ilovefuzz.com

D Rock wrote:

Jesus Was a Robot wrote:Not sure if they fixed it. I was pretty disappointed by this pedal as a whole. It's an awesome idea but there was way too many things that they missed IMO. It's a fun but it's not that fun. lol

Agreed. Especially for the price.

The tribunal has spoken! I include myself in this sentiment. This piece of gear really changed how I approach gear (I hyped it up, I really looked forward to it, bought it within a minute of being on the market, and now I really don't use it ). I won't get rid of it but I agree with everything said. It takes the superlative as my most expensive pedal. This shit usually happens to me. Kind of like your parents getting you an involved toy and you just play with the box instead

EDIT: I do think this quality adds to its 'character' but generally speaking I find it kind of shrill

I wanted to try one of these but have no interest in glaring flaws at that price point, so yeah... nope.

I wish they'd make a small version of glitch mode b, because that's what I'm using it for now. Does anyone know what would come the closest to doing this in a different, preferably smaller, pedlol?

Interesting. I haven't noticed the bass cut on mine. But I run mine in a parallel chain after a loop pedal, generally 100% wet. So it probably wouldn't matter anyway. For my uses I've been totally happy with it.

FWIW, I think the wet/dry volume setup on this is better than the dream sequence, where I had the same issue that others noted in terms of balancing levels. But I agree it'd be nice to just have separate wet and dry level controls. There is certainly enough physical space.

Also FWIW, the guys at Hologram were super nice and very responsive when I inquired about the glitchy thing I encountered when changing wave shapes in the midst of a sample.

fcknoise wrote:I wish they'd make a small version of glitch mode b, because that's what I'm using it for now. Does anyone know what would come the closest to doing this in a different, preferably smaller, pedlol?

Oi m8...I fink u betta look at the new copilot...may b?

$harkToootth wrote:

fcknoise wrote:I wish they'd make a small version of glitch mode b, because that's what I'm using it for now. Does anyone know what would come the closest to doing this in a different, preferably smaller, pedlol?

Oi m8...I fink u betta look at the new copilot...may b?

I thought that was a straight up sample grab'n'repeater with playback speed.

Whoops...

Shots returned by Hologram today. This is gold

fcknoise wrote:I wish they'd make a small version of glitch mode b, because that's what I'm using it for now. Does anyone know what would come the closest to doing this in a different, preferably smaller, pedlol?

Stammen v2?

worra wrote:

fcknoise wrote:I wish they'd make a small version of glitch mode b, because that's what I'm using it for now. Does anyone know what would come the closest to doing this in a different, preferably smaller, pedlol?

Stammen v2?

Nah it sounds pretty different IMO.

The glitch mode of the Infinite Jets was about all I liked on it.

Just got one. Can anyone explain the difference to me between switches A/B?

Do these switches correspond to the A/B presets for each effect? i.e. switch A controls synth A, switch B controls synth B? Or are these unrelated?

Does the effect "record" the notes and chords you play and divvy them up into A/B, and when you are in manual mode, hitting switch A will unleash what is stored in "A", and likewise with B?

Do the switches not do anything when pressed outside of manual mode (other than unlocking secondary features)?

Yeah, in manual: stomp A and it samples, stomp B and it samples; rinse, repeat. There are other sub uses (master vol, &c), but I haven't read the (epic) manual in full yet.

Still trying to figure out how to play nice with this pedal. Not there yet. Agree with much of the sentiments above, tho I think it's me trying to force my style and technique (and I use those terms looooooosely) on the pedal, versus interacting with the pedal. "It's not you; it's me."

The Bonamassa gram is a sick burn.

njschneider2 wrote:Shots returned by Hologram today. This is gold

Capture.JPG

Cool now it's just a bass cut pedal.

Jesus Was a Robot wrote:

worra wrote:

fcknoise wrote:I wish they'd make a small version of glitch mode b, because that's what I'm using it for now. Does anyone know what would come the closest to doing this in a different, preferably smaller, pedlol?

Stammen v2?

Nah it sounds pretty different IMO.

I agree. Stammen is pretty harsh in the way it chops things up compares to IJ, and there's no synthesis per se, only sampling.

D Rock wrote:

njschneider2 wrote:Shots returned by Hologram today. This is gold

Capture.JPG

Cool now it's just a bass cut pedal.

I couldn't bond with the IJ. To increase the volume the gain had to be up, which resulted in some grit on everything. I was pretty close to just leaving it cranked and using it as a distortion source. What ultimately killed it was the trouble with tracking even after repeatedly setting the input level and sticking to one pickup without changing the volume knob. Maybe my pickup is too hot or the IJ is too sensitive, I dunno. Had such high hopes for this one.