OK--many apologies Curtis.
I have no excuses other than my (mostly mental) deficiency. I am extremely grateful to have been included on the tourbox
, and I did take fairly copious notes and, thanks to Chank, have one wayward, noodly vidya of the amazing Mudlark in action, which I link forthwith. I'm going to come back and supplement this post as I finish some thoughts, so chack back if'n yore innerested....
[youtube]http://www.youtube.com/watch?v=I5SzPfdRNP4[/youtube]
OK--some general comments first. I am definitely familiar with the RMA approach and aesthetic. I guess I haven't been very vocal about it, but RMA has been one of my favoritest thangs in pedaldom since I first lucked into getting on the Dirty Doper pre-order.
Aesthetically, absolutely my number one, so I was marvelin' at all the copious eye candy on display in the tourbox, and the tourbox itself--phantasmagorically excellent vision and execution! As a longtime Tetris addict, I definitely enjoyed putting it back together after each session
As I said, I am pretty familiar with the RMA thang, proudly owning an DD, Crustacean and Tetanus Booster, and having had the good fortune to have logged extensive time on lordgalvar's Mudlark and Chankgeez's Monobius.
I keep coming back to RMA devices because of their sonic signature--raw, open, beefy (no emasculated bass frequencies here
) bipolar in the best way--capable of more "polite" usage, but ready to spurt firenados at my whim (also bi-functional for me because I get great use for both my pkinky guit/mando-ings and bass thumpasaurusizing).
I concur with Chank on the Mudlark: 'tis, to put it plainly, great. My clip above only captures a small fraction of all the tones available. Chank grabbed my phone and started lensing less than a minute into my re-acquaintance wrangle, so to my ears there's a palpable sense of actually wrasslin' the oscillation; re-familiarizing myself withe the truth-in-labelling of the 'song' knob, which produces different arpeggi and counter-melodies depending on where it's set and on how you set the guitar's volume (and to a lesser degree) tone knobs. So if you have the patience you'll gradually hear me hone in on the bliss state where the pedal does more noodling than i do
The first section is me getting lost in wank punctuated by volume knob tweakage to shift the low dronetone down a half-step or so and back. Maybe someone else can capture that feature better.
What is not captured at all are the wide range of more straight-forward, singing and synthy fuzz tones on tap, especially with a compressor or the Tetanus Boost set up in front of the Mudlark.
Another aspect of the Mudlark that Chankgeez pointed out definitely hit home with me--it was really easy to get lost (in a good way) exploring with it. That first four-plus minute wank (believe me, I didn't stop for a good while after the phonecam was shut down) felt like 30 seconds....
Which is not to say it's like some fuzz with oscillating capabilities where you end up not using it live because you spend more time tweaking than playing and/or can never re-find your favorite settings. The effective use of switches to define "modes" saves you from that frustration.
I'd also concur with Chankgeez's (and lordgalvar's) observations regarding the loudererness and mo' brightitude of the tourbox Mudlark compared to lordgalvar's earlier incarnation. l'd add that there seems to be just a touch more range overall in the variety of tones and "songs" on tap
Finally, as I mentioned before, the thing is, like the other RMAs I've experienced, rad on bass, bring ratty cut to your attack at more sedate settings without hacking your low-end to oblivion, but also delivering tonnes of synthy goodness (amazing tones with a Tonefactor take on the auld DOD 440 envelope filter), and plenty of plain old FWOAR.
ok so that went on for a while... I think I'll break up the text wall by posting (hopefully shorter) write-ups about the other tourbox denizens....
Write-up and video snippet to follow.
I'm expectin' some nice videos from rickenbastard as well. 
NO WORRIES!