Harsh, Angry, White-hot Distortion/Fuzzes

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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by fungalattack »

hell yehhh to atmosphere and murky black metal toanz!!!!!! reverb before fuzz and maybe even after, too! super cold and biting.
Fuzz, reverb, delay.

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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by WeHuntKings »

And I can always crank the spring reverb on the amp to wash it out further.
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by fungalattack »

Yes washing fuzz in reverb will help you achieve the sound I believe you are aiming for.

sort of a side note but not really! weird kvlt black metal!
[youtube]http://www.youtube.com/watch?v=Pv7Ted1Q4Ig[/youtube]
Fuzz, reverb, delay.

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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by chutneyfarmer »

skullservant wrote:I can do whatever meng!

@chutney- WeHuntKings had one of the first Gloomy big boxes, the sparkly black one with the super nice parts in it!!


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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by skullservant »

It was before I had settled 100% on the exact parts values, so it sounded a tad different, but still heavy!!
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by zRobertez »

Someone may have said it but a DS-1.
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by chutneyfarmer »

So when you guys put reverb before your distortion, what sort of reverb settings are you using ? Long reverbs with a very wet signal, or short and dry? Or long and dry? Or short and wet? Share the knowledge :)
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by skullservant »

I've been using my Holy Grail on the Spring setting with the mix at about 2 o'clock, which is kind of dry. If it gets to be too wet of a signal it just sounds like the guitar is floating. With the Rub-A-Dub reverb I'm finding the trails to be a little too long, so I dial 3/4 of the reverb out. So I'd say short trails, decent mix
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by chutneyfarmer »

skullservant wrote:I've been using my Holy Grail on the Spring setting with the mix at about 2 o'clock, which is kind of dry. If it gets to be too wet of a signal it just sounds like the guitar is floating. With the Rub-A-Dub reverb I'm finding the trails to be a little too long, so I dial 3/4 of the reverb out. So I'd say short trails, decent mix



Cool! Have an RV3 so will play with that tonight. We need to start a black metal thread on here actually!
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by skullservant »

DONE
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by fungalattack »

I like a short reverb with a mid to long wetness if I am going for that cold, obscured, murky but not tooo murky metal toanz. or maybe a long wet reverb pre fuzz and a short dry reverb post!
Fuzz, reverb, delay.

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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by skullservant »

Yeah, if I'm tracking guitar it's usually verb->fuzz->delay/reverb!!
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by fungalattack »

:!!!: verb-fuzz- delay-verb and maybe even another dirt after that (if you want to get craaazy). but it wouldn't be ILF without absurd pedlllulllz chains!
Last edited by fungalattack on Tue Aug 21, 2012 3:28 pm, edited 1 time in total.
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by skullservant »

LOOP BEFORE EVERYTHING AS WELL
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Re: Harsh, Angry, White-hot Distortion/Fuzzes

Post by chutneyfarmer »

skullservant wrote:LOOP BEFORE EVERYTHING AS WELL


Hahaha so essentially a "normal" signal chain in reverse? :)
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