echorec wrote:Be warned that these tend to be heavier on photography than text.
Thank you for the warnin'.
That's actually the #1 complaint for large-format pressings. They're 8.5" x 11" for a reason (to accommodate large pictures, not extra room for essays and historical analysis). Phaidon/Gestalten/Thames & Hudson, et cetera tend to be more focused on visual candy than academic research. Typical reviews of their interior design & architecture books go something like this---
"There's not enough info about the projects or how to make these." --Umm, yeah it's an architecture photography book. It's not a how-to guide for building your own skyscraper.
8 waveforms (ramp up, ramp down, square, triangle, sine, sweep, random pulse, and random slopes)
Controls for rate, depth, waveform, output, and gain along with a 3 position toggle allowing you to choose to have the tremolo pre-gain, post-gain, or the mystery inversion option (center position).
Onboard tap-tempo,
Rate sync input (0-5V)
[youtube][/youtube]
Re: 2019 happenings (Summer NAMM p.90)
Posted: Wed Sep 11, 2019 2:48 pm
by aen
echorec wrote:
[youtube][/youtube]
Here it is folks, the first time Morton Robotnick has given an interview without saying "Fine Arts Tradition" or "Black and White Keyboard."
Re: 2019 happenings (Summer NAMM p.90)
Posted: Wed Sep 11, 2019 2:55 pm
by repoman
Mattoverse pedals are the coolest
Re: 2019 happenings (Summer NAMM p.90)
Posted: Wed Sep 11, 2019 2:57 pm
by Dandolin
aen wrote:
echorec wrote:
[youtube][/youtube]
Here it is folks, the first time Morton Robotnick has given an interview without saying "Fine Arts Tradition" or "Black and White Keyboard."
Limited editions are sold out. I like cool colors as much as anyone, but its great they're doing a new line of "Standard" edition pedals that are $80 cheaper and are actually available.
Limited editions are sold out. I like cool colors as much as anyone, but its great they're doing a new line of "Standard" edition pedals that are $80 cheaper and are actually available.
Standard edition is fine with me. Paying $80 more for color seems silly.
Can you get those flanged windstorm tones at 0:45 with a Météore? Most of my verbs are DSP/FV-1. I'm imagining this is a Belton Brick + PT2399 for the delay.
Here it is folks, the first time Morton Robotnick has given an interview without saying "Fine Arts Tradition" or "Black and White Keyboard."
It was a good run
This guy is like Sean Connery and Michael Caine in that once he hit a certain age he just stayed old and didn’t die.
Re: 2019 happenings (Summer NAMM p.90)
Posted: Sat Sep 14, 2019 11:17 pm
by $harkToootth
$harkToootth wrote:Holy Shit the Behringer K-2 demos are rolling out and it sounds fantastic!
I also back tracked and finally listened to their Odyssey. I own the Korg reissues of both... I have to say... on first impression both Behringers sound noticeably better. Their Odyssey packs in great new features too. 01010111 you really might want to look at the K-2.
Limited editions are sold out. I like cool colors as much as anyone, but its great they're doing a new line of "Standard" edition pedals that are $80 cheaper and are actually available.
Standard edition is fine with me. Paying $80 more for color seems silly.
I agree, but it's not just that. The circuit boards / components are different. That said, everyone on TGP who has tried the standard and limited editions say that the sound differences are minimal to the point of being non-existent.
They're 8.5" x 11" for a reason (to accommodate large pictures, not extra room for essays and historical analysis). Phaidon/Gestalten/Thames & Hudson, et cetera tend to be more focused on visual candy than academic research. Typical reviews of their interior design & architecture books go something like this--- 
