ilovefuzz.com

DarkAxel wrote:

Fuzzy Picklez wrote:I run a disaster transport and a SMMH together.
I'm probably replacin one or more with a BOSS DD-20.
I don't get why people don't love them.

i had the exact same setup... but then i basically started to use DT for everything and SMMH didn't get much attention

Yep. It seriously slays it at everything other than an occasional funky sound.
I actually just use it for siren sounds right now.
The Disaster Transport is such an over looked delay. I love mine.

I wish I had saved my monies up for a full-sized DT

I think the Echo Base looks really cool. Maybe one day I'll get somebody to build me one.

Fuzzy Picklez wrote:

DarkAxel wrote:

Fuzzy Picklez wrote:I run a disaster transport and a SMMH together.
I'm probably replacin one or more with a BOSS DD-20.
I don't get why people don't love them.

i had the exact same setup... but then i basically started to use DT for everything and SMMH didn't get much attention

Yep. It seriously slays it at everything other than an occasional funky sound.
I actually just use it for siren sounds right now.
The Disaster Transport is such an over looked delay. I love mine.

yeah so soon after that i sold the SMMH and bought a Wampler Faux Tape Echo... and then there was this deja vu when DT got totally obliterated by FTE the modulation is totally sexual though

i don't know if i'm even able to have two delays

you see

I keep an analog delay and a digital delay on the board. I use them independently and together sometimes.

in order:

mxr carbon copy (my go-to analog/self oscillation tool)

boss giga delay (presets, helicopter/edge modulated sounds)

catalinbread montavillian echo (my booster delay with phase swirlies on the repeated notes, mainly for ambiance --in lower mix settings-- and at higher settings? instant solo volume boost --this thing can get LOUD--)

digitech digidelay (reverse delay)

and i'm thinking about getting at least one more.

i'd really like to have another delay on my regular board...i love the RV-3 but it's awfully limited. the Flashback on the looper board was supposed to live on the main board, but i need the looping stuff to live together for ease of signal routing. for space reasons a second delay would have to be the size of a Flashback, RV-3, or Disaster Transport Jr.; i'm curious to see what the Dispatch Master sounds like.

dubkitty wrote:... Dispatch Master sounds like.

infinite repeats!
Yes, i'm also curious.

even better, having the Dispatch Master with the RV-3 and the Ghost Echo would give me three! reverbs on the main board. with that and the chorus i could disappear up my own ass playing "Avalyn" all day long

dubkitty wrote:even better, having the Dispatch Master with the RV-3 and the Ghost Echo would give me three! reverbs on the main board. with that and the chorus i could disappear up my own ass playing "Avalyn" all day long

oh my god you are my hero

I tend to use few delays in a row - L6 M9 (Tube echo->blue comp or spring verb->stereo delay (both feedback on max) into EL Cap - just few chords and its summer of drones 2011

I'm giving this a bump for some opinions. I have the Flashback, but I'm thinking about selling it. It has too many features for me, and I find that setting the tempo is a little unintuitive. I'm really thinking about replacing it with a DD-6 (or perhaps another DD-3). Any thoughts on this? Also, does anyone have experience with the Warp mode? Does it just add feedback or is there more to it?

I use Sunny Day Delay -> Rainbow Machine (set to an ascending echo/reverb)-> Deluxe Memory Man currently. What I like about it? Instant MBV fun times for one, as well as those echo heavy Machina Tones. I usually have a phaser on as well at the beginning of my chain.

I've mostly been using the DMM and SDD together and turning on the Rainbow Machine for an extra(neous) layer. I like having two different delay times and two different modulation rates/depths to interact with the chords I'm playing. Also when playing double stop lead lines two delays used with a bit of fuzz can make some down right sexy and synthy sounds. I've had a few people ask me on recordings what keyboard I used when referring to a double delay'd guitar track.

It's a super thick sound when they're both on. The benefit of having two delays is getting that super drenched sound without having to worry about the feedback/repeats getting too out of control and taking over you dry signal. Rather than having one delay set to super wet and competing with your dry signal, two delays can be set to sing along with your dry signal while sounding just as wet.

Love using my Dr. Scientist RRR and my Frequency Central Atomic Clock together but I've never run two delays together. Well my Deluxe Pitch Pirate gets here on Monday, I'm going to have fun with that and the Clock, which has an LFO to get some crazy vibrato on the repeats.

I usually have at least 2-3 delays in my setup... I've been using the TC Nova delay along with a DD7

I run a Sunny Day Delay into an El Capistan. I've been having some thoughts lately of selling both and buying a Timeline though. But I think that might be a dumb idea, not quite sure.