ilovefuzz.com

4ms atoner doing a high pitch wobbly tone plus piercing full treble fucked up fuzz

wfs1234 wrote:If you weren't playing you'd be more than happy to slam a boot into their std riddled genitals, but you're on-stage so you can't.?

And why should that stop you?

[youtube]http://www.youtube.com/watch?v=AJ_P1vfZYo4[/youtube]

[youtube]http://www.youtube.com/watch?v=b4uahL_tQWc[/youtube]

Casavettes wrote:Turn treble and volume on amp all the way up, everything else completely down
Run boss metal zone

With a Zoom auto wah.

for the shrill harpy thang

1. Crank Hawk.
2. Get painfully trebly feedback.
3. Use Micro Pog with octave up only.
4. Kill Bitches.

The 4545 can get downright painful. At canine level high frequency squeals.

play a hollowbody, use a big muff.

Bonus points for the grey 'stache here: since I already get hella feedback when I'm not playing anyway, the latched oscillation switch adds another dimension to the noise.

Stereo split signal to two amps, one with a Destructo Noctavia going into treble-boosting graphic EQ, the other with a fuzz factory set for siren noises.

hazelwould wrote:The 4545 can get downright painful. At canine level high frequency squeals.

Actually, yes. This is the correct answer.

Turn all the knobs on the Kill Kill Filter fully clockwise then run a
Super Massive Black Hole through a treble booster and into it.

A silicon Fuzz face into ten range masters, into a Twin reverb with a 4x12 stereo cabinet.

I'd throw an MXR pedal at them.

Am I only one who has noticed how heavy those fuckers are?

Good point, that reminds me...
I'll just toss the Big Spider at 'em, if it's not an instant KO then it'll be forever velcro'd to their body.
Don't ever cover the entire bottom of one in Velcro. I almost have to pry it off the board with a flathead screwdriver.

dude that video of rollins is awesome
I feel like he was waiting to wail on that guy


long long time ago I had a bass player take out a guy with his headstock, he was near the crowd and they were chucking nickels at us and then someone wacked him and he caught em in the side of the head with the headstock it made this awesome clunking sound and the kid went and sat down and left us alone



as far as what pedal I would use, I have no clue, i feel like the fuzz war has ridiculous output but it always just sounds good some settings on the FM4 are strange but not violent enough

gotta think this through

Devi Test Pattern into Jazz Chorus, distortion channel. Bright switch on.

Leave.

Come back 5m later, collect wallets from the corpses piled up.

ps6 s bend many octaves up
play as high on the neck as you can
and philosophers tone
full sustain feedback
its like lightning bolts
for ears