Re: The Doom Room: ILF Edition
Posted: Fri Feb 22, 2013 9:54 am
i was looking at those yesterday actually...and was thinking of getting the 7-string set and throwing away the 0.11...so that would take me to 15-65.new05002 wrote:
new packages of flats for the LP and the baritone
You go from interested to committed.samzadgan wrote:cool...i might just get a set then.
i wonder what happens when you hit 100 posts...
I'M COMMITTED!
that hardly seems worth it...best to go to another forum for another speedy run up on rankings!Ancient Astronaught wrote:You go from interested to committed.samzadgan wrote:cool...i might just get a set then.
i wonder what happens when you hit 100 posts...
I'M COMMITTED!Congrats!
I have to double my post count to hit the next title, and all it is is adding FAMOUS to the end of my current one.
I like a steep uphill challenge.samzadgan wrote:that hardly seems worth it...best to go to another forum for another speedy run up on rankings!
pretty much. my Pharaoh is number 13, first one in Europe. that was about 2.5 years ago, i guess. was fast rising venture for Mark, awesome for him. at that time there was only the HCGF Doom Room, which as also pretty big.samzadgan wrote:actually talking about HCFX Doom Room...i was reading an interview with Black Arts Mark...and he was talking about how he started out. He mentioned that he built a pedal and told some Doom Room forum which he was on, and he started getting more orders and it took off from there.
was the Doom Room, the same HCFX Doom Room??
I found the Black Forest sounded a lot better when cranked up. It's too pedal-like when the volume on your amp and pedal is down low. Don't get me wrong, it's not bad, but I don't think it's at its best. The ss/bs Fuck Overdrive is better for a variety of volumes. It responds more like an amp, but it doesn't quite have the low-end of the BF—though the small box version supposedly has more.samzadgan wrote:Thanks for your help mate.new05002 wrote: yea doesnt happen like that for muffs
I havent really thought about that...but i really want the LSTR as a lot of my playing at home is low volume and i would get a bigger fuzz sound out of the LSTR at those volumes as opposed to the Pharaoh; and i already have a few good OD pedals. But ill have a look into the coven too, might as well cover all my bases!vidret wrote:get the coven! the black forest is amazing.
Yep. If I had known the original was a limited edition pedal I would have bought one. I thought it sounded fantastic. I already had the original Ekko 616 and liked it, but the lo-fi modulation was an excellent addition and changed its voicing quite a bit.emptyparadigm wrote:Anyone else jonesin for this?
Why don't you try to combine the two? If the jam felt natural then work with it. But if you were fighting to sound a certain way then it probably won't work out. One or both of you are just too stuck in your own passions and direction.sergiomunoz74 wrote:When to jam with this guy. Turned out to have mixed feeling, he wanted to do that slow, fast, slow post rock. I was looking more to do insturmental sludgey/ambient type deal. Hopefully next session will be a little more awesome with a drummer and another guitarist.
Yeah, I was, like a few of the other lads here, one of the early buyers. I think my three-year anniversary for knowing you fine folks is coming up soon. I bet Mark's sold well over 2,000 Pharaohs now. I'm really happy for him.samzadgan wrote:actually talking about HCFX Doom Room...i was reading an interview with Black Arts Mark...and he was talking about how he started out. He mentioned that he built a pedal and told some Doom Room forum which he was on, and he started getting more orders and it took off from there.
was the Doom Room, the same HCFX Doom Room??