Re: Getting THAT tone.
Posted: Wed Apr 11, 2012 7:46 pm
we all know that you can't get the perfect tone without a Dumble. christ, haven't we been over this? the fragile upper harmonics and electrons guys. jeez 


masked elwood wrote:great topic.
when i hear someone with a great sound, i think only that they have a great sound. i'm not interested in doing what someone else has already done. i admit that i am very much influenced by zappa's middy honky sound and it has creeped into my playing but it wasn't intentional, it's just an honest influence.
IMO your tone is in your fingers and head. the means to get it out will always change due to us being humans with emotions, and emotions change...eventually everyone worth their salt will get there or realize it's there and recognize it.
i feel 'personal tone' is more about the notes and the "eyebrows and attitude" used to get them across. i noticed long ago that i sound like me using anything. there is always a comfort zone and that comfort zone is 'your' tone. diff gear reacts differently and that in turn creates a conduit from your 'person'.
i sound like me unplugged and know in my head where it's going to take me. of coarse there are always happy accidents that happen with volume and that will never change for those that experiment, which we all do. but at some point you'll realize that "you" mos def have a sound...it's already there, you just have to keep trying other means to get it out so it remains inspiring. when we use different colors, the notes and mannerisms involved are from your head & heart.....it's who you are so while it's may sound diff at that moment, you'll soon realize the similarities between the past and the present....it's just colored differently.
those who don't follow will be the ones that lead...and the ones that realize their personal 'tone' faster.
at least that's what i think....
Chankgeez wrote:Now can we talk about phrasing?
fungalattack wrote:Chankgeez wrote:Now can we talk about phrasing?
like how you shape the notes? like slurred or staccato?
theavondon wrote:I've been going for kinda a plank plank clank bwaaaaaaaaaaaaahhhhhhhhhhhh kind of sound. I think I'm getting there.
adrianlee wrote:theavondon wrote:I've been going for kinda a plank plank clank bwaaaaaaaaaaaaahhhhhhhhhhhh kind of sound. I think I'm getting there.
stainless stell strings?
masked elwood wrote:great topic.
when i hear someone with a great sound, i think only that they have a great sound. i'm not interested in doing what someone else has already done. i admit that i am very much influenced by zappa's middy honky sound and it has creeped into my playing but it wasn't intentional, it's just an honest influence.
IMO your tone is in your fingers and head. the means to get it out will always change due to us being humans with emotions, and emotions change...eventually everyone worth their salt will get there or realize it's there and recognize it.
i feel 'personal tone' is more about the notes and the "eyebrows and attitude" used to get them across. i noticed long ago that i sound like me using anything. there is always a comfort zone and that comfort zone is 'your' tone. diff gear reacts differently and that in turn creates a conduit from your 'person'.
i sound like me unplugged and know in my head where it's going to take me. of coarse there are always happy accidents that happen with volume and that will never change for those that experiment, which we all do. but at some point you'll realize that "you" mos def have a sound...it's already there, you just have to keep trying other means to get it out so it remains inspiring. when we use different colors, the notes and mannerisms involved are from your head & heart.....it's who you are so while it's may sound diff at that moment, you'll soon realize the similarities between the past and the present....it's just colored differently.
those who don't follow will be the ones that lead...and the ones that realize their personal 'tone' faster.
at least that's what i think....

masked elwood wrote:great topic.
when i hear someone with a great sound, i think only that they have a great sound. i'm not interested in doing what someone else has already done. i admit that i am very much influenced by zappa's middy honky sound and it has creeped into my playing but it wasn't intentional, it's just an honest influence.
IMO your tone is in your fingers and head. the means to get it out will always change due to us being humans with emotions, and emotions change...eventually everyone worth their salt will get there or realize it's there and recognize it.
i feel 'personal tone' is more about the notes and the "eyebrows and attitude" used to get them across. i noticed long ago that i sound like me using anything. there is always a comfort zone and that comfort zone is 'your' tone. diff gear reacts differently and that in turn creates a conduit from your 'person'.
i sound like me unplugged and know in my head where it's going to take me. of coarse there are always happy accidents that happen with volume and that will never change for those that experiment, which we all do. but at some point you'll realize that "you" mos def have a sound...it's already there, you just have to keep trying other means to get it out so it remains inspiring. when we use different colors, the notes and mannerisms involved are from your head & heart.....it's who you are so while it's may sound diff at that moment, you'll soon realize the similarities between the past and the present....it's just colored differently.
those who don't follow will be the ones that lead...and the ones that realize their personal 'tone' faster.
at least that's what i think....
Chankgeez wrote:fungalattack wrote:Chankgeez wrote:Now can we talk about phrasing?
like how you shape the notes? like slurred or staccato?
Yeah.
snipelfritz wrote:Chankgeez wrote:fungalattack wrote:Chankgeez wrote:Now can we talk about phrasing?
like how you shape the notes? like slurred or staccato?
Yeah.
Also dynamics over a single phrase.
Derelict78 wrote:adrianlee wrote:All of this I know, of course. By it'll never happen I mean i'll never to be able to play like him.
he has this strange way of playing ..
it really sounds like his guitar is talking
after 20 years I still cant get over it
