Congrats, man.

CaptainBoxman wrote:Accidentally bought a Baja Tele for £400. Haven't told my girlfriend yet. LOL.

Congrats. They're really solid guitars. Good old Fender.

skullservant wrote:I believe it is the Church Of Andy preset that comes loaded on the Trinity on the Tone Print setting that fucking RULES. I've used the 'special' presets on the Trinity a few times, but man, nothing gets me like that VERY slightly modulated WIDE dark church setting. It sounds huge in the best way.

With the addition of customizable tone prints, I think the TC Electronic pedals are a definite competitor. I'll be picking some of them up when the software is released.

new05002 wrote:the el cap mode and or the buckey brigade mode can get similar sounds. Does have some really fuckin weird modulation stuff u can do that I did not show haha. The biggest difference is the response to dirt and how it reacts compared to the TL. TL handles dirt well but Moog is better. You can set it up to work very nicely with any dirt pedal since u can control the input and output levels + mix

Exactly, my bank 53 is basically that exact delay tone but A is dTape and B is dBucket. dTape works better for highly saturated lead lines and dBucket does better with cleans IMO. Ahhh I gotcha! Now you see where I was coming from when asking for those controls when we were talking about the combo delay + verb.

yea the Moog is a bucket brigade delay but modernized in some respects compared to the 80s when BB delays were huge, ala Ibanez shit. I think for the main rig setup I still wont put a loop in but I will eventually build that Tube verb + loop unit so I can create a loop to experiment later with

new05002 wrote:yea the Moog is a bucket brigade delay but modernized in some respects compared to the 80s when BB delays were huge, ala Ibanez shit. I think for the main rig setup I still wont put a loop in but I will eventually build that Tube verb + loop unit so I can create a loop to experiment later with

That in the FX loop of that tube verb you were talking about building would be killer my friend!

yea I could do like 1 of 2 things. Have just the loop or have the loop plus a tape emulation delay like the 1776 effects delay built it but with a defeat so u can plug any delay you want in liek if u had a real echorec or space echo

skullservant wrote:I fucking love the Trinity Reverb. Last night I was jamming with JUST a compressor and the Trinity on a deep long spring setting into my Traynor. Best tone I've had in ages.

What compressor? And that goes for everyone. Really been craving a purchase of a compressor lately but looking at like 30 of them I have no idea how to choose.

Engineer's Thumn

new05002 wrote:NPD Magic Pedals Shrine Fuzz

Nice. Heard a demo. Very cool tone. Where can you get one?