ilovefuzz.com

As awesome as that sounds...

There's no way I'm buying anything that has a good chance of get outdated by the slightly different next version of the same pedlol. I needz mah pedlols to be flippable

Aftermath is still leading my reverb wish list.

monkeydancer wrote:You can do some pretty cool stuff!

Bellyheart wrote:It's a cool thing. I used the tp with a flashbackx4 and made some whacky sounds. Definitely not a gimmick.

Thanks, duders. Really psyched on messing with that as well now!

I just saw this before I hopped over. I will own this.

I tried messing with the TP editor on the Trinity and it's pretty darn good. Only a bit painful to work with sometimes but very capable.

hollowhero wrote:Never had any interest in the first trinity, but oh man... modes III and V sound incredible. Think my supernatural may finally have some competition

Yes, they do.
Hopefully you can get these as toneprints. I like my v1 Trinity, but if I can get some of these modes without losing all the value of my pedal AND having to shell out for this I'll be ok with that.

The toneprint editor is not so bad, as far as getting some rad sounds out of it.
I imagine most of these were user designed patches anyway.

TC pedals are a bit of a hit or miss with me, this seems really cool.

Nothings tipped over my blueSky though.

Andrew wrote:TC pedals are a bit of a hit or miss with me, this seems really cool.

Nothings tipped over my blueSky though.

I am with you, actually most TC Pedals are a miss for me. Other than the polytune mini noir... this is the first pedal by them I am totally into.

Looked at it, don't think I'll be replacing any of my rack stuff though.

That one preset thing is just way, way, way too limiting.

I feel like there would be a real market for a bigger TC pedal with these algorithms and more controls. Could be v nice. Or maybe nobody would like it and TC are right, who knows. I would like it though.

They're trying to protect their higher end products, except....I don't want one of their all in one multis.

If I want that, I'll stick with Roland/Boss stuff.

TC has always been modulation/delay stuff, and verb is a distant second - I'm still amazed Digitech hasn't exploited owning Lexicon more (or that Alesis hasn't pulled some of their routines from cryosleep and made a Quadraverb/Midiverb pedal).

rfurtkamp wrote:I'm still amazed Digitech hasn't exploited owning Lexicon more (or that Alesis hasn't pulled some of their routines from cryosleep and made a Quadraverb/Midiverb pedal).

Digitech owns Lexicon? How come they don't make a Vortex in a Whammy style pedal?

Harman etc does, yea. Read the Hardwire et al ad copy for the reverb, it's why they suddenly had reverb pedals that didn't sound like ass.

And I honestly don't know why not. A slightly modernized Vortex would be a thing of glory - with a longer delay time and a couple more options I'd camp out at their offices until I had one.

The Vortex as a whole though I suspect they're in the whole live in fear of it thing - those things were the albatross of the 90s. You couldn't give them away until GC got a warehousefull for a buckfourtynine.

rfurtkamp wrote:They're trying to protect their higher end products, except....I don't want one of their all in one multis.

If I want that, I'll stick with Roland/Boss stuff.

TC has always been modulation/delay stuff, and verb is a distant second - I'm still amazed Digitech hasn't exploited owning Lexicon more (or that Alesis hasn't pulled some of their routines from cryosleep and made a Quadraverb/Midiverb pedal).

yeah exactly, I'd love some of their higher end stuff but a) I can't be arsed with things that aren't pedals and b) money

Maaan a Quadraverb/midiverb pedal could be very cool, those units are kinda neat.

I use the E1 on my v1 trinity the majority of the time. I've found E2 to be mostly useless

rfurtkamp wrote:Looked at it, don't think I'll be replacing any of my rack stuff though.

That one preset thing is just way, way, way too limiting.

I was waiting for you...

Wanted you to chime in and say all those sounds can be done with a rack from the '80s/'90s...

Watching that demo I all could think was that it had to take this long for technology to get small enough so we could put them in a pedal... I love the Ensoniq DP-4 but if you open its 2U ass up it's 4 huge boards doing what could probably be put in a Bluesky sized enclosure nowadays...

H9 anyone???