ilovefuzz.com

It's like this p. much

Achtane wrote:

bob the r0bot wrote:

theavondon wrote:OFFSET>RAT>VERB>JAZZ CHORUS

HURR DURR SGAZE

SHURRRGAAZZZZZZEEEEEEEEE

BRO ITS NOT THE GAIZ UNLESS YER PLAYING SIMPLE PROGRESSIONS THROUGH FIVE DISTORTIONS AND A REVERB

FIVE REVERBS AND A DISTORTION AND YOU HAS THE AMBIENTS

Roland JC-120's played a big part of shoegaze tone, especially so with bands like Slowdive.

Weed > Guitar > Verb > Fuzz > Amp... Post-Gaze-Doom-Core...

Fer shoogaze

tuffteef wrote:all you need is a big muff and feelings

Been using a holy grail into a modded MT-2 into a DD7 on modulated delay. DREAMY

bigchiefbc wrote:

warwick.hoy wrote:Post Rock:
Mogwai
Explosions in the Sky
Godspeed You! Black Emperor
Red Sparrows
Russian Circles

GardenoftheDead wrote:Shoogays:
Swirlies
Swervedriver
My Bloody Valentine
A Place to Bury Strangers
Screen Vinyl Image
The Pains of Being Pure at Heart
Lush
Early M83
Airs
Whirr

Medicine for shoegaze.

Brad Laner used a VCR for Teh Gazzze...

I would add Lilys In the Presence of Nothing as the US Loveless and Chapterhouse, Boo Radleys, Chaterine Wheel, Pale Saints, Mercury Rev, the first Drop 19's, some Bailter Space, some Stereo Lab, Curve, Ride, and Guitar to the Gazzze list...

Don't forget Slowdive, perhaps the quintessential showgaze band of the 1990s, they were awesome: Listen to this to get an idea of their sound: http://www.youtube.com/watch?v=uVY9p1IHops

Their albums:
Just For A Day
Souvlaki
Pygmalion

Other band to check out for a more ethereal twist on shoegaze/dream pop is:

Cocteau Twins (http://www.youtube.com/watch?v=h_ICl20EJjY)

When going for a shoegaze sound I use two LINE 6 verbzillas (hall reverb on 'zilla 1 and octo on 'zilla 2) with EHX Memory Boy delay, sometimes doubled with a DD3 and then a DeviEver Hyperion on top - before that I was using a Shredmaster. Creates quite a big sound.

Tremolo fx often feature quite a bit in shoegaze music and of course if you want the My Bloody Valentine sound you strum whilst using the whammy bar (and a heap load more fx). Panda Riot have a similar sound to MBV - if lighter and a bit sweeter - and might be worth checking out.

Panda Riot is my girlfriend's cousin's band. I got to see/meet them when they were in town a bit back.

Panda Riot are are best fuckin marine biology soundtrack.

Tube distortion.
Germanium fuzz.
Silicon fuzz.
Tape delay.
Analog delay.
Digital delay.
Spring reverb tanks you can hit/kick.
Hall reverb.
Plate reverb.
Panning tremolo.
Panning phasing.
Stereo chorusing.

Acoustic guitar with reverb; high depth settings.

Dissonance.

Also:

PumpkinPieces wrote:Fer shoogaze

tuffteef wrote:all you need is a big muff and feelings

dazedbyday wrote:Panda Riot is my girlfriend's cousin's band. I got to see/meet them when they were in town a bit back.

That's ace. Ask when their records are going to available properly in the UK, I'm not a fan of downloads; I like to hold the record and marvel at the artwork!

Alright, I'm posting this on my phone so hopefully it looks okay.

You need this or you aren't gazing:



And other stuffs that you may need:





I play shoegaze and post-rock so my gear may help, at least I hope. Ok so my gear is a 2010 Fender classic player Jazzmaster and a modded 1979 Fender Deluxe Reverb but any loud tube amp will do. Two amps for stereo would be great for shoegaze but I don't have the money for that now. The jazzmaster comes in handy for replicating the strumming while pushing down on the vibrato that MBV uses.

As you can see, I use lots of delay, here is how I use them:
First PS-3: Mode 7 inverse pitch shifting delay
Second PS-3: short delay or for normal pitch shifting
Sunny Day Delay: modulated delay with an analog voice, awesome with the RRR
Goodbye 24: speed up or reverse sounds, noisy but good
DD-7: used as a looper, long delay or reverse delay
RV-3: mode 11, or delays with reverb.

The RV-3 normally goes near the end of the chain, so I can place the RRR pre-dirt, which is awesome, but there is something wrong with it at the moment. The TAFM and polygrace are used for textural fuzzes, and I'm lacking the modulation I would prefer but I get the combinations of ambience I like. Pretty satisfied at the moment. If you have any questions, PM me and I hope this helps if you get into playing this stuff. And as for suggestions for music, follow everyone else's suggestions. Some of my favorites from both genres include MBV, Ride, Sigur Ros, Godspeed You black emperor, Russian circles, and Pelican. There are tons of others you can find just by exploring the sidebar on YouTube! Good luck and I hope I helped!

Cult of Luna.

So much awesome.

Jake wrote:
As you can see, I use lots of delay, here is how I use them:
First PS-3: Mode 7 inverse pitch shifting delay
Second PS-3: short delay or for normal pitch shifting
Sunny Day Delay: modulated delay with an analog voice, awesome with the RRR
Goodbye 24: speed up or reverse sounds, noisy but good
DD-7: used as a looper, long delay or reverse delay
RV-3: mode 11, or delays with reverb.

Nice gear! The DD-7 is a beauty but I do like my old DD-3, even if the hold function seems to have given up the ghost.

for shoegaze what ya gotta do is take all of your pedals and have em all on at the same time