ilovefuzz.com

Ev_O))) wrote:

oscillateur wrote:

Ev_O))) wrote:Great thread. Here to spam relevant material:

https://kinglynch.bandcamp.com/album/animals

Granular synthesis and fuckity samples mostly, all smashed together in Ableton. I even made use of the Max for Live instrument made by our very own Dr. Sherman Sticks MD and linked a few pages back (which is a hell of a lot of fun).

Anyone else getting down with Computer based drone/granular stuff at the moment?

That's quite nice...
Is it something you could play live somehow (I mean, really interacting with the music) ?

Thanks guys.

I have been working on finding a way to do it effectively and in a truly live manner and so far I have taken the route of breaking it down into a million clips in ableton and fucking around with crossfades and things like that to try and keep it somewhat improvisatory in nature. But yeah. It's something that feel weird coming form an instrumental performace background and I'm looking at working some live loops into it.
Gonna have to figure it out.

Please do work out how to do this live. It's absolutely beautiful and I would love to play some shows with you

daseb wrote:

Ev_O))) wrote:

oscillateur wrote:

Ev_O))) wrote:Great thread. Here to spam relevant material:

https://kinglynch.bandcamp.com/album/animals

Granular synthesis and fuckity samples mostly, all smashed together in Ableton. I even made use of the Max for Live instrument made by our very own Dr. Sherman Sticks MD and linked a few pages back (which is a hell of a lot of fun).

Anyone else getting down with Computer based drone/granular stuff at the moment?

That's quite nice...
Is it something you could play live somehow (I mean, really interacting with the music) ?

Thanks guys.

I have been working on finding a way to do it effectively and in a truly live manner and so far I have taken the route of breaking it down into a million clips in ableton and fucking around with crossfades and things like that to try and keep it somewhat improvisatory in nature. But yeah. It's something that feel weird coming form an instrumental performace background and I'm looking at working some live loops into it.
Gonna have to figure it out.

Please do work out how to do this live. It's absolutely beautiful and I would love to play some shows with you

I've been thinking long and hard about it in the time since I initially posted this and I have devised a system which will probably require me to purchase something like a launchpad, a TC ditto for longer phrase style looping and some kind of small analog synth in addition to what I already own. I figure to have this up and running by March or April, life permitting.

I'm flattered though daseb. Are you a Melbournite?


EDIT: on closer consideration, maybe just a launchpad.... so not so bad....
Gotta keep fiddling.

I am, and slowly working on doing something similar (more in the realm of rainforest spiritual enslavement/demdike stare) without relying so much on pedals and instruments for the first time in my life. Would be mad to do a show when we're both ready.

daseb wrote:I am, and slowly working on doing something similar (more in the realm of rainforest spiritual enslavement/demdike stare) without relying so much on pedals and instruments for the first time in my life. Would be mad to do a show when we're both ready.

Yeah man, I'm trying to bridge that gap personally. Need to work on integrating enough live manipulation along with the pre recorded/queued material to satisfy my kinda weird ideas of what I'd like a performance of mine to be I guess. Just kinda feels weird when I've only really participated/performed in band environments live before. I have this weird 70s Casio organ thing that I'll probably use as well as about 6-7 tabletop pedals (Loops/Dirt etc) and then run everything else off my laptop.

But fuck yeah, I'll PM you for future reference, I'd be down for anything.

hey Ev_O))), that album is pretty rad. some super pretty sounds in there..I'm guessing you made your art with audacity?

I recently put up an album that's heavy on audiomulch processing as well as tape degradation
bunch of granular synthesis and sputtery tape decks, maybe some of you will dig it: http://resincum.bandcamp.com/

Awesome stuff EV_O)))...just downloaded everything you have. I'd love to find people to collaborate on stuff like this...preferably locally (SF Bay Area for me) but hell, let's all just do one big ilovefuzz drone/ambient/noise song together. Mixing it would be some work depending on how many people got involved but it would be fun to see what we could all do.

For some reason I was just listening to your stuff and then my iTunes skipped to Scott Walker...made for a really cool flow.

louderthangod wrote:Awesome stuff EV_O)))...just downloaded everything you have. I'd love to find people to collaborate on stuff like this...preferably locally (SF Bay Area for me) but hell, let's all just do one big ilovefuzz drone/ambient/noise song together. Mixing it would be some work depending on how many people got involved but it would be fun to see what we could all do.

For some reason I was just listening to your stuff and then my iTunes skipped to Scott Walker...made for a really cool flow.

hey thanks dude, it really means a lot. There was actually an ILF drone comp compiled recently. But thanks to the mighty internet, collaboration is totally a 24/7/365 option for most aye?

And Resincum, you have me pinned man haha. Audacity is a delight. Just clicked ya link now...

EDIT: Yo Resin that's tight. Real trip. Where do you draw your initial samples fad things from before you cook em up? I heard at least guitar and voice easily enough (I think).
Also, I know audio mulch has kinda been covered in here at least briefly, but how do you go about it?

Also, I bought http://blasariusyonder.com today as part of a pretty broad university assignment. Can't hurt to have it anyway

Yeah, I missed that compilation. I was supposed to record something with a friend of mine but he wasn't able to make it and I didn't have my recording rig set up yet. Hopefully they'll do another one.

Nothing stopping anyone from assembling the troops to do another collab/comp.

D.o.S. wrote:Nothing stopping anyone from assembling the troops to do another collab/comp.

True...it might be a little soon. I don't think my mastering skills are up for it but I know a guy that might be interested in doing it. Maybe the next one should be a little different in some way.

So I played my first set doing this kinda stuff I've been working on friday night. It was pretty good! Definitely need to practice through an actual PA with subs more often because low end is FUN.

https://soundcloud.com/theriverofheaven ... t-practice

processed field recordings and my wife playing violin in audiomulch, loaded on to SP404 which runs through a phase 90, count to five and DD3. Beats from a korg volca sample running through a red panda particle. I've been doing like, free form drone noise stuff on and off for ten years. It's fun to try something absolutely rigid and locked to a beat instead.

Champion

Dase is basically Chris Cornell circa Scream, is what I'm seeing here.

I had to look up what that was. HARSH DUDE.

almost as harsh as when I found out my wife thinks hes hot.

It's not every day you get to drop that one on someone, gotta strike while the iron is hot.