ilovefuzz.com

yeah Slicer and timebender is tons of fun
everything is playing well together now, getting some crazy tones

hbombgraphics wrote:dubkitty that setup is sweet

So many good sounds

Monster setup!

dubkitty wrote:yes. i can run two loops simultaneously for texture or separately to crossfade from loop 1 to loop 2 so i can play extended sequences of composed pieces with cross-fades in and out.

Great setup. Really like it. Also your sounds.

So for recording you switch the loopers with the ABY? The loopers are then connected to the pan pedal for blending? Do you use the Ernie Ball EB6167 for this?

Dub, what do use the EQ pedals for? Loop manipulation? On the fly mixing? Something else?

dubkitty wrote:yes. i can run two loops simultaneously for texture or separately to crossfade from loop 1 to loop 2 so i can play extended sequences of composed pieces with cross-fades in and out.

Duuude that's such a cool idea!

Your setup is amazing frealz. So neat and tidy and awesome!

Woooooow that rules dub!!
So many possibilities.

Here's what I put together for bass last night. Thanks to Timm Grimm and julius_deane for filling in the missing pieces!

looks awesome, is that a cave dweller?

Thanks dude. It's actually a ParaEQ I built up off a 1776 Effects board. I'm still wiring up the XLR output for DI though, I gotta get a transformer

neat, what does the transformer do in this context... impedance matching?

breitnersn wrote:So for recording you switch the loopers with the ABY? The loopers are then connected to the pan pedal for blending? Do you use the Ernie Ball EB6167 for this?

that's exactly backwards. i use the pan pedal to sweep between the two loop inputs and the ABY sums the signal to mono for output. the pedal is a 6165, which is the 500k version; the 6167 wouldn't work due to the impedance.

kbithecrowing wrote:Dub, what do use the EQ pedals for? Loop manipulation? On the fly mixing? Something else?

loop manipulation, though they could also work as general EQs as long as i have that side of the loop path running, sometimes loops get hissy and i can dial that out, and with the Slicer and EQ i should be able to get some drum sounds. in fact, i could have different settings on each EQ and pan between them

thanks for your comments, folks. makes me feel all warm and, er, fuzzy.

dubkitty wrote:

breitnersn wrote:So for recording you switch the loopers with the ABY? The loopers are then connected to the pan pedal for blending? Do you use the Ernie Ball EB6167 for this?

that's exactly backwards. i use the pan pedal to sweep between the two loop inputs and the ABY sums the signal to mono for output. the pedal is a 6165, which is the 500k version; the 6167 wouldn't work due to the impedance.

Interesting. Do you use the delay pedal mainly for looping or delay?

mostly for looping, though i'm working on using them more as delays. i generally use the RV-3 on the main board for delay; it's easier to manage the delay on the main board than to walk to the loop board, and i'm accustomed to the RV-3 because the main board and a volume pedal is all i take when i go out. i want to start using the delays for faux tape-loop stuff that degrades over time so the old repeats end up as a wash of indistinct sound in the background with the new notes suspended over it.

hbombgraphics wrote:neat, what does the transformer do in this context... impedance matching?

Yeah dude! Exactly

Hipster Pedalboard Shot.

That's hella sweet