Re: Be(a)st of 2015
Posted: Sat Oct 10, 2015 2:05 am
a couple years ago I was writing a report at 4am and I thought it was a good idea to put on Soundtracks for the Blind...that album is harrowing
Based on this I think you would really like Lord Mantis's Death Mask from last year.casecandy wrote:This is a really good thread guys
Lordgalvar, I love when you said Crass SCARED you. I loved when I was a kid and I heard Nine Inch Nails for the first time. When you're fourteen "Big Man With A Gun" or "Reptile" is world-obliterating. And of course eventually it's not scary at all. It's music you have nostalgia for and memories of, it's comforting, even.
I think in a lot of ways, my experience with music is chasing that "SCARY" dragon. Lately the only thing that's been doing it for me is, erm, experimental doom and black metal, Indian, Thou, Gnaw Their Tongues, and of course anything Josh Scogin, especially The Chariot, because all that shit scares me, walking home at night through the woods, it's got a palpable demonic or at least transcendently violent quality. In five years, all of that will be comforting and nostalgic and I'll need something more fucked up LOL
Already I'm seeing the album art for Gnaw Their Tongues' Collected Atrocities and laughing at it. I hate when I start to focus on the human element in music. I need music that sounds like it was made by demons, not humans
Except Josh Scogin I guess, he's scared me for a decade now. Inspiringly heavy dude.
That was one of my favorite records from last year. That album is absolutely filthy.D.o.S. wrote:Based on this I think you would really like Lord Mantis's Death Mask from last year.casecandy wrote:This is a really good thread guys
Lordgalvar, I love when you said Crass SCARED you. I loved when I was a kid and I heard Nine Inch Nails for the first time. When you're fourteen "Big Man With A Gun" or "Reptile" is world-obliterating. And of course eventually it's not scary at all. It's music you have nostalgia for and memories of, it's comforting, even.
I think in a lot of ways, my experience with music is chasing that "SCARY" dragon. Lately the only thing that's been doing it for me is, erm, experimental doom and black metal, Indian, Thou, Gnaw Their Tongues, and of course anything Josh Scogin, especially The Chariot, because all that shit scares me, walking home at night through the woods, it's got a palpable demonic or at least transcendently violent quality. In five years, all of that will be comforting and nostalgic and I'll need something more fucked up LOL
Already I'm seeing the album art for Gnaw Their Tongues' Collected Atrocities and laughing at it. I hate when I start to focus on the human element in music. I need music that sounds like it was made by demons, not humans
Except Josh Scogin I guess, he's scared me for a decade now. Inspiringly heavy dude.
https://profoundlorerecords.bandcamp.co ... death-maskcasecandy wrote:Will check it out ASAP.
casecandy wrote:You know what, I shot my own argument down. I thought of an artist that sounded more or less EXACTLY like DG before DG existed. I concede that perhaps they are not as experimental as I'd originally held. It's Saul Williams, BTW, as produced by Trent Reznor.
[youtube]http://www.youtube.com/watch?v=QGmNT62Tiwg[/youtube]
Totally agree! I actually liked it better than any of the (many) NIN releases from around the same time.chuckjaywalk wrote:casecandy wrote:You know what, I shot my own argument down. I thought of an artist that sounded more or less EXACTLY like DG before DG existed. I concede that perhaps they are not as experimental as I'd originally held. It's Saul Williams, BTW, as produced by Trent Reznor.
[youtube]http://www.youtube.com/watch?v=QGmNT62Tiwg[/youtube]
I adore that album. Saul is awesome, but Trent took him to a different level.
D.o.S. wrote:Finally got a chance to listen to the new High on Fire. They remain beyond awesome.