ilovefuzz.com

Somewhat unrelated, I'm currently 3 hours (not continuous) into this video, which was posted earlier in the thread and I'm too lazy to find:

https://www.youtube.com/watch?v=BflaSKqbVSs

Took me a while to notice the cats, and I can really focus on the beat and the synths individually and whatnot. I think I no longer really hear her voice as a thing, just as a meaningless sound. I might need help.

More related, what would the Miku Stomp sound like in a feedback loop? Like shit, I imagine, but what KIND of shit?

It'll just freeze on one note most likely.

The nyan mode sounds like a super synthesized trumpet. I could see that being useful for some stuff.

Like a really bitchin' version of Satisfaction.

Playing some more with it.
It's incredible into octave down devices, really gives it some weight and you can get choir type sounds out of it that way, as if a man is doing the bass / baritone underneath Miku.
The OC-2 is awesome with it, I love the OCT2 voice, the Octamizer is really great too, gives quite a different sound, with the Pollyanna it gets into synth and, if you want, glitch heaven.
With the Count To Five, oh my dear, I think they're made for eachother, I can't even explain, mode 1 in octave down or just reverse is unbelievable, mode 3 with regular / reverse + fifth + octave down is like a synthesized choir going crazy, the Revolver II is cool with it too but no way near as cool as the Count To Five in my opinion though.
Basically your guitar is triggering Miku so anything in front other than a tremolo used as a multi-triggering device, which I actually like more before than after Miku because it glitches more) doesn't change the sound much but anything after, oh yes, lots of varieties possible!
I hope I can get a decent direct in device soon so I can record some clips, can't make any promises though.

You're not allowed to say all these wonderful things and then say no promises on clips!

TheOndrakGuy wrote:You're not allowed to say all these wonderful things and then say mo promises on clips!

I'll really try.
Yeah, despite some obvious shortcomings I think this is actually my favourite synth style pedal so far, it's just so now but tweak it with some other pedals and you've got something completely different.

I made a video of me wildly turning knobs as a Miku loop plays through the Count to Five and glitches with the MASF Possessed. I still don't know how people record stuff, so you get my shaky camerawork as I turn knobs like a 4 year old.

[youtube]http://www.youtube.com/watch?v=oqX-CJxLSHs[/youtube]

Strange Tales wrote:I made a video of me wildly turning knobs as a Miku loop plays through the Count to Five and glitches with the MASF Possessed. I still don't know how people record stuff, so you get my shaky camerawork as I turn knobs like a 4 year old.

[youtube]http://www.youtube.com/watch?v=oqX-CJxLSHs[/youtube]

Love that!

Awesome!

[youtube]http://www.youtube.com/watch?v=dOOoIGcALHA[/youtube]

Second time I have ever made a video. The other time was just as bad.

I am using the EX-7, feedbacking into itself, to trigger the Miku. Then there is a GB24 and a Cyber Psychic. I kept it all quiet because the windows were open and the neighbors were kickin' it outside. Maybe they liked it?

When I put it in the feedback loop it just made oscillation. I am thinking a gated fuzz or delay would work well in the loop with it. More later I suppose (maybe something neat actually).

your GB24 art is so real. I found the clips with thee cyber psychic kind of hilarious

So how many Mikus does this make on ILF? 5?

bob the r0bot wrote:So how many Mikus does this make on ILF? 5?

me, you, univalve, tristan, chuckjaywalk, lordgalvar, strange tales... so 7 unless there's someone who hasn't posted.
that's like almost 1/20th the number of CT5's. MIKU KVLT is growing