The pitchgrinder is not really bass friendly, but thats why I bought it. I set the pitches to all octaves/fifths/unison so that when I turn it on it does crazy keyboardy arpeggios along with my bass tone. If I had to run it in series, it probably wouldn't be on my board, but running it parallel just opens up this whole world of options.Tendollarcat wrote:Welcome man. That's a killer board! Interested to hear how you are finding the pitchgrinder on bass? I use an Eau Claire Thunder and it is really bass friendly.jasonmitsch wrote:Hi folks, I'm new here. I wandered over from talkbass. Here's the current state of affairs with my board:
Let's see your PEDAL BOARD!
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Re: Let's see your PEDAL BOARD!
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Re: Let's see your PEDAL BOARD!
It's easily the heaviest board everhbombgraphics wrote:very sweet
and liking the brick pedal board
The mini is one of the few pedals that's become part of what I call my sound. It soooo goodkbithecrowing wrote:Sick board, Mini at the endHave you ever played a Memory Boy? I'm curious as to how the MM550 compares.
I haven't compared them in person, I briefly had the Deluxe Memory Boy and I remember it fairly well. The MM550 is far more hi-fi, they both play well with the incoming signal thanks to the gain knob. I did really like the square wave modulation on the boy, the depth and wave-shape controls are one and the same on the boy, the man only has the sine-wave. The man could get this really nice infinite noise thing going on that was sweeet! The man has two secret modes: 1-programmable footswitchable oscillation 2- I call it power ranger mode, it'll cycle through the tap-divide modes according to how the rate knob's set (if you have the delay time set short and the repeats set on the edge of oscillation it sounds like a crazy arpegiator). I'm pretty sure the boy has the oscillation, but it doesn't have power ranger mode...
Overall if having an insanely clear analog delay and power ranger mode is worth the extra 100-150 to you, then get the man; if not, then get the boy and make some awesome square-wave modulated sounds!
As to the first PM'D!rustywire wrote: Glad you got your E600D.
If you're curious to try an E600B (to compare) let a fella know and we can arrange a temp trade or something. Assuming I still have it...because it's for sale/trade once again...for now![]()
Also how does it contrast with the DMM TT, tone-wise?
As to the second, their both sonically orgasmic to the extreme! Generally, the man is very bright in comparison to the dark, and you're never going to lose the delay signal to dirt with the man but that's a risk you take with the dark. It's a little like the difference between a digital and analog delay in respect to the bright/dark contrast between the two.
The man feels a lot bouncier in the way it interacts with the incoming signal. The dark can get kinda bouncy, but if you're trying to layout a rhythmic stream of sound for your signal to fly over the man is more like building a sand castle and watching the waves slowly degrade its form. Whereas the dark is more like building that same castle under those waves. It'll look good for a second, but it quickly disintegrates, melted by the waves.
At just the point before oscillation the dark creates a deliciously warm cloud of sound that'll slowly change directions, but everything's just a beautiful swash. At the same point on the man it's a bit like throwing paint on a wheel. The colors slowly degrade and blend together but you can still see some of their original color and form, never quite creating a wholly homogenous picture.
One important thing to note is that no matter how hot of a signal you slam the dark with the repeats never distort, the man, on the other hand will distort fairly easily if you push it a little. It's both a good and a bad thing.
I'm going to keep both if I can, right now the dark is more in line with what I need from a delay (something that does ominous and mysterious well). The man, though, I'll never get rid of because I think it makes a great guitarist's delay because of the frequencies it really hits on.
Long post is long
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Re: Let's see your PEDAL BOARD!
I feel like quite a few of us around here feel this way (myself and skully off the top of my head). It's the ILF soundwfs1234 wrote:The mini is one of the few pedals that's become part of what I call my sound. It soooo goodkbithecrowing wrote:Sick board, Mini at the endHave you ever played a Memory Boy? I'm curious as to how the MM550 compares.
![]()
& these descriptions are so lovely to read and make complete sense to me. It must be great to have both of those options.wfs1234 wrote:The man feels a lot bouncier in the way it interacts with the incoming signal. The dark can get kinda bouncy, but if you're trying to layout a rhythmic stream of sound for your signal to fly over the man is more like building a sand castle and watching the waves slowly degrade its form. Whereas the dark is more like building that same castle under those waves. It'll look good for a second, but it quickly disintegrates, melted by the waves.
At just the point before oscillation the dark creates a deliciously warm cloud of sound that'll slowly change directions, but everything's just a beautiful swash. At the same point on the man it's a bit like throwing paint on a wheel. The colors slowly degrade and blend together but you can still see some of their original color and form, never quite creating a wholly homogenous picture.
Also, the Deluxe Memory Boy does have the "power ranger" mode
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Re: Let's see your PEDAL BOARD!
Yeah the Mini is something I will not get rid of either haha
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Re: Let's see your PEDAL BOARD!
That was just beautiful.wfs1234 wrote: As to the second, their both sonically orgasmic to the extreme! Generally, the man is very bright in comparison to the dark, and you're never going to lose the delay signal to dirt with the man but that's a risk you take with the dark. It's a little like the difference between a digital and analog delay in respect to the bright/dark contrast between the two.
The man feels a lot bouncier in the way it interacts with the incoming signal. The dark can get kinda bouncy, but if you're trying to layout a rhythmic stream of sound for your signal to fly over the man is more like building a sand castle and watching the waves slowly degrade its form. Whereas the dark is more like building that same castle under those waves. It'll look good for a second, but it quickly disintegrates, melted by the waves.
At just the point before oscillation the dark creates a deliciously warm cloud of sound that'll slowly change directions, but everything's just a beautiful swash. At the same point on the man it's a bit like throwing paint on a wheel. The colors slowly degrade and blend together but you can still see some of their original color and form, never quite creating a wholly homogenous picture.
One important thing to note is that no matter how hot of a signal you slam the dark with the repeats never distort, the man, on the other hand will distort fairly easily if you push it a little. It's both a good and a bad thing.
I'm going to keep both if I can, right now the dark is more in line with what I need from a delay (something that does ominous and mysterious well). The man, though, I'll never get rid of because I think it makes a great guitarist's delay because of the frequencies it really hits on.
Long post is long
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Re: Let's see your PEDAL BOARD!
The E600B was too bright for my taste but the repeats never got lost. Mine had some hiss going on too when compared to the Dark which is nearly silent. Also, seemed voiced pretty close to my old DMM honestly, in the same realm I mean, not a replacement obviously.
The E600D is perfect imo, very warm with gorgeous repeats that handle whatever signal you throw at 'em. I have to run it on the buffered out tho to give it some clarity and life tho, shit's too dark and muddy in TB setting. Also, wish the exp function would allow repeats to be dialed down to zero instead of the lowest setting always gives that single repeat.
The E600D is perfect imo, very warm with gorgeous repeats that handle whatever signal you throw at 'em. I have to run it on the buffered out tho to give it some clarity and life tho, shit's too dark and muddy in TB setting. Also, wish the exp function would allow repeats to be dialed down to zero instead of the lowest setting always gives that single repeat.
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Re: Let's see your PEDAL BOARD!

switched some dings out
kinda still really want a smmh but i don't know what i'd take out.
there's one on the bay for pretty cheap
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Re: Let's see your PEDAL BOARD!
that board is sick!!like the additions
you could always send me your RV-3 to make room

you could always send me your RV-3 to make room
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Re: Let's see your PEDAL BOARD!
that pic makes me want so bad to just go BLAAAAM with open strings blasting and making the cat jump in terror. 
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Re: Let's see your PEDAL BOARD!
This pedalboard is something I could jive with quite happily. It's just one neat pedal after another.theavondon wrote:Here's the only known picture of the board I used on tour.
Rat Tail->Frantabit->Xero Deluxe->Bluebeard->Skinpimp Panik->Deluxe Pitch Pirate->tuner
Awesome post and awesomely descriptive analogies.wfs1234 wrote:The man feels a lot bouncier in the way it interacts with the incoming signal. The dark can get kinda bouncy, but if you're trying to layout a rhythmic stream of sound for your signal to fly over the man is more like building a sand castle and watching the waves slowly degrade its form. Whereas the dark is more like building that same castle under those waves. It'll look good for a second, but it quickly disintegrates, melted by the waves.
At just the point before oscillation the dark creates a deliciously warm cloud of sound that'll slowly change directions, but everything's just a beautiful swash. At the same point on the man it's a bit like throwing paint on a wheel. The colors slowly degrade and blend together but you can still see some of their original color and form, never quite creating a wholly homogenous picture.
One important thing to note is that no matter how hot of a signal you slam the dark with the repeats never distort, the man, on the other hand will distort fairly easily if you push it a little. It's both a good and a bad thing.
I'm going to keep both if I can, right now the dark is more in line with what I need from a delay (something that does ominous and mysterious well). The man, though, I'll never get rid of because I think it makes a great guitarist's delay because of the frequencies it really hits on.
Long post is long
Yes.kbithecrowing wrote:I feel like quite a few of us around here feel this way (myself and skully off the top of my head). It's the ILF sound
Catalinbread⁞⁞Earthquaker Devices⁞⁞Strymon⁞⁞Smallsound/Bigsound
Iron Ether⁞⁞Black Arts Toneworks⁞⁞Dr. Scientist⁞⁞Fairfield Circuitry
Tom Anderson⁞⁞Ibanez⁞⁞Guild⁞⁞Gretsch⁞⁞Fryette⁞⁞Audio Kitchen
Doom Room - type fast, riff slow
Iron Ether⁞⁞Black Arts Toneworks⁞⁞Dr. Scientist⁞⁞Fairfield Circuitry
Tom Anderson⁞⁞Ibanez⁞⁞Guild⁞⁞Gretsch⁞⁞Fryette⁞⁞Audio Kitchen
Doom Room - type fast, riff slow
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Re: Let's see your PEDAL BOARD!
The mini totally is! I love power ranger mode. Whenever I play with it and some fuzz I feel like I'm summoning gojira or gamera or something!kbithecrowing wrote:I feel like quite a few of us around here feel this way (myself and skully off the top of my head). It's the ILF sound
& these descriptions are so lovely to read and make complete sense to me. It must be great to have both of those options.wfs1234 wrote:words
Also, the Deluxe Memory Boy does have the "power ranger" mode
Thanks for the kinds words about my words everyone
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Re: Let's see your PEDAL BOARD!
So good
Casavettes wrote:
switched some dings out
kinda still really want a smmh but i don't know what i'd take out.
there's one on the bay for pretty cheap
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Re: Let's see your PEDAL BOARD!
hbombgraphics wrote:that board is sick!!like the additions
you could always send me your RV-3 to make room![]()
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Re: Let's see your PEDAL BOARD!
theavondon wrote:Here's the only known picture of the board I used on tour.
Rat Tail->Frantabit->Xero Deluxe->Bluebeard->Skinpimp Panik->Deluxe Pitch Pirate->tuner
The 2525 was just chillin on the corner, because I got it back from a friend in St. Louis.
And boy howdy, it was fun.
Great rig.
Thought this was an old picture of Thurston Moore for a second haha.
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Re: Let's see your PEDAL BOARD!
dat POLYPUSCasavettes wrote: switched some dings out
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