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goroth wrote:

Jero wrote:

chuckjaywalk wrote:Man, everyone loves the Elements, but I just couldn't bond with it. I tried, but it just didn't work for me.

Some days I feel this way, when using it with guitar, but I always love it with bass

Re guitar: I don't think it sounds very good at bedroom levels - I much prefer a Metal Zone or a Death Metal. But at gig levels it slays everything in its path. It lets you get massive without getting boomy, cut through without getting mids-honky, and meaty without attack-decimating saturation. Of course, if you want those things you can dial them up too - but they're awfully hard to get rid of in a Metal Zone for example.

That would make sense since I rarely get to 'loud' by even bedroom standards.

skullservant wrote:TC Polytune Mini

Tuner? Doesn't that go without saying?

- I get along well with bright analog delays
- Germaniums. In addition, the Sparkle Motion is perfect. I dont know if that is Rangemaster or ss/bs but I wouldn't change it
- Organizer. Whatever it does, its just right
- Spring reverb pedals that sounds like really short delays. I gotta be honest, every spring reverb pedal I've played sounds nothing like the real thing. It's just like a short delayish washy type thing. I guess I could just say brick reverbs. Isn't that some component that a lot of them have? Anyway, I've come to love this effect. I would say Ghost Echo, Spring Chicken, and Surf Rider are my favorites
- It's not a specific circuit but I feel I can use most modulation pedals pretty easily

Not a fan of the brick circuit. Only faux spring I've used I like at all is the Boss faux Fender tank (which sits on my board fulltime even with rack options for meaner, more out there stuff).

I've always played really well with Big Muffs.