ilovefuzz.com

Or maybe a few of the MN3005's in parallel instead of series like in the Thermae? I would not put it passed Chase Bliss to put like 6 of those in a pedal.

Oy I don't need another fucking reverb. But I need another fucking reverb.

This sounds so good.

http://www.hungryrobotpedals.com/wardenclyffe

[youtube]http://www.youtube.com/watch?v=814fDVj9n3s[/youtube]

Oh, snap, another demo from LaTent LeMon:

[youtube]http://www.youtube.com/watch?v=TbgeebehU5k[/youtube]

https://www.youtube.com/watch?v=TbgeebehU5k

Gone Fission wrote:Chase Bliss’s YouTube series Analog Heart Season 2 has had hints like a whiteboard with “analog reverb?” written on it. Some people assumed fake out. Probably based on the MN3011 multi-tap bbd (or two to make the individual taps less distinct?). If so, it won’t be a replacement for a Neunaber or Strymon. I’m hoping that some of the awesome artifacts and weirdness like the Thermae produces is part of the mix.

This might be pretty dang cool with their onboard modulation. I really love the sound of adjusting the size on the Make Noise Erbeverb's DSP, maybe something similar could happen in the analog domain?

Roland, DOD, and others have all done the MN-based reverb in the past. The Roland one sounded quite nice for a reverb (they called it 'hall'). Both were mn3011 as gone fission mentioned.

Maybe doing a delay/reverb combo to draw out the length?

Morley made the Rock'n'verb which was also MN3011. MN3011 reverb sounds really cheap and underwhelming in all variations I have used. Belton bricks blow it out of the water in terms of realism and depth. Perhaps someone could make it better but the core of what's available in that chip is meant to simulate short spring reverb and it does it pretty badly with the infrastructure that people were using back then.

cherler wrote:Or maybe a few of the MN3005's in parallel instead of series like in the Thermae? I would not put it passed Chase Bliss to put like 6 of those in a pedal.

And then it will be $600 MSRP


Interested to see what it is, but I'm not feeling the need for more reverb. Still want a Thermae though...

worra wrote:

cherler wrote:Or maybe a few of the MN3005's in parallel instead of series like in the Thermae? I would not put it passed Chase Bliss to put like 6 of those in a pedal.

And then it will be $600 MSRP


Interested to see what it is, but I'm not feeling the need for more reverb. Still want a Thermal though...

I still wouldn't be surprised

A screen grab of Juan's post got put on reddit. It looks like it has a bunch of different modes that would be hard to pull off with an MN3011. Maybe it really will be digital?

It's gonna be a spring reverb preamp with connections for a tank. The 'digital brain' will control stuff on the preamp plus motors and servos to shake the tank.

well, the pedal itself looks real nice:

If this is anything as deep as the other Chase Bliss Pedals I’ve tried, this may be the first thing of theirs I buy. It’ll be ridiculously expensive but I’d love to have complex modulation and routing in a tiny pedal. The Atmosphere makes this hard to spring for though.

Oh, Juan... *sad trombone*

The pedal will no doubt sound amazing and be $$$. Maybe I will stare longingly through a window at it one day. In the rain, whilst gently sobbing. It's a dark, dark world.

I need to find a reason to use more reverb. Too much cool shit coming out. I was just gonna get a SA True Spring but all this shit looks too awesome. I wonder what the "black" setting does on the Dark World. Blackface? Trem+verb? Or maybe something different and weird. Those are all pretty standard modes, and if the pricing on this is anything like the rest, I hope there's potential for weirdness. I also hope the spring mode is good.

I immediately think Blackhole like the Space... maybe just a “cavernous” (oh buzz words) setting?

Edit: obv that wouldnt make any sense from a literal standpoint, just in terms of competing branding. Surely it’s something else.