Re: Talk to me about the Pharaoh
Posted: Thu May 23, 2013 1:44 pm
So its totes worth
Lol, I wish.myrrh wrote:Coming home from work pretty tired this is what I read:I was allHoly Schnikes wrote:Pharaoh is my tuner, volume pedal, and E600D or Sunny Day DelayHow does he do that?
Yeah this is what I was TRYING to articulate, hahaha. Superbass just barely--BARELY--bumped my Pharaoh from my board.Holy Schnikes wrote:Only things on my current board longer than my Pharaoh is my tuner, volume pedal, and an E600D or Sunny Day Delay I like to rotate. I srsly haven't pulled it off ever since getting it years ago. The sound is unlike anything else, heavy as hell but not super high gain. This pedal taught me that high gain doesn't always equate to heaviness, a very valuable lesson! Just a HUGE sound with tons of bass that actully holds together. Tone controls are powerful and it's the best fuzz I own when it comes to stacking, retains it's lowend goodness while letting the added frequencies blend right in. Something like the Algal Bloom that brings more high end heavies is a perfect match when stacking or simply boost the shit out of it with a good OD. Oh, the low gain settings are great too but I find myself in high gain mostly, silicon or diodes out.
Also, like benjuro mentioned, you haven't truly experienced a Pharaoh (or any BAT pedal for that matter) if you haven't run it at high volume. That's what these pedals were designed for, plain and simple. So many fuzz pedals do low volume very well but when you get a chance to try 'em in a band situation, that tone you grew to love in the bedroom is no longer present at realistic volume levels. BAT stuff only gets better with volume and Mark designed the entire lineup to perform in that fashion.
My other favorites would be the Revelation Superbass and Ritual. I'm may prefer the Rev over my Pharaoh and I absolutely LOVE my Pharaoh. The Ritual is a nastier option with a hint of velcro heaviness, lots of gain, lots of volume. Neither of these pedals sport tone controls, a far cry from the Pharaoh, but they honestly don't need 'em. Voiced perfectly IMO, sounds like your guitar tone only heavy as fuck. Again, low gain on the Rev is killer too.
And in the interest of full disclosure, I don't play doom.
Haha, I did the same exact thing. I have a feeling we're not alone either, Mark probably has an email folder full of tone-based love letters from grown men all because of the Pharaoh.benjuro wrote:Holy Schnikes wrote: I seriously wrote Mark like a gushing love letter after I jammed my Pharaoh for a few days. In this case, less gain can actually be far heavier...
Good, don't be pissed. They're different beasts. If I had to choose one...I don't know, I'd probably keep the Pharaoh. Both are beasts though, for sure, and obviously Pharaoh has a lot more range in terms of different tones, but it's not like it'd be redundant to have both...this is an email quote direct from Mark, since he's THAT guy--cool enough to talk to me about the differences.vidret wrote:i've written him plenty. full of smileys and hearts.
i'm frankly PISSED to see you guys preferring the superbass > pharaoh! what the hell! even mark said it was his favourite, and here i am without one. god-damnit. satan? SATAN? by the power of will i shall attain it. sometime later this year when i get a proper income again.
edit: okay i'm not pissed![]()
ryan summit wrote: members only jacket>pinky ring>ibanez jem>pharoah>pignose(batt.op)
I didn't quite get this comment about the Pharaoh until this evening when I assembled a bunch 'o dirt side-by-side on a pedal board (EQD Speaker Cranker>Crimson Drive>Dream Crusher>Pharaoh).benjuro wrote:Not a good option for anything other than serious volume. They (any BAT pedal, really) just don't do quiet.skullservant wrote:It did seem like a pedal that appreciated being played at high volume though, I will say that
But if you're up for it...there is nothing like it, and they stack unbelievably well. I believe many probably get turned off by the Pharaoh because of the way the tone controls work, it does take some fiddling to get comfortable with. I see them now popping up for $100...a lot of toanz for that money.
THE DIODES-OUT SETTING WILL LEVEL CITY BLOCKS. FOR REALZ.
the tone knob on the left is kind of a general tone knob like you might find on any pedal. counterclockwise is bassy and clockwise is trebly. the knob on the right is just for highs, so you get more treble as you go clockwise. the idea is that this allows you to take advantage of the incredible low end available that the pharaoh offers by turning that left tone knob towards the left and allows you to add back in the lost highs to your taste with the right tone knob. you will not be able to appreciate how awesome this is at low volumes because that is not where this pedal shines. at low volumes it will definitely sound like what you've described, moving the knobs around to achieve the same sound in different settings. but when you play loud is when you will really be able to feel that awesome crushing low end. and also when you will be able to appreciate the open diodes setting, which became my favorite.zRobertez wrote:Okay! Just messed around with it for an hour or two along with my other dirt and a chorus
I only played in my room at a low volume so i'll still have to try at practice next. So far, i think I like the silicon diodes the best... if those are the ones on the left....
Other than that I have no idea. It seems so variable with everything if you know what I mean. Even after a nice sit down with it like I just did, it was hard to decide on a setting to stay at for more than like 2 minutes. It's deffy what I was looking for though! It feels really raw but dark at the same time. And I love to use the word raw to describe dirt
I feel like the tone knob on the right only has a significant effect sometimes. I couldn't tell when. Im gonna call it the grind knob cause it seemed as you turned it down, it toned down the grindy more distortion feeling tones until it was just fuzz. The other tone knob on the left added more bassyness as you turned it down and more of that rawness as you turned it up so I could really tell what it was doing.
I'd say the only part I don't like about it yet is that when you turn one knob, you have to adjust all the others to get a similar feel again.
BUT ITS DIGGY. NEED 2 PLAY MOAR