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Almost all of greg edwards drive comes from his vht pitbull head. Clean is the fender twin.

That's a mix of high gain low master vol. Osc. Delay controled with exp pedal( line6 echo pro basically a rack mount dl4 with 100 presets) and of course, his pure genius. His pedals during the future perfect era were mostly controled by midi loop switchers. That allowed him to turn on a fuzz, delay set to a specific tempo, change his amp/gain channel all with one stomp.

End uber fan geek out.

Also, torn's peaker. All the controlable feedback you could want.

Aenima will get you harmonic (the nice kind) feedback at conversational volumes.

lately i've been getting nifty low-volume feedback by using two or three fuzzes in series with my 10-watt practice amp. particularly when combined with compression, i can get howling feedback at a volume level i can converse over or watch football matches on TV in the background. it seems to be all about the amount of accumulated gain...once it's over a certain threshold all i have to do is look at the amp and it'll start to holler.

I could make that amp feedback by looking at it.

Get an attenuator -- a proper one, not one of those volume pots in a box, a proper speaker power soak.

D.o.S. wrote:Use the volume knob. If all you're doing is making noise, set the pedals to all sorts of feedback-y, sustain-y freakness and adjust yr volume knob to taste.

Or you could use a volume pedal if you'd rather have both your hands free.

devnulljp wrote:Get an attenuator -- a proper one, not one of those volume pots in a box, a proper speaker power soak.

These.