ilovefuzz.com

yeah, it's pretty novel sounding, for sure. I like nutty sounding shit though, so it's all good. It'll also be nice to have a "lighter" chorus compared to my Rocktek's soupiness. I love cheap old MIJ jank.

getting a Slicer to help get my ambient techno on.

i have random gas for a boss DS-2...

[youtube]http://www.youtube.com/watch?v=GkBCd4ZUMoI[/youtube]

how are the boss pitch shifters
useful at all? gassing for one

I was underwhelmed by the PS-5 the gliding portamento pitch shift is cool though

Summit knows Boss pitch shifters.

I still have the Bass Overdrive ODB-B. I love the low end, crunch & the mix knob. Like the EQ but really wish there was a way to deal with the cheap sizzle in the top end as you turn up the gain. Any known alternatives?

goroth wrote:Summit thinks he knows Boss pitch shifters.

fixdduhhd
problem is ive never tried anything else
besides the whammy and behr us600
for a second apiece
that said i fuckin love the ps6
and theres so much you can do with it
from real sweet organy harmonicky stuff
to whacked out swells
(one with vibrato thats fuckin crazy)
to turning your evilest riffs
into their cannabilistic illiterate cousins
whew im gettin teary eyed
i appreciate the ps6
take away everything but that
and ill make do

I was thinking about possibly trying out a ps-3 (not the video game console) in a trade for my dd7 but I'm having too much fun looping.

I dig the Boss Pitch Shifters. The HR-2 Harmonist is my favorite so far, and I've had a PS-5. I like the weird digital-y-ness of them. So clean and fake! Sweet sweet candy plastic. Mmmmmm. I like the Harmonist best because it just does pitches and you get two voices to play with instead of only having one like you do on the PS series stuff. (I know the PS-6 does multiple voices, but they're fixed intervals and I like to be able to tweak them like I can on the HR-2.) Some of the detune and dive-bomb stuff that you can do on the PS boxes is fun though, but I didn't use that stuff much.

kosta wrote:I dig the Boss Pitch Shifters. The HR-2 Harmonist is my favorite so far, and I've had a PS-5. I like the weird digital-y-ness of them. So clean and fake! Sweet sweet candy plastic. Mmmmmm. I like the Harmonist best because it just does pitches and you get two voices to play with instead of only having one like you do on the PS series stuff. (I know the PS-6 does multiple voices, but they're fixed intervals and I like to be able to tweak them like I can on the HR-2.) Some of the detune and dive-bomb stuff that you can do on the PS boxes is fun though, but I didn't use that stuff much.

Actually, the PS-3 will do any pitch you want up two octaves or down two octaves. You can even do double pitch shifting, giving you three voices to play with! (one 'dry', one anything within two octaves above or below, the other also within two octaves above or below).

Not to mention the PS-3 has that sweet sweet mode 7. Which by the way sounds awesome if you set it to not pitch shift the repeats at all (set the shift at noon), and you get this weird reverse of your original pitch.

I love the boss PS-3, so much so that I have 2 on my board! Mode 7 is awesome for shimmer, but leaving all knobs at noon on mode 7 can give you an interesting reverse (or inverse?) echo effect that is pretty awesome for post rock and what not. I usually have one PS-3 set to this, and my other varies between an octave up/down mode or a quick delay, depending on what I need, or even two mode 7's. I'd say give it a try, it is quite digital and clean, but I love them.

Oh shit. Might need a PS-3. Thanks for the info!

Forrrest wrote:I still have the Bass Overdrive ODB-B. I love the low end, crunch & the mix knob. Like the EQ but really wish there was a way to deal with the cheap sizzle in the top end as you turn up the gain. Any known alternatives?

Keeley Mod