MrNovember wrote:So I just listened to De-Loused from start to finish. I liked it but I wasn't completely enamored by it. The playing, arrangement, and the use of effects are all amazing but I have to admit that I don't love his singing. The high pitch, almost screaming parts just aren't for me. The less intense singing and less scream-y parts are excellent though. Definitely still good music. I'll have to give it a few more play-throughs to really form a solid opinion I think
Unfortunately, Cedric's voice is either something that you're going to be able to deal with, or not. I personally like it, but I totally get why it grates on some people.
Particularly on the Mars Volta stuff. I think it's a lot different on At the Drive-In albums.
I definitely see why some would like his voice and why some wouldn't. I'll keep listening to see if it does grow on me. I need to listen to At the Drive in too. I have a couple friends that love them
MrNovember wrote:So I just listened to De-Loused from start to finish. I liked it but I wasn't completely enamored by it. The playing, arrangement, and the use of effects are all amazing but I have to admit that I don't love his singing. The high pitch, almost screaming parts just aren't for me. The less intense singing and less scream-y parts are excellent though. Definitely still good music. I'll have to give it a few more play-throughs to really form a solid opinion I think
Unfortunately, Cedric's voice is either something that you're going to be able to deal with, or not. I personally like it, but I totally get why it grates on some people.
Particularly on the Mars Volta stuff. I think it's a lot different on At the Drive-In albums.
I definitely see why some would like his voice and why some wouldn't. I'll keep listening to see if it does grow on me. I need to listen to At the Drive in too. I have a couple friends that love them
Relationship of Command was a record that grew on me for a really long time. First listen I think I dug about three or four songs, now it's one of my go to fast-and-loud-without-being-metal albums.
I can totally see why peeps don't dig bands for their vocalist, especially like the ones mentioned above where they're in a high register with weird ornamentation, BUT YOU ALL BEST LEAVE CLAUDIO OUT OF THIS
D.o.S. wrote:I'm fucking stupid and no one should operate under any other premise.
Sorry dude. They're just one of those bands that does not do it for me, in the "act swiftly to turn that off as fast as possible whenever I hear it" way.
Haha that's totally cool, I know a lot pf people are that way with them & I certainly do understand it. No need for apologies, this is the internet duh
D.o.S. wrote:I'm fucking stupid and no one should operate under any other premise.
I feel like this is the most understanding forum ever.
People actually understanding that others won't understand their taste in music/that high registers and weird ornamentations are a bit specfic?
In my experience it's usually: "you don't like so and so?! you blaspheming piece of **** motherf_cker........"
MrNovember wrote:I feel like this is the most understanding forum ever.
People actually understanding that others won't understand their taste in music/that high registers and weird ornamentations are a bit specfic?
In my experience it's usually: "you don't like so and so?! you blaspheming piece of **** motherf_cker........"
Yeah, that's one of the reasons why this place is cool. Even though I'm a sucker for prog, I don't get made when DoS gives me shit about it.
It's a big change from the rest of the Internet, which is basically this:
I like pretty much 90% of everything those guys made, and a lot of what Omar makes. . . So maybe I'm biased. . . Im also one the few here who really likes Octahedron. And I tend to like when certain bands do something different and piss a bunch of people off. . .
I would start from the beginning (of the Volta, not ATDI) but keep in mind that the sound of the band will change kind of drastically.
but if i remember correctly his vocals are also a bit specific
