ilovefuzz.com

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would be great if there were actually more than two company's building granular delay pedals

Uncle Grandfather wrote:would be great if there were actually more than two company's building granular delay pedals

UglyCasanova wrote:

Teej212 wrote:Yeah seems granular delay is going to go the same way shimmer did

Mooer is going to make a really shitty one?

It's going to be used in P&W?

aholidayatthesea wrote:

UglyCasanova wrote:

Teej212 wrote:Yeah seems granular delay is going to go the same way shimmer did

Mooer is going to make a really shitty one?

It's going to be used in P&W?

Everything will eventually be used in P&W. This should be a rule.

casecandy wrote:

aholidayatthesea wrote:

UglyCasanova wrote:

Teej212 wrote:Yeah seems granular delay is going to go the same way shimmer did

Mooer is going to make a really shitty one?

It's going to be used in P&W?

Everything will eventually be used in P&W. This should be a rule.

A rule?

We need a pedal that can do this: https://youtu.be/9XMfKYVu_fg

(@casecandy this is granular)

aholidayatthesea wrote:We need a pedal that can do this: https://youtu.be/9XMfKYVu_fg

(@casecandy this is granular)

Ableton been doin it for like 10 years. I can't be the only person not that impressed by that thing.

You're not. we had a thread on it.

I do agree with those who think this is going to be the next 'thing', though.

You know what uses granular methods in an useful way ?
The EHX 22500 looper, that can time-stretch loops quite extensively. Start from a 160bpm loop and put it back to 40bpm for example and you'll hear the grains...

Yeah word, the Eventide timefactor does the same thing. And more.

interesting, can you only get granular type textures/sounds when using the looper functions?

I don't know about the TimeFactor but if it's used in the same way the intended effect is seamless time stretch, so there are enough grains/adequate envelope for each so that you don't notice the grains individually but only hear the original sound time-stretched. In the case of the 22500, the number of grains/other parameters are probably fixed and you have to go in extreme settings to hear them. Which is a cool effect so I'm not complaining.

For the TimeFactor, being an Eventide box I wouldn't be surprised if there was more tweaking available but I've never used it so I can only guess .

oscillateur wrote:I don't know about the TimeFactor but if it's used in the same way the intended effect is seamless time stretch, so there are enough grains/adequate envelope for each so that you don't notice the grains individually but only hear the original sound time-stretched. In the case of the 22500, the number of grains/other parameters are probably fixed and you have to go in extreme settings to hear them. Which is a cool effect so I'm not complaining.

For the TimeFactor, being an Eventide box I wouldn't be surprised if there was more tweaking available but I've never used it so I can only guess .

Ah. The Timefactor is slightly different in that I take a short sample and map the speed, direction, length and fade values to exp/cv and let it run wild. Heaps of fun.

I've been tempted to run my ipad as an effect before for granular stuff.

And shit like this.

[youtube]http://www.youtube.com/watch?v=Njo8azpT1GI[/youtube]