ilovefuzz.com

t-rey wrote:

conky wrote:Yeah, I was messing around with it earlier and got it sounding ok set at 10, 11, and 11. I hope it will be close when I get to the space and try it.

I've never really used it that way - I keep it big and spacy behind fuzz, but knowing how good it is, I'm sure there is a setting in there that will work for you.

pelliott wrote:I got my Ghost Echo to clip today. It took a shit ton of input. It was weird.

Good story, ol' Pete.

Holy damn, I didn't even know that was possible.

I'm sure those settings will end up getting changed when I get to practice and crank it to full volume with the rest of the band. I'm trying to get it to sound as washed out and ambient as I can on the cleans and still have the heavier parts tight and focused.

Like the clean tone on the first song of this:

http://oxtongue.bandcamp.com/releases

I fucking love this band.

t-rey wrote:Holy damn, I didn't even know that was possible.

I was playing Pharaoh (volume nearly dimed) > Black Forest (volume nearly dimed) > Ghost Echo. Shit tons.

pelliott wrote:

t-rey wrote:Holy damn, I didn't even know that was possible.

I was playing Pharaoh (volume nearly dimed) > Black Forest (volume nearly dimed) > Ghost Echo. Shit tons.

SHIT. TONS.

i usually play a badascan dimed into the ape blaster at around 3:00 and get nothing like clipping. i'm pretty sure i've even tried the ab dimed as well. not an easy feat.

Someone should see if Oath > Oath will blow up a pedal.

misterstomach wrote:i usually play a badascan dimed into the ape blaster at around 3:00 and get nothing like clipping. i'm pretty sure i've even tried the ab dimed as well. not an easy feat.

How do you have any hearing, motherfucker?

pelliott wrote:Someone should see if Oath > Oath will blow up a pedal.

I did this with both of my Revelations dimed and to my surprise it actually sounded pretty good. Feedback city when I stopped playing, but I expected that.

BAT stuff tends to stack amazingly well despite the massive output!

conky wrote:

t-rey wrote:

conky wrote:Yeah, I was messing around with it earlier and got it sounding ok set at 10, 11, and 11. I hope it will be close when I get to the space and try it.

I've never really used it that way - I keep it big and spacy behind fuzz, but knowing how good it is, I'm sure there is a setting in there that will work for you.

pelliott wrote:I got my Ghost Echo to clip today. It took a shit ton of input. It was weird.

Good story, ol' Pete.

Holy damn, I didn't even know that was possible.

I'm sure those settings will end up getting changed when I get to practice and crank it to full volume with the rest of the band. I'm trying to get it to sound as washed out and ambient as I can on the cleans and still have the heavier parts tight and focused.

Like the clean tone on the first song of this:

http://oxtongue.bandcamp.com/releases

I fucking love this band.

Forgot to comment on this. Ox Tongue is very awesome. Friend introduced me to them a bit back and I've been enjoying ever since. Super cool stuff.

I'm ready for their album to come out. I have a test pressing but i want the actual release so i can get the artwork and lyrics and all that good stuff.

Been messing around with my Ghost Echo at practice and the last show and I finally got it dialed in. Always on at the end of my chain right before my TR2. Settings = 10, 11, 10. Adds the right amount of heaviness without being muddy when I palm mute.

conky wrote:
...Settings = 10, 11, 10. Adds the right amount of heaviness without being muddy when I palm mute.

I'm going to have to try this.