edkoppel wrote:yeah fuzz summit strikes again./ The 1st pink one and the last black and gold MHDark sound amazing, the rest sound awesome too, but those ones stand out for me.
That first pink one is #15 from ~2004/5. Those early ones are all different but all great. You can tell he had loads of time to build each one (while stoned out of his tree ? ).
Earliest I have is #8, and it's basically a muff fuzz, before he changed the circuit to a full-on fuzz face.
Good deals done with all these guys Canada, we put the "u" in satire
D.o.S. wrote:I've always been curious as to how a Meathead Dark sounds on bass.
And by bass, I mean passive bass into a tube amp.
I've got an Epi LP bass w/ humbuckers, a Traynor Bass Master + 4x12, and a Drk clone. I could record something with it this week.
That would be killer. I've been eyeing a dark clone for a while, but I want to guestimate how it'd interact with ye old OR120, and there's nothing close to that online basswise.
D.o.S. wrote:That would be killer. I've been eyeing a dark clone for a while, but I want to guestimate how it'd interact with ye old OR120, and there's nothing close to that online basswise.
I'll try to get something recorded tomorrow. If it's not too crappy playing + recording wise, and I'll start an FX sample page on my bandcamp. I like bass or guitar with the meathead into the dark input and the thundercloud into the bright input run at the same time. The neighbors, not so much.
D.o.S. wrote:That would be killer. I've been eyeing a dark clone for a while, but I want to guestimate how it'd interact with ye old OR120, and there's nothing close to that online basswise.
I'll try to get something recorded tomorrow. If it's not too crappy playing + recording wise, and I'll start an FX sample page on my bandcamp. I like bass or guitar with the meathead into the dark input and the thundercloud into the bright input run at the same time. The neighbors, not so much.
).
